{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,1,24]],"date-time":"2026-01-24T09:51:08Z","timestamp":1769248268103,"version":"3.49.0"},"reference-count":0,"publisher":"PubPub","content-domain":{"domain":[],"crossmark-restriction":false},"short-container-title":[],"DOI":"10.21428\/92fbeb44.3ce22588","type":"proceedings-article","created":{"date-parts":[[2022,6,16]],"date-time":"2022-06-16T12:12:25Z","timestamp":1655381545000},"source":"Crossref","is-referenced-by-count":7,"title":["Feeling the Effort of Classical Musicians - A Pipeline from Electromyography to Smartphone Vibration for Live Music Performance"],"prefix":"10.21428","author":[{"given":"Felipe","family":"Verdugo","sequence":"first","affiliation":[{"name":"Input Devices and Music Interaction Laboratory, Centre for Interdisciplinary Research in Music Media and Technology, McGill University; Laboratoire de Simulation et Mod\u00e9lisation du Mouvement, \u00c9cole de Kin\u00e9siologie et des sciences de l\u2019activit\u00e9 physique, Facult\u00e9 de m\u00e9decine, Universit\u00e9 de Montreal"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"given":"Amedeo","family":"Ceglia","sequence":"additional","affiliation":[{"name":"Laboratoire de Simulation et Mod\u00e9lisation du Mouvement, \u00c9cole de Kin\u00e9siologie et des sciences de l\u2019activit\u00e9 physique, Facult\u00e9 de m\u00e9decine, Universit\u00e9 de Montreal"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"ORCID":"https:\/\/orcid.org\/0000-0003-0768-3257","authenticated-orcid":false,"given":"Christian","family":"Frisson","sequence":"additional","affiliation":[{"name":"Soci\u00e9t\u00e9 des arts technologiques, Montr\u00e9al, Canada; Input Devices and Music Interaction Laboratory, Centre for Interdisciplinary Research in Music Media and Technology, McGill University"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"given":"Alexandre","family":"Burton","sequence":"additional","affiliation":[{"name":"Studio Artificiel, Montr\u00e9al, Canada"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"given":"Mickael","family":"Begon","sequence":"additional","affiliation":[{"name":"Laboratoire de Simulation et Mod\u00e9lisation du Mouvement, \u00c9cole de Kin\u00e9siologie et des sciences de l\u2019activit\u00e9 physique, Facult\u00e9 de m\u00e9decine, Universit\u00e9 de Montreal"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"given":"Sylvie","family":"Gibet","sequence":"additional","affiliation":[{"name":"IRISA, Universit\u00e9 Bretagne Sud"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"ORCID":"https:\/\/orcid.org\/0000-0002-9169-4313","authenticated-orcid":false,"given":"Marcelo M.","family":"Wanderley","sequence":"additional","affiliation":[{"name":"Input Devices and Music Interaction Laboratory, Centre for Interdisciplinary Research in Music Media and Technology, McGill University"}],"role":[{"role":"author","vocabulary":"crossref"}]}],"member":"9621","event":{"name":"NIME 2022","location":"The University of Auckland, New Zealand","acronym":"NIME"},"container-title":["NIME 2022"],"original-title":[],"deposited":{"date-parts":[[2022,6,16]],"date-time":"2022-06-16T12:12:31Z","timestamp":1655381551000},"score":1,"resource":{"primary":{"URL":"https:\/\/nime.pubpub.org\/pub\/kmn0rbyp"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[null]]},"references-count":0,"URL":"https:\/\/doi.org\/10.21428\/92fbeb44.3ce22588","relation":{},"subject":[]}}