{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,2,27]],"date-time":"2026-02-27T23:53:44Z","timestamp":1772236424686,"version":"3.50.1"},"reference-count":67,"publisher":"Universidade Estadual de Campinas","issue":"2","license":[{"start":{"date-parts":[[2015,12,31]],"date-time":"2015-12-31T00:00:00Z","timestamp":1451520000000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/creativecommons.org\/licenses\/by-nc-sa\/4.0"}],"funder":[{"DOI":"10.13039\/501100001871","name":"Funda\u00e7\u00e3o para a Ci\u00eancia e a Tecnologia","doi-asserted-by":"publisher","award":["PTDC\/CS-SOC\/118830\/2010"],"award-info":[{"award-number":["PTDC\/CS-SOC\/118830\/2010"]}],"id":[{"id":"10.13039\/501100001871","id-type":"DOI","asserted-by":"publisher"}]}],"content-domain":{"domain":[],"crossmark-restriction":false},"short-container-title":["MODOS: Rev. Hist. Arte"],"abstract":"<jats:p>Neste artigo, procuramos responder \u00e0 quest\u00e3o levantada por Linda Nochlin \u201cWhy have there been no greatest women artists?\u201d, aditando a essa quest\u00e3o uma outra: Por que raz\u00e3o as trajet\u00f3rias femininas nas artes \u2013 e particularmente na m\u00fasica - s\u00e3o esquecidas e\/ou invisibilizadas? Ao estirar a quest\u00e3o para o mundo da m\u00fasica, procuraremos compreender o que est\u00e1 na base desse esquecimento e\/ou invisibilidade e, sequentemente, da secundariza\u00e7\u00e3o de mulheres\/bandas femininas. Primeiro, analisaremos a pr\u00f3pria invisibilidade que afetou, durante d\u00e9cadas, o campo dos youth studies, em que as mulheres n\u00e3o apareciam ou apareciam apenas como namoradas, companheiras, groupies, uma realidade que apenas come\u00e7ou a mudar em meados da d\u00e9cada de 1980. Em seguida, faremos id\u00eantico exerc\u00edcio na realidade portuguesa, especialmente no p\u00f3s-25 de Abril de 1974 no tocante \u00e0 participa\u00e7\u00e3o das mulheres como criadoras nos mundos das artes, com especial \u00eanfase no indie rock e no punk. E, por fim, centramos a nossa an\u00e1lise na compreens\u00e3o do caso paradigm\u00e1tico da m\u00fasica e da ilustradora Ana da Silva e da sua banda The Raincoats - uma banda que atualmente \u00e9 considerada seminal no riot grrrl e p\u00f3s-punk, mas que teve de enfrentar imensas desvaloriza\u00e7\u00f5es e\/ou omiss\u00f5es, o que faz com que, ainda hoje, seja tida como a next big thing pelos m\u00e9dia da especialidade e praticamente desconhecida pela generalidade da popula\u00e7\u00e3o.<\/jats:p>","DOI":"10.20396\/modos.v7i2.8671508","type":"journal-article","created":{"date-parts":[[2023,6,21]],"date-time":"2023-06-21T13:10:36Z","timestamp":1687353036000},"page":"212-249","update-policy":"https:\/\/doi.org\/10.20396\/modcrossmark","source":"Crossref","is-referenced-by-count":5,"title":["Ningu\u00e9m nos ensina como viver. Ana da Silva, The Raincoats e a urg\u00eancia de (re)existir"],"prefix":"10.20396","volume":"7","author":[{"ORCID":"https:\/\/orcid.org\/0000-0003-2377-8045","authenticated-orcid":false,"given":"Paula","family":"Guerra","sequence":"first","affiliation":[{"name":"Universidade do Porto"}]}],"member":"27633","published-online":{"date-parts":[[2023,6,3]]},"reference":[{"key":"ref0","unstructured":"BECKER, H. S. Mundos da Arte. Lisboa: Livros Horizonte, 2010."},{"key":"ref1","doi-asserted-by":"publisher","unstructured":"BENNETT, A.; GUERRA, P. (eds.). DIY Cultures and Underground Music Scenes. Abingdon\/Oxford: Routledge, 2019.","DOI":"10.4324\/9781315226507"},{"key":"ref2","unstructured":"BETA, A. How a British post-punk group influenced entire generations of rock bands, 2017. Dispon\u00edvel em: https:\/\/www.vulture.com\/2017\/11\/the-lasting-influence-of-the-raincoats.html. Acesso em: 3 de setembro de 2022."},{"key":"ref3","doi-asserted-by":"publisher","unstructured":"BRAIDOTTI, R. Punk Women and Riot Grrls. Performance Philosophy, v. 1, n. 1, p. 239-254, 2015. https:\/\/doi.org\/10.21476\/PP.2015.1132.","DOI":"10.21476\/PP.2015.1132"},{"key":"ref4","doi-asserted-by":"publisher","unstructured":"BRILL, D. Goth Culture: Gender, Sexuality and Style. Oxford: Berg, 2008.","DOI":"10.2752\/9781847887184"},{"key":"ref5","doi-asserted-by":"publisher","unstructured":"BUSCATTO, M. Women in jazz: Musicality, femininity, marginalization. Londres: Routledge, 2021.","DOI":"10.4324\/9781003177555"},{"key":"ref6","doi-asserted-by":"publisher","unstructured":"CANN, V. Girls like this, boys like that: The reproduction of gender in contemporary youth cultures. Londres: IB Tauris, 2018.","DOI":"10.5040\/9781350986619"},{"key":"ref7","unstructured":"CHADWICK, W. Women, Art, and Society. Londres: Thames & Hudson, 2020."},{"key":"ref8","unstructured":"CORREIA, S. B. A ter\u00e7a parte vis\u00edvel: a invisibilidade das mulheres artistas no campo das artes visuais portuguesas (2012-2019). An\u00e1lise Social, n. 242, p. 110-138, Lisboa, 2022."},{"key":"ref9","unstructured":"COSTA, M. Heavy weather: the troubled career of the Raincoats, 2009. Dispon\u00edvel em: https:\/\/www.theguardian.com\/culture\/2009\/nov\/05\/the-raincoats-reform. Acesso em: 3 de setembro de 2022."},{"key":"ref10","unstructured":"FONSECA, R. P. A cena art\u00edstica internacional ainda perpetuadora de assimetrias de g\u00e9nero. International Journal of Working Conditions, v. 5, p. 1-17, Portugal, 2015."},{"key":"ref11","doi-asserted-by":"publisher","unstructured":"GATES, E. Why Have There Been No Great Women Composers? Psychological Theories, past and Present. The Journal of Aesthetic Education, v. 28, n. 2, p. 27-34, Champaign, IL, 1994.","DOI":"10.2307\/3333265"},{"key":"ref12","unstructured":"GRIFFIN, N. Gendered Performance Performing Gender in the DIY Punk and Hardcore Music Scene. Journal of International Women's Studies, v. 13, n. 2, p. 66-81, Bridgewater, 2012."},{"key":"ref13","doi-asserted-by":"publisher","unstructured":"GUERRA, P. \u2018Just Can\u2019t Go to Sleep\u2019. DIY cultures and alternative economies facing social theory. Portuguese Journal of Social Sciences, v. 16, n. 3, p. 283-303, Lisboa, 2017.","DOI":"10.1386\/pjss.16.3.283_1"},{"key":"ref14","unstructured":"GUERRA, P. A inst\u00e1vel leveza do rock. G\u00e9nese, din\u00e2mica e consolida\u00e7\u00e3o do rock alternativo em Portugal (1980-2010). Porto: Afrontamento, 2013."},{"key":"ref15","unstructured":"GUERRA, P. A inst\u00e1vel leveza do rock: g\u00e9nese, din\u00e2mica e consolida\u00e7\u00e3o do rock alternativo em Portugal. Tese (Doutoramento em Sociologia). Porto: Faculdade de Letras da Universidade do Porto, 2010."},{"key":"ref16","doi-asserted-by":"publisher","unstructured":"GUERRA, P. E nada mais foi como dantes: fragmentos contraculturais e seus estilha\u00e7os no p\u00f3s-Abril de 1974 em Portugal. Teoria e Cultura, v. 13, n. 1, p. 195\u2013214, Juiz de Fora, 2018.","DOI":"10.34019\/2318-101X.2018.v13.12396"},{"key":"ref17","doi-asserted-by":"publisher","unstructured":"GUERRA, P. Keep it rocking: the social space of Portuguese alternative rock (1980 \u2013 2010). Journal of Sociology, v. 52, n. 4, p. 615-630, Melbourne, 2016.","DOI":"10.1177\/1440783315569557"},{"key":"ref18","unstructured":"GUERRA, P. R\u00e1dio Caos: resist\u00eancia e experimenta\u00e7\u00e3o cultural nos anos 1980. An\u00e1lise Social, v. IV, n. 231, p. 284-309, Lisboa, 2019."},{"key":"ref19","doi-asserted-by":"publisher","unstructured":"GUERRA, P. Raw Power: Punk, DIY and Underground Cultures as Spaces of Resistance in Contemporary Portugal. Cultural Sociology, v. 12, n. 2, p. 241\u2013259, Londres, 2018.","DOI":"10.1177\/1749975518770353"},{"key":"ref20","doi-asserted-by":"publisher","unstructured":"GUERRA, P. Angels with dirty faces: punk, moda e iconoclastias contempor\u00e2neas. dObra[s]. Associa\u00e7\u00e3o Brasileira de Estudos e Pesquisas em Moda (Abepem), V. 12, n.\u00ba 26, p. 124-149, online, 2019.","DOI":"10.26563\/dobras.v12i26.917"},{"key":"ref21","doi-asserted-by":"publisher","unstructured":"GUERRA, P. Teenagers From Outer Space: Contributos para uma genealogia dos fios que teceram a moda e o do-it-yourself em Portugal. dObra[s] \u2013 revista da Associa\u00e7\u00e3o Brasileira de Estudos de Pesquisas em Moda, n.\u00ba 34, p. 19\u201363, online, 2022.","DOI":"10.26563\/dobras.i34.1470"},{"key":"ref22","doi-asserted-by":"crossref","unstructured":"GUERRA, P. Contributions for a quantitative approach to contemporary youth cultures and popular music: A case study from Southern Europe. In BENNETT, Andy (eds.). The Bloomsbury Handbook of Popular Music and Youth Culture. New York: Bloomsbury Publishing. ISBN: 978-1-5013-3369-9, 2023, 131-150.","DOI":"10.5040\/9781501333729.ch-007"},{"key":"ref23","doi-asserted-by":"publisher","unstructured":"GUERRA, P.; OLIVEIRA, A. Heart of glass: Gender and Domination in the Early Days of Punk in Portugal. In VILOTIJEVIC, M.D.; MEDIC, I. (eds.). Contemporary Popular Music Studies. Wiesbaden, Reino Unido: Springer, 2019, 127-136.","DOI":"10.1007\/978-3-658-25253-3_12"},{"key":"ref24","unstructured":"GUERRA, P.; GELAIN, G. Guitarras e Marcas de Batom. Contributos para uma proped\u00eautica artivista no Girls Rock Camp de Porto Alegre. In SARROUY, A.D.; SIM\u00d5ES, J.A.; CAMPOS, R. (eds.). A Arte de Construir Cidadania. Juventude, pr\u00e1ticas criativas e ativismo. Lisboa: Tinta da China, 2022, 197-200."},{"key":"ref25","unstructured":"HALL, S.; DU GAY, P. Questions of cultural identity. Sage Publications, Inc, 1996."},{"key":"ref26","doi-asserted-by":"publisher","unstructured":"HAENFLER, R. Straight Edge: Clean-living Youth, Hardcore Punk, and Social Change. New Brunswick: Rutgers University Press, 2006.","DOI":"10.2307\/j.ctt5hj2jk"},{"key":"ref27","doi-asserted-by":"publisher","unstructured":"HAENFLER, R. The Entrepreneurial (Straight) Edge: How Participation in DIY Music Cultures TRANSLATES to Work and Careers. Cultural Sociology, v. 12, n. 2, p. 174-192, Londres, 2018.","DOI":"10.1177\/1749975517700774"},{"key":"ref28","unstructured":"HEBDIGE, D. Subculture. O significado do estilo. Lisboa: Maldoror, 2018."},{"key":"ref29","doi-asserted-by":"publisher","unstructured":"HILL, R. L.; HESMONDHALGH, D.; MEGSON, M. Sexual violence at live music events: Experiences, responses and prevention. International Journal of Cultural Studies, v. 23, n. 3, p. 368-384, Londres, 2020.","DOI":"10.1177\/1367877919891730"},{"key":"ref30","unstructured":"HODGKINSON, W. John Lydon: Soundtrack of my Life, 2009. Dispon\u00edvel em: https:\/\/www.theguardian.com\/music\/2009\/nov\/01\/sexpistols. Acesso em: 3 de setembro de 2022."},{"key":"ref31","doi-asserted-by":"publisher","unstructured":"HODKINSON, P. Goth. Identity, Style and Subculture. Oxford: Berg, 2002.","DOI":"10.2752\/9781847888747"},{"key":"ref32","unstructured":"KAPLAN, I. Best Female Rock Singers: An Essential Top 30 Countdown, 2022. Dispon\u00edvel em: https:\/\/www.udiscovermusic.com\/stories\/best-female-rock-singers\/ Acesso em: 3 de setembro de 2022."},{"key":"ref33","unstructured":"LEONARD, M. Gender in the Music Industry. Rock, Discourse and Girl Power. UK: Ashgate, 2007."},{"key":"ref34","doi-asserted-by":"publisher","unstructured":"LOHMAN, K. Creating a safer space: Being safe and doing safety in queer and feminist punk scenes. The Sociological Review, Lancaster, 2022. https:\/\/doi.org\/10.1177\/00380261221092519","DOI":"10.1177\/00380261221092519"},{"key":"ref35","unstructured":"LOPES, M. The Raincoats \u2013 Fairytale in the Supermarket, 2017. Dispon\u00edvel em: https:\/\/media.rtp.pt\/antena3\/ler\/the-raincoats-fairytale-in-the-supermarket\/. Acesso em: 3 de setembro de 2022."},{"key":"ref36","unstructured":"LOPES, M. The Raincoats: um abanar, uma irrever\u00eancia, uma vontade de mudar as coisas, 2018. Dispon\u00edvel em: https:\/\/www.publico.pt\/2018\/06\/29\/culturaipsilon\/entrevista\/the-raincoats-um-abanar-uma-irreverencia-uma-vontade-de-mudar-as-coisas-1835203. Acesso em: 3 de setembro de 2022."},{"key":"ref37","doi-asserted-by":"publisher","unstructured":"MCROBBIE, A.; BENNETT, T. From rag market to creative economy: interview with Angela McRobbie. Journal of Cultural Economy, Londres, 2022. DOI: 10.1080\/17530350.2022.2112263","DOI":"10.1080\/17530350.2022.2112263"},{"key":"ref38","unstructured":"MCROBBIE, A.; GARBER, J. Girls and Subcultures. In: GELDER, K., THORNTON, S. (eds.). The Subculture Reader. Londres: Routledge, 1997, 112-120."},{"key":"ref39","doi-asserted-by":"publisher","unstructured":"MCROBBIE, A. Zoot suits and second-hand dresses: an anthology of fashion and music. Boston: Unwin Hyman, 1988.","DOI":"10.1007\/978-1-349-19999-0"},{"key":"ref40","doi-asserted-by":"publisher","unstructured":"NAYAK, A.; KEHILY, M. J. Gender, Youth and Culture: Young Masculinities and Femininities. Londres: Palgrave Macmillan, 2007.","DOI":"10.1007\/978-1-137-12214-8"},{"key":"ref41","unstructured":"NOCHLIN, L.; REILLY, M. (eds.). Women Artists, The Linda Nochlin Reader. Londres: Thames & Hudson, 2020."},{"key":"ref42","unstructured":"NOCHLIN, L. Why have there been no great female artists? In: NOCHLIN, L. Women, Art and Power and Other Essays. Nova Iorque: Harper & Row, 1973, 147- 158."},{"key":"ref43","doi-asserted-by":"publisher","unstructured":"O'MEARA, C. The Raincoats: breaking down punk rock's masculinities. Popular Music, v. 22, n. 3, p. 299-313, Cambridge, 2003.","DOI":"10.1017\/S0261143003003209"},{"key":"ref44","doi-asserted-by":"publisher","unstructured":"PAYNE, A. N. (2022). Hip Hop, identity, & Black girlhood: how Black girls (re)construct racial and gender identity through Hip Hop. Journal of Youth Studies. https:\/\/doi.org\/10.1080\/13676261.2022.2119837","DOI":"10.1080\/13676261.2022.2119837"},{"key":"ref45","doi-asserted-by":"publisher","unstructured":"PEARCE, R.; LOHMAN, K. De\/constructing DIY identities in a trans music scene. Sexualities, v. 22, n. 1-2, p. 97-113, Londres, 2019.","DOI":"10.1177\/1363460717740276"},{"key":"ref46","unstructured":"PELLY, J. The Raincoats. Londres: Bloomsbury Academic, 2017."},{"key":"ref47","unstructured":"PIANO, D. Resisting subjects: DIY feminism and the politics of style in subcultural production. In: MUGGLETON, D.; WEINZIERL, R. (eds). The post-subcultures reader. Oxford: Berg, 2003, 253-265."},{"key":"ref48","unstructured":"PIMENTEL, I. F. A cada um o seu lugar. A pol\u00edtica feminina do Estado Novo. Lisboa: Temas e Debates, 2012."},{"key":"ref49","doi-asserted-by":"publisher","unstructured":"PLATT, L. C. Crafting place: Women\u2019s everyday creativity in placemaking processes. European Journal of Cultural Studies, v. 22, n. 3, Londres, p. 362\u2013377, 2019.","DOI":"10.1177\/1367549417722090"},{"key":"ref50","doi-asserted-by":"publisher","unstructured":"REDDINGTON, H. Space to play: The sound of British female punk music and its engagement with reggae in the 1970s. Popular Music History, v.13, n.3, p.235-253, 2020. Doi: 10.1558\/pomh.39477","DOI":"10.1558\/pomh.39477"},{"key":"ref51","unstructured":"REDDINGTON, H. The Lost Women of Rock Music. Female Musicians of the Punk Era. Londres: Routledge, 2007."},{"key":"ref52","doi-asserted-by":"publisher","unstructured":"ROVIRA, J. (Ed.) (2022). Women in Rock, Women in Romanticism: The Emancipation of Female Will. Londres: Taylor & Francis.","DOI":"10.4324\/9781003204855"},{"key":"ref53","unstructured":"SERR\u00c3O, V. Arte no Feminino \u2013 Casos de Estudo na Arte Portuguesa. Lisboa: Academia das Ci\u00eancias de Lisboa, 2017."},{"key":"ref54","doi-asserted-by":"publisher","unstructured":"SHARP, M.; NILAN, P. Queer punx: young women in the Newcastle hardcore space. Journal of Youth Studies, v. 18, n. 4, p. 451-467, Londres, 2014.","DOI":"10.1080\/13676261.2014.963540"},{"key":"ref55","doi-asserted-by":"publisher","unstructured":"SHARP, M.; THREADGOLD, S. Defiance labour and reflexive complicity: Illusio and gendered marginalisation in DIY punk scenes. The Sociological Review, v. 68, n. 3, p. 606\u2013622, Lancaster, 2020.","DOI":"10.1177\/0038026119875325"},{"key":"ref56","doi-asserted-by":"publisher","unstructured":"SHARP, M. Hypervisibility in Australian punk scenes: Queer experiences of spatial logics of gender and sexuality. Punk & Post-Punk, v. 8, n. 3, p. 363-378, Bristol, 2019.","DOI":"10.1386\/punk_00004_1"},{"key":"ref57","unstructured":"SILVA, A. da. Love, Oh Love. Londres: Rough Trade Books, 2018."},{"key":"ref58","unstructured":"SILVA, A. S.; GUERRA, P. As palavras do punk. Lisboa: Al\u00eatheia, 2015."},{"key":"ref59","doi-asserted-by":"publisher","unstructured":"STRONG, C. Grunge, Riot Grrrl and the Forgetting of Women in Popular Culture. The Journal of Popular Culture, v. 44, n. 2, p. 398\u2013416, East Lansing, Michigan, 2011.","DOI":"10.1111\/j.1540-5931.2011.00839.x"},{"key":"ref60","doi-asserted-by":"publisher","unstructured":"STRONG, C. Shaping The Past of Popular Music: Memory, Forgetting and Documenting. In: BENNETT, A.; WAKSMAN, S. (eds.). The SAGE Handbook of Popular Music. Londres: Sage, 2015. p. 418-434.","DOI":"10.4135\/9781473910362.n24"},{"key":"ref61","doi-asserted-by":"publisher","unstructured":"TAYLOR, J. Scenes and sexualities: Queerly reframing the music scenes perspective. Continuum, v. 26, n. 1, p. 143-156, Londres, 2014.","DOI":"10.1080\/10304312.2011.538471"},{"key":"ref62","unstructured":"THORNTON, S. Club Cultures: Music, Media and Subcultural Capital. Cambridge: Polity, 1995."},{"key":"ref63","unstructured":"UNSWORTH, C.; MOONEY, J. Defying Gravity: Jordan's Story. London: Omnibus Press, 2019."},{"key":"ref64","unstructured":"VICENTE, F. A arte sem hist\u00f3ria-mulheres artistas (s\u00e9cs. XVI-XVII). Artis \u2013 Instituto de Hist\u00f3ria de Arte \u2013 Faculdade de Letras da Universidade de Lisboa, n. 5, p. 205-242, Lisboa, 2005."},{"key":"ref65","doi-asserted-by":"publisher","unstructured":"WAY, L. Punk is just a state of mind: Exploring what punk means to older punk women. The Sociological Review, v. 69, n. 1, p. 107-122, Lancaster, 2021.","DOI":"10.1177\/0038026120946666"},{"key":"ref66","unstructured":"WESTWOOD, V.; KELLY, I. Vivienne Westwood. London: Picador, 2015."}],"container-title":["MODOS: Revista de Hist\u00f3ria da Arte"],"original-title":["No one teaches you how to live. Ana da Silva, The Raincoats and the urgency of (re)existing"],"language":"pt","link":[{"URL":"https:\/\/periodicos.sbu.unicamp.br\/ojs\/index.php\/mod\/article\/download\/8671508\/32020","content-type":"application\/pdf","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/periodicos.sbu.unicamp.br\/ojs\/index.php\/mod\/article\/download\/8671508\/32020","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2024,1,24]],"date-time":"2024-01-24T06:43:57Z","timestamp":1706078637000},"score":1,"resource":{"primary":{"URL":"https:\/\/periodicos.sbu.unicamp.br\/ojs\/index.php\/mod\/article\/view\/8671508"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2023,6,3]]},"references-count":67,"journal-issue":{"issue":"2","published-online":{"date-parts":[[2023,5,29]]}},"URL":"https:\/\/doi.org\/10.20396\/modos.v7i2.8671508","archive":["LOCKSS","LOCKSS"],"relation":{"is-manuscript-of":[{"id-type":"doi","id":"10.20396\/modos.v7i2.8671508","asserted-by":"subject"}],"has-manuscript":[{"id-type":"doi","id":"10.20396\/modos.v7i2.8671508","asserted-by":"object"}]},"ISSN":["2526-2963"],"issn-type":[{"value":"2526-2963","type":"electronic"}],"subject":[],"published":{"date-parts":[[2023,6,3]]},"assertion":[{"value":"2023-6-3","order":0,"name":"published_online","label":"Published Online","group":{"name":"publication_history","label":"Publication History"}}]}}