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Here, we use methods from nonlinear dynamics to test whether adult male zebra finches (<jats:italic>Taenopygia guttata<\/jats:italic>) use the intrinsic nonlinear properties of their vocal organ, the syrinx, to insert subharmonic transitions in their song. In contrast to previous data on the basis of spectrographic evidence, we show that subharmonic transitions do not occur in adult song. Subharmonic transitions also do not arise in artificially induced sound in the intact syrinx, but are commonly generated in the excised syrinx. These findings suggest that subharmonic transitions are not used to increase song complexity, and that the brain controls song in a surprisingly smooth control regimen. Fast, smooth changes in acoustic elements can be produced by direct motor control in a stereotyped fashion, which is a more reliable indicator of male fitness than abrupt acoustic changes that do not require similarly precise control. Consistent with this view is the presence of high fidelity at every level of motor control, from telencephalic premotor areas to superfast syringeal muscles.<\/jats:p>","DOI":"10.1523\/jneurosci.1130-10.2010","type":"journal-article","created":{"date-parts":[[2010,10,6]],"date-time":"2010-10-06T16:34:57Z","timestamp":1286382897000},"page":"13246-13253","source":"Crossref","is-referenced-by-count":26,"title":["Smooth Operator: Avoidance of Subharmonic Bifurcations through Mechanical Mechanisms Simplifies Song Motor Control in Adult Zebra Finches"],"prefix":"10.1523","volume":"30","author":[{"given":"Coen P. 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