{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,10,15]],"date-time":"2025-10-15T17:50:16Z","timestamp":1760550616955},"reference-count":58,"publisher":"FapUNIFESP (SciELO)","issue":"2","content-domain":{"domain":[],"crossmark-restriction":false},"short-container-title":["Sociol. Antropol."],"abstract":"<jats:p>Resumo O artigo decorre do desenvolvimento te\u00f3rico-emp\u00edrico de um projeto de doutoramento sobre as culturas urbanas e as cenas musicais contempor\u00e2neas portuguesas, que demarcou e interpretou as din\u00e2micas subjacentes \u00e0 g\u00eanese, \u00e0 constitui\u00e7\u00e3o e ao funcionamento do subcampo do rock alternativo em Portugal ao longo dos \u00faltimos 40 anos. Enfoca especificamente os perfis de frui\u00e7\u00e3o cultural, art\u00edstica e musical das cidades do Porto e de Lisboa na \u00faltima d\u00e9cada, observando tend\u00eancias, dissemelhan\u00e7as, perseveran\u00e7as e especificidades. O estudo constata a emerg\u00eancia de uma juventude portuguesa enquadrada na esfera do cosmopolitismo est\u00e9tico e l\u00fadico, detentora de um capital cultural cosmopolita - isto \u00e9, de um saber-fazer e saber-estar na experimenta\u00e7\u00e3o e frui\u00e7\u00e3o da diferen\u00e7a cultural, por consumo e pr\u00e1ticas musicais, art\u00edsticas e culturais urbanas marcadas pelo hibridismo e o ecletismo.<\/jats:p>","DOI":"10.1590\/2238-38752016v822","type":"journal-article","created":{"date-parts":[[2018,7,27]],"date-time":"2018-07-27T18:46:24Z","timestamp":1532717184000},"page":"375-400","source":"Crossref","is-referenced-by-count":3,"title":["UMA CIDADE ENTRE SONHOS DE N\u00c9ON. ENCONTROS, TRANSA\u00c7\u00d5ES E FRUI\u00c7\u00d5ES COM AS CULTURAS MUSICAIS URBANAS CONTEMPOR\u00c2NEAS"],"prefix":"10.1590","volume":"8","author":[{"given":"Paula","family":"Guerra","sequence":"first","affiliation":[{"name":"Universidade do Porto, Portugal"}]}],"member":"530","published-online":{"date-parts":[[2018,8]]},"reference":[{"key":"ref1","first-page":"123","article-title":"Pr\u00e1ticas e consumos de m\u00fasica(s): ilustra\u00e7\u00f5es sobre alguns novos contextos de pr\u00e1tica cultural","volume":"56","author":"Abreu Paula","year":"2000","journal-title":"Revista Cr\u00edtica de Ci\u00eancias Sociais"},{"key":"ref2","series-title":"Art worlds","author":"Becker Howard S","year":"1982"},{"issue":"3","key":"ref3","first-page":"27","article-title":"The continuing importance of the 'cultural' in the study of youth","volume":"30","author":"Bennett Andy","year":"2011","journal-title":"Youth Studies Australia"},{"issue":"4","key":"ref4","doi-asserted-by":"crossref","first-page":"419","DOI":"10.1177\/1440783308097130","article-title":"Towards a cultural sociology of popular music","volume":"44","author":"Bennett Andy","year":"2008","journal-title":"Journal of Sociology"},{"key":"ref5","series-title":"Music scenes: local, translocal and virtual","author":"Bennett Andy","year":"2004"},{"key":"ref6","series-title":"The Festivalization of Culture","author":"Bennett Andy","year":"2014"},{"key":"ref7","series-title":"A distin\u00e7\u00e3o: cr\u00edtica social do julgamento","author":"Bourdieu Pierre","year":"2007"},{"key":"ref8","series-title":"Quest\u00f5es de sociologia","author":"Bourdieu Pierre","year":"2004"},{"issue":"1","key":"ref9","doi-asserted-by":"crossref","first-page":"3","DOI":"10.3406\/arss.1979.2654","article-title":"Les trois \u00e9tapes du capital culturel","volume":"30","author":"Bourdieu Pierre","year":"1979","journal-title":"Actes de la Recherche en Sciences Sociales"},{"key":"ref10","doi-asserted-by":"crossref","first-page":"141","DOI":"10.1016\/S0304-422X(97)00008-9","article-title":"What about the Univores? Musical dislikes and group-based identity construction among Americans with low levels of education","volume":"25","author":"Bryson Bethany","year":"1997","journal-title":"Poetics"},{"key":"ref11","series-title":"L'invention du quotidien","author":"Certeau Michel de","year":"1980"},{"issue":"1","key":"ref12","doi-asserted-by":"crossref","first-page":"1","DOI":"10.1093\/esr\/jcl016","article-title":"Social stratification and cultural consumption: music in England","volume":"23","author":"Chan Tak Wing","year":"2007","journal-title":"European Sociological Review"},{"key":"ref13","series-title":"Rock culture in Liverpool: popular music in the making","author":"Cohen Sara","year":"1991"},{"key":"ref14","first-page":"117","article-title":"Cen\u00e1rios de pr\u00e1ticas culturais em Portugal (1979-1995)","volume":"23","author":"Conde Idalina","year":"1997","journal-title":"Sociologia - Problemas e Pr\u00e1ticas"},{"key":"ref15","first-page":"89","article-title":"Les m\u00e9tamorphoses de la l\u00e9gitimit\u00e9. Classes sociales et go\u00fbt musical en France, 1973-2008","volume":"181-182","author":"Coulangeon Philippe","year":"2010","journal-title":"Actes de la Recherche en Sciences Sociales"},{"issue":"1","key":"ref16","first-page":"3","article-title":"La stratification sociale des gouts musicaux: le mod\u00e8le de la l\u00e9gitimit\u00e9 culturelle en question","volume":"44","author":"Coulangeon Philippe","year":"2003","journal-title":"Revue Fran\u00e7aise de Sociologie"},{"key":"ref17","series-title":"The production of culture - media and the urban arts","author":"Crane Diana","year":"1992"},{"issue":"3","key":"ref18","doi-asserted-by":"crossref","first-page":"301","DOI":"10.1017\/S0261143001001519","article-title":"All rock and roll is homosocial: the representation of women in the British rock music press","volume":"20","author":"Davies Helen","year":"2001","journal-title":"Popular Music"},{"key":"ref19","series-title":"The Blackwell Encyclopedia of Sociology","volume-title":"Consumption of Music","author":"DeNora Tia","year":"2007"},{"key":"ref20","series-title":"Music in everyday life","author":"DeNora Tia","year":"2000"},{"key":"ref21","doi-asserted-by":"crossref","first-page":"440","DOI":"10.2307\/2095290","article-title":"Classification in art","volume":"52","author":"DiMaggio Paul","year":"1987","journal-title":"American Sociological Review"},{"issue":"2","key":"ref22","doi-asserted-by":"crossref","first-page":"169","DOI":"10.1016\/j.poetic.2004.02.005","article-title":"Arts participation as cultural capital in the United States, 1982-2002: signs of decline?","volume":"32","author":"DiMaggio Paul","year":"2004","journal-title":"Poetics"},{"key":"ref23","doi-asserted-by":"crossref","first-page":"123","DOI":"10.4000\/rccs.1272","article-title":"Culturas urbanas e espa\u00e7os p\u00fablicos: sobre as cidades e a emerg\u00eancia de um novo paradigma sociol\u00f3gico","volume":"63","author":"Fortuna Carlos","year":"2002","journal-title":"Revista Cr\u00edtica de Ci\u00eancias Sociais"},{"key":"ref24","series-title":"A globaliza\u00e7\u00e3o e as ci\u00eancias sociais","volume-title":"A cidade do lado da cultura: espacialidades sociais e modalidades de intermedia\u00e7\u00e3o cultural","author":"Fortuna Carlos","year":"2002"},{"key":"ref25","series-title":"Comedy and distinction: the cultural currency of a ''Good'' sense of humour","author":"Friedman Sam","year":"2014"},{"key":"ref26","doi-asserted-by":"crossref","first-page":"1","DOI":"10.1016\/j.poetic.2015.10.002","article-title":"Cultural sociology and new forms of distinction","volume":"53","author":"Friedman Sam","year":"2015","journal-title":"Poetics"},{"key":"ref27","series-title":"Circuitos urbanos, palcos midi\u00e1ticos: perspectivas culturais da m\u00fasica ao vivo","first-page":"29","volume-title":"A revolu\u00e7\u00e3o do festival: um percurso pela agenda dos festivais pop rock portugueses na \u00faltima d\u00e9cada","author":"Guerra Paula","year":"2017"},{"key":"ref28","series-title":"Redefining art worlds in the late modernity","first-page":"39","volume-title":"From the night and the light, all festivals are golden\": the festivalization of culture in the late modernity","author":"Guerra Paula","year":"2016"},{"key":"ref29","series-title":"A inst\u00e1vel leveza do rock: g\u00e9nese, din\u00e2mica e consolida\u00e7\u00e3o do rock alternativo em Portugal (1980-2010)","author":"Guerra Paula","year":"2013"},{"key":"ref30","doi-asserted-by":"crossref","first-page":"111","DOI":"10.4000\/rccs.5486","article-title":"Punk, a\u00e7\u00e3o e contradi\u00e7\u00e3o em Portugal. Uma aproxima\u00e7\u00e3o \u00e0s culturas juvenis contempor\u00e2neas","volume":"102-103","author":"Guerra Paula","year":"2013","journal-title":"Revista Cr\u00edtica de Ci\u00eancias Sociais"},{"key":"ref31","series-title":"A inst\u00e1vel leveza do rock: g\u00e9nese, din\u00e2mica e consolida\u00e7\u00e3o do rock alternativo em Portugal (1980-2010)","author":"Guerra Paula","year":"2010"},{"issue":"2","key":"ref32","doi-asserted-by":"crossref","first-page":"207","DOI":"10.1177\/1367549414563294","article-title":"Music and more than music: the approach to difference and identity in the Portuguese punk","volume":"18","author":"Guerra Paula","year":"2015","journal-title":"European Journal of Cultural Studies"},{"key":"ref33","series-title":"La passion musicale. Une sociologie de la m\u00e9diation","author":"Hennion Antoine","year":"1993"},{"key":"ref34","series-title":"Art after the Hipster. Identity politics, ethics and aesthetics","author":"Hill Wes","year":"2017"},{"key":"ref35","series-title":"Postmodernism or the cultural logic of the late capitalism","author":"Jameson Fredric","year":"1991"},{"key":"ref36","doi-asserted-by":"crossref","first-page":"38","DOI":"10.1016\/j.poetic.2015.10.001","article-title":"Beauty and distinction? The evaluation of appearance and cultural capital in five European countries","volume":"53","author":"Kuipers Giselinde","year":"2015","journal-title":"Poetics"},{"key":"ref37","series-title":"Dimens\u00e3o simb\u00f3lica de uma pr\u00e1tica social: consumo do vinho em quotidianos portuenses","author":"Magalh\u00e3es Dulce","year":"2005"},{"issue":"32","key":"ref38","doi-asserted-by":"crossref","first-page":"487","DOI":"10.1590\/2236-9996.2014-3209","article-title":"Gentrifica\u00e7\u00e3o e pol\u00edticas de reabilita\u00e7\u00e3o urbana em Portugal: uma an\u00e1lise cr\u00edtica \u00e0 luz da tese rent gap de Neil Smith","volume":"16","author":"Mendes Lu\u00eds","year":"2014","journal-title":"Cadernos Metr\u00f3pole"},{"key":"ref39","series-title":"The world of perception","author":"Merleau-Ponty Maurice","year":"2004"},{"key":"ref40","series-title":"Lufa-lufa quotidiana. Ensaios sobre a cidade, cultura e vida urbana","author":"Pais Jos\u00e9 Machado","year":"2010"},{"key":"ref41","first-page":"7","article-title":"As 'cronotopias' das pr\u00e1ticas culturais do quotidiano","volume":"4","author":"Pais Jos\u00e9 Machado","year":"1998","journal-title":"OBS"},{"issue":"1","key":"ref42","doi-asserted-by":"crossref","first-page":"95","DOI":"10.1177\/1466138113505023","article-title":"'Participatory' visual research revisited: a critical-constructive assessment of epistemological, methodological and social activist tenets","volume":"16","author":"Pauwels Luc","year":"2015","journal-title":"Ethnography"},{"key":"ref43","first-page":"211","article-title":"Centros hist\u00f3ricos e sustentabilidade cultural das cidades","volume":"13","author":"Peixoto Paulo","year":"2003","journal-title":"Sociologia: Revista da Faculdade de Letras da Universidade do Porto"},{"issue":"61","key":"ref44","doi-asserted-by":"crossref","first-page":"900","DOI":"10.2307\/2096460","article-title":"Changing highbrow taste: from snob to omnivore","volume":"5","author":"Peterson Richard A.","year":"1996","journal-title":"American Sociological Review"},{"key":"ref45","series-title":"Age factors in arts participation: 1982-1992","author":"Peterson Richard A.","year":"1996"},{"issue":"2","key":"ref46","doi-asserted-by":"crossref","first-page":"246","DOI":"10.1080\/14616696.2012.748930","article-title":"Emerging forms of cultural capital","volume":"15","author":"Prieur Annick","year":"2013","journal-title":"European Societies"},{"key":"ref47","series-title":"The lost women of rock music","author":"Reddington Helen","year":"2012"},{"key":"ref48","series-title":"Pop-rock Music. Aesthetic cosmopolitanism in late modernity","author":"Regev Motti","year":"2013"},{"issue":"3","key":"ref49","doi-asserted-by":"crossref","first-page":"556","DOI":"10.1177\/0038038514544492","article-title":"Signs of 'emerging' cultural capital? analysing symbolic struggles using class specific analysis","volume":"49","author":"Roose Henk","year":"2015","journal-title":"Sociology"},{"key":"ref50","series-title":"Novos trilhos culturais. Pr\u00e1ticas e pol\u00edticas","first-page":"29","volume-title":"Uma panor\u00e2mica com tr\u00eas vertentes e duas dimens\u00f5es","author":"Santos Maria de Lourdes Lima dos","year":"2010"},{"key":"ref51","series-title":"Dissonant Identities: The rock'n'roll scene in Austin, Texas","author":"Shank Barry","year":"1994"},{"key":"ref52","series-title":"As palavras do punk","author":"Silva Augusto Santos","year":"2015"},{"key":"ref53","series-title":"P\u00fablicos para a cultura, na cidade do Porto","author":"Silva Augusto Santos","year":"2000"},{"key":"ref54","series-title":"Projecto e circunst\u00e2ncia: culturas urbanas em Portugal","first-page":"109","volume-title":"As pr\u00e1ticas e os gostos: uma sondagem do lado das procuras de cultura e lazer","author":"Silva Augusto Santos","year":"2002"},{"key":"ref55","series-title":"Projecto e circunst\u00e2ncia: culturas urbanas em Portugal","first-page":"163","volume-title":"A arte de ser culto: a forma\u00e7\u00e3o e as pr\u00e1ticas dos consumidores regulares","author":"Silva Augusto Santos","year":"2002"},{"key":"ref56","doi-asserted-by":"crossref","first-page":"247","DOI":"10.1016\/j.poetic.2004.05.007","article-title":"Musical boundaries: intersections of form and content","volume":"32","author":"Sonnett John","year":"2004","journal-title":"Poetics"},{"issue":"2","key":"ref57","doi-asserted-by":"crossref","first-page":"411","DOI":"10.1080\/07053436.2004.10707657","article-title":"Cultural Scenes","volume":"27","author":"Straw Will","year":"2005","journal-title":"Loisir et Soci\u00e9t\u00e9\/Society and Leisure"},{"key":"ref58","doi-asserted-by":"crossref","first-page":"105","DOI":"10.1177\/S0038038599000061","article-title":"Consumption, the problem of variety cultural omnivorousness. Social distinction, dining out","volume":"33","author":"Warde Alan","year":"1999","journal-title":"Sociology"}],"container-title":["Sociologia &amp; Antropologia"],"original-title":[],"link":[{"URL":"http:\/\/www.scielo.br\/pdf\/sant\/v8n2\/2238-3875-sant-08-02-0375.pdf","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2019,10,21]],"date-time":"2019-10-21T07:46:48Z","timestamp":1571644008000},"score":1,"resource":{"primary":{"URL":"http:\/\/www.scielo.br\/scielo.php?script=sci_arttext&pid=S2238-38752018000200375&lng=pt&tlng=pt"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2018,8]]},"references-count":58,"journal-issue":{"issue":"2","published-online":{"date-parts":[[2018,8]]}},"alternative-id":["S2238-38752018000200375"],"URL":"https:\/\/doi.org\/10.1590\/2238-38752016v822","relation":{},"ISSN":["2238-3875","2236-7527"],"issn-type":[{"value":"2238-3875","type":"electronic"},{"value":"2236-7527","type":"print"}],"subject":[],"published":{"date-parts":[[2018,8]]}}}