{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,5,21]],"date-time":"2026-05-21T17:40:32Z","timestamp":1779385232092,"version":"3.53.1"},"publisher-location":"ISCA","reference-count":0,"publisher":"ISCA","content-domain":{"domain":[],"crossmark-restriction":false},"short-container-title":[],"DOI":"10.21437\/interspeech.2019-1925","type":"proceedings-article","created":{"date-parts":[[2019,9,13]],"date-time":"2019-09-13T20:32:51Z","timestamp":1568406771000},"page":"2020-2024","source":"Crossref","is-referenced-by-count":20,"title":["On the Importance of Audio-Source Separation for Singer Identification in Polyphonic Music"],"prefix":"10.21437","author":[{"given":"Bidisha","family":"Sharma","sequence":"first","affiliation":[],"role":[{"vocabulary":"crossref","role":"author"}]},{"given":"Rohan Kumar","family":"Das","sequence":"additional","affiliation":[],"role":[{"vocabulary":"crossref","role":"author"}]},{"given":"Haizhou","family":"Li","sequence":"additional","affiliation":[],"role":[{"vocabulary":"crossref","role":"author"}]}],"member":"8866","published-online":{"date-parts":[[2019,9,15]]},"event":{"name":"Interspeech 2019","acronym":"interspeech_2019"},"container-title":["Interspeech 2019"],"original-title":[],"deposited":{"date-parts":[[2024,1,16]],"date-time":"2024-01-16T10:09:41Z","timestamp":1705399781000},"score":1,"resource":{"primary":{"URL":"https:\/\/www.isca-archive.org\/interspeech_2019\/sharma19d_interspeech.html"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2019,9,15]]},"references-count":0,"URL":"https:\/\/doi.org\/10.21437\/interspeech.2019-1925","relation":{},"subject":[],"published":{"date-parts":[[2019,9,15]]}}}