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Antropol."],"abstract":"<jats:p>Resumo A denominada m\u00fasica eletr\u00f4nica de dan\u00e7a pode ser caracterizada como um subcampo de produ\u00e7\u00e3o musical compreendendo uma rede de agentes que inclui m\u00fasicos (sobretudo DJs\/produtores), editoras discogr\u00e1ficas, discotecas e salas de espet\u00e1culos, lojas de discos especializadas, promotores e programadores de espet\u00e1culos e canais de m\u00eddia especializados (imprensa impressa e online e r\u00e1dio). Tendo recolhido informa\u00e7\u00f5es por meio de entrevistas semidirigidas com membros do staff e pela an\u00e1lise de sites oficiais na web e p\u00e1ginas bandcamp, comparo nesse artigo tr\u00eas editoras dedicadas \u00e0 m\u00fasica eletr\u00f4nica de dan\u00e7a (Pr\u00edncipe, Groovement e Discotexas) tomando como dimens\u00f5es de an\u00e1lise valores e princ\u00edpios est\u00e9ticos, suas pol\u00edticas de distribui\u00e7\u00e3o e sua rela\u00e7\u00e3o com outros mediadores, como certas associa\u00e7\u00f5es culturais e espa\u00e7os noturnos (discotecas e salas de espet\u00e1culos) e os meios de comunica\u00e7\u00e3o (imprensa e r\u00e1dio).<\/jats:p>","DOI":"10.1590\/2238-38752021v1129","type":"journal-article","created":{"date-parts":[[2021,10,22]],"date-time":"2021-10-22T21:50:54Z","timestamp":1634939454000},"page":"573-597","source":"Crossref","is-referenced-by-count":1,"title":["O subcampo da M\u00fasica Eletr\u00f4nica de Dan\u00e7a em Portugal: estudo comparativo de tr\u00eas microeditoras independentes"],"prefix":"10.1590","volume":"11","author":[{"ORCID":"https:\/\/orcid.org\/0000-0001-9516-9244","authenticated-orcid":false,"given":"Pedro Belchior","family":"Nunes","sequence":"first","affiliation":[{"name":"Universidade Nova de Lisboa (UNL), Portugal"}]}],"member":"530","published-online":{"date-parts":[[2021,8]]},"reference":[{"issue":"1","key":"ref1","doi-asserted-by":"crossref","first-page":"3","DOI":"10.1177\/1469540513488403","article-title":"The Vinyl: the Analogue Medium in the Age of Digital Reproduction","volume":"15","author":"Bartmanski Dominik","year":"2015","journal-title":"Journal of Consumer Culture"},{"key":"ref2","series-title":"The field of cultural production: essays on art and literature","author":"Bourdieu Pierre","year":"1993"},{"key":"ref3","series-title":"An invitation to reflexive sociology","author":"Bourdieu Pierre","year":"1992"},{"issue":"2","key":"ref4","doi-asserted-by":"crossref","first-page":"102","DOI":"10.1515\/irsr-2015-0009","article-title":"Legitimising strategies in the field of independent cultural production: the case of reissue record labels in the USA","volume":"5","author":"Bowsher Andrew","year":"2015","journal-title":"International Review of Social Research"},{"issue":"2","key":"ref5","doi-asserted-by":"crossref","first-page":"149","DOI":"10.1111\/ecge.12002","article-title":"Value creation in scene-based music production: the case of electronic club music in Germany","volume":"89","author":"Burkner Hans Joachim","year":"2013","journal-title":"Economic Geography"},{"issue":"5","key":"ref6","doi-asserted-by":"crossref","first-page":"575","DOI":"10.1080\/03007760500303421","article-title":"Music production in time of monopoly: the example of Sweden","volume":"29","author":"Burnett Robert","year":"2006","journal-title":"Popular Music and Society"},{"issue":"1","key":"ref7","doi-asserted-by":"crossref","first-page":"17","DOI":"10.4000\/cadernosaa.1192","article-title":"The business of DIY. 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