{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2023,1,5]],"date-time":"2023-01-05T07:05:13Z","timestamp":1672902313837},"reference-count":0,"publisher":"Universidade do Porto, Faculdade de Letras","issue":"14","content-domain":{"domain":[],"crossmark-restriction":false},"short-container-title":["CEM"],"abstract":"<jats:p>This paper is a reflection on a set of ten images and a Via Sacra conceived by the sculptor Altino  Maia  (1911-1988),  between  1955  and  1957,  for  the  new  parish  church  of  S\u00e3o  Pedro  da  Afurada  (Vila  Nova  de  Gaia).  The  study  addresses  the  images  in  several  dimensions:  artistic  and  iconographic,   including   ordering   processes   and   creation;   the   anthropological,   detailing   the   community\u2019s  reception  and  reaction  to  these  sculptures.  Nine  of  the  images  were  \u00abhidden\u00bb  in  cabinets for long years, removed from the eyes of the faithful, received the popular and derogatory names  of  \u00abSantos  Pretos\u00bb  or  \u00abSantos  das  Rodilhas\u00bb  and  were  even  victims  of  aggression  attempts.  The  sculpture  of  the  Crucified  Christ  was  exhibited  on  the  apse\u2019s  back  wall  until  2021  and  the  Via  Sacra continues to be displayed on the north wall of the parish church of S\u00e3o Pedro da Afurada.Basedon the documentary and visual sources of the time and the testimony of some inhabitants of Afurada,  this  paper  intends  to  analyze  the  circumstances  of  commissioning  and  artistic  creation,  developing   an   iconographic   study   of   the   images,   contextualizing   them   in   their   time   and   to   understand these object-images (in line with J\u00e9r\u00f4me Baschet) from an anthropological perspective<\/jats:p>","DOI":"10.21747\/2182-1097\/14a14","type":"journal-article","created":{"date-parts":[[2023,1,4]],"date-time":"2023-01-04T14:41:56Z","timestamp":1672843316000},"page":"267-283","source":"Crossref","is-referenced-by-count":0,"title":["Os Santos d\u2019Afurada. Arte, devo\u00e7\u00e3o e comunidade. Dimens\u00e3o art\u00edstica, devocional e antropol\u00f3gica"],"prefix":"10.21747","author":[{"given":"C\u00e1tia","family":"Oliveira","sequence":"first","affiliation":[]},{"given":"Ana Cristina","family":"Sousa","sequence":"additional","affiliation":[]},{"given":"Maria Leonor","family":"Botelho","sequence":"additional","affiliation":[]}],"member":"9208","published-online":{"date-parts":[[2022]]},"container-title":["CEM"],"original-title":[],"deposited":{"date-parts":[[2023,1,4]],"date-time":"2023-01-04T14:42:13Z","timestamp":1672843333000},"score":1,"resource":{"primary":{"URL":"https:\/\/ojs.letras.up.pt\/index.php\/CITCEM\/article\/view\/11745\/10670"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2022]]},"references-count":0,"journal-issue":{"issue":"14","published-online":{"date-parts":[[2022]]}},"URL":"https:\/\/doi.org\/10.21747\/2182-1097\/14a14","relation":{},"ISSN":["2182-1097"],"issn-type":[{"value":"2182-1097","type":"electronic"}],"subject":[],"published":{"date-parts":[[2022]]}}}