{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,1,15]],"date-time":"2026-01-15T01:34:47Z","timestamp":1768440887695,"version":"3.49.0"},"reference-count":74,"publisher":"Brighteredge Press Resources","issue":"2","content-domain":{"domain":[],"crossmark-restriction":false},"short-container-title":[],"published-print":{"date-parts":[[2023,12,30]]},"abstract":"<jats:p xml:lang=\"en\">This article focuses on two countries usually represented as (semi-)peripheric: Portugal and Brazil. At stake is a metaphorical perspective of the Global South as equivalent to most (although not all) low-income and often politically or culturally marginalised territories. The use of this concept marks a shift from a central focus on development or cultural difference towards an emphasis on geopolitical power relations. Using the examples of Brazil\u2019s PWR Records and pad\u00ea editorial, and Portugal\u2019s Pr\u00edncipe Discos, the article highlights a series of manifestations of a radical &lt;i&gt;habitus&lt;\/i&gt; that has materialised in underground musical-creative creations, which increasingly have emerged as a stage for contemporary resistance. These examples demonstrate the spurious nature of the division between the concepts of the &lt;i&gt;art of resistance&lt;\/i&gt; and the &lt;i&gt;art of existence&lt;\/i&gt;: they are artivist resistances that enact working utopias. In many such projects, we find artivists with a (sub)cultural do-it-yourself background, who are not afraid to combine art and politics, and who reject the old idea of \u2018art for art\u2019s sake\u2019. An &lt;i&gt;art of resistance&lt;\/i&gt; emerges that, in the cases analysed, is linked to the adherence to new social movements, such as feminism, LGBTQIA+ rights, the right to the city and anti-racism. Using a qualitative methodology, with a strong multi-sited ethnographic slant based on interviews and documentary analysis, we demonstrate how the artistic imagination of contemporary youth is materialised in combined resistance and existence for a place in the world.<\/jats:p>","DOI":"10.20897\/jcasc\/14063","type":"journal-article","created":{"date-parts":[[2023,12,30]],"date-time":"2023-12-30T02:49:42Z","timestamp":1703904582000},"page":"10","source":"Crossref","is-referenced-by-count":11,"title":["Underground Artistic-Creative Scenes Between Utopias and Artivisms"],"prefix":"10.64753","volume":"8","author":[{"given":"Paula","family":"Guerra","sequence":"first","affiliation":[{"name":"University of Porto, PORTUGAL"}]}],"member":"54210","reference":[{"key":"409023","doi-asserted-by":"crossref","unstructured":"Alexander, N., Petray, T. and McDowall, A. (2022). Conscientisation and radical habitus: Expanding Bourdieu\u2019s theory of practice in youth activism studies. 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