{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2024,8,1]],"date-time":"2024-08-01T17:10:39Z","timestamp":1722532239062},"reference-count":40,"publisher":"Faculdade de Ciencias da Universidade de Lisboa","issue":"1","license":[{"start":{"date-parts":[[2019,12,1]],"date-time":"2019-12-01T00:00:00Z","timestamp":1575158400000},"content-version":"unspecified","delay-in-days":0,"URL":"http:\/\/creativecommons.org\/licenses\/by-nc-nd\/3.0"}],"content-domain":{"domain":[],"crossmark-restriction":false},"short-container-title":[],"published-print":{"date-parts":[[2019,12,1]]},"DOI":"10.2478\/kjps-2019-0014","type":"journal-article","created":{"date-parts":[[2020,3,5]],"date-time":"2020-03-05T09:31:22Z","timestamp":1583400682000},"page":"179-204","source":"Crossref","is-referenced-by-count":0,"title":["The Gothic Uncanny: Selected Mind-Images in Literature and Film"],"prefix":"10.56526","volume":"22","author":[{"given":"Gra\u00e7a P.","family":"Corr\u00eaa","sequence":"first","affiliation":[{"name":"Centro de Filosofia das Ci\u00eancias, Faculdade de Ci\u00eancias Universidade de Lisboa , 1749-016 Lisboa , Portugal CFCUL FCT UID\/FIL\/00678\/2019"}]}],"member":"35305","published-online":{"date-parts":[[2020,3,3]]},"reference":[{"key":"2023010401590918407_j_kjps-2019-0014_ref_001_w2aab3b8c16b1b7b1ab1ab1Aa","unstructured":"Botting, F., Townshend, D., (eds), 2004, Gothic: Critical Concepts in Literary and Cultural Studies, vol. 3. Routledge, New York."},{"key":"2023010401590918407_j_kjps-2019-0014_ref_002_w2aab3b8c16b1b7b1ab1ab2Aa","unstructured":"Bowie, A., 2016, Friedrich Wilhelm Joseph von Schelling, The Stanford Encyclopedia of Philosophy (Edward N. Zalta, ed). Available at: https:\/\/plato.stanford.edu\/archives\/fall2016\/entries\/schelling\/. Accessed 18 December 2019."},{"key":"2023010401590918407_j_kjps-2019-0014_ref_003_w2aab3b8c16b1b7b1ab1ab3Aa","unstructured":"Briggs, J., 2015, The Ghost Story. In: A new companion to the Gothic (David Punter, ed), John Wiley & Sons, New York."},{"key":"2023010401590918407_j_kjps-2019-0014_ref_004_w2aab3b8c16b1b7b1ab1ab4Aa","doi-asserted-by":"crossref","unstructured":"Castle, T., 1995, The female thermometer: eighteenth-century culture and the invention of the uncanny. Oxford University Press, New York.","DOI":"10.1093\/oso\/9780195080971.001.0001"},{"key":"2023010401590918407_j_kjps-2019-0014_ref_005_w2aab3b8c16b1b7b1ab1ab5Aa","unstructured":"Cavallaro, D., 2002, The Gothic Vision. Continuum, New York."},{"key":"2023010401590918407_j_kjps-2019-0014_ref_006_w2aab3b8c16b1b7b1ab1ab6Aa","unstructured":"Ciment, M., 1982, Kubrick and the Fantastic. Available at: http:\/\/www.visual-memory.co.uk\/amk\/doc\/0005.html. Accessed 18 December 2019."},{"key":"2023010401590918407_j_kjps-2019-0014_ref_007_w2aab3b8c16b1b7b1ab1ab7Aa","unstructured":"Ciment, M., 1982, Kubrick on The Shining Interview. Available at: http:\/\/www.visual-memory.co.uk\/amk\/doc\/interview.ts.html Accessed 18 December 2019."},{"key":"2023010401590918407_j_kjps-2019-0014_ref_008_w2aab3b8c16b1b7b1ab1ab8Aa","unstructured":"Cohen, P.M., 1995, Alfred Hitchcock: The Legacy of Victorianism. University Press of Kentucky, Kentucky."},{"key":"2023010401590918407_j_kjps-2019-0014_ref_009_w2aab3b8c16b1b7b1ab1ab9Aa","unstructured":"Deleuze, G., 2013, Cinema 2: The Time-Image. Translated by Hugh Tomlinson and Robert Galeta. Bloomsbury Academic, London\/New York."},{"key":"2023010401590918407_j_kjps-2019-0014_ref_010_w2aab3b8c16b1b7b1ab1ac10Aa","unstructured":"Deleuze, G., 2004, Desert Islands and Other Texts 1953\u20131974. Semi-otextes, Paris."},{"key":"2023010401590918407_j_kjps-2019-0014_ref_011_w2aab3b8c16b1b7b1ab1ac11Aa","unstructured":"Deleuze, G., 1986, Cinema 1: The Movement-Image. Translated by Hugh Tomlinson and Barbara Habberjam, University of Minnesota Press, Minneapolis."},{"key":"2023010401590918407_j_kjps-2019-0014_ref_012_w2aab3b8c16b1b7b1ab1ac12Aa","unstructured":"Deleuze, G., Guattari, F., 1987 A Thousand Plateaus: Capitalism and Schizophrenia. Translated by Brian Massumi, University of Minnesota Press, Minneapolis."},{"key":"2023010401590918407_j_kjps-2019-0014_ref_013_w2aab3b8c16b1b7b1ab1ac13Aa","doi-asserted-by":"crossref","unstructured":"Dolar, M., 1991, \u2018I Shall Be with You on Your Wedding-Night\u2019: Lacan and the Uncanny. October, 58, 5\u201323.10.2307\/778795","DOI":"10.2307\/778795"},{"key":"2023010401590918407_j_kjps-2019-0014_ref_014_w2aab3b8c16b1b7b1ab1ac14Aa","unstructured":"Freud, S., 1919, The Uncanny. Translated by Alix Stratchey. Available at: web.mit.edu\/allanmc\/www\/freud1.pdf. Accessed 18 December 2019."},{"key":"2023010401590918407_j_kjps-2019-0014_ref_015_w2aab3b8c16b1b7b1ab1ac15Aa","unstructured":"Gross, L., 1989, Redefining the American Gothic. UMI Research Press, Michigan."},{"key":"2023010401590918407_j_kjps-2019-0014_ref_016_w2aab3b8c16b1b7b1ab1ac16Aa","unstructured":"Hoffmann, E.T.A, 2009 (1816), The Sandman. Translated by John Oxenford. Digital Edition at: https:\/\/www.gutenberg.org\/files\/32046\/32046-h\/32046-h.htm#sandman. 18 December 2019."},{"key":"2023010401590918407_j_kjps-2019-0014_ref_017_w2aab3b8c16b1b7b1ab1ac17Aa","doi-asserted-by":"crossref","unstructured":"Hogle, Jerrold, E., 2002 Cambridge Companion to Gothic Fiction. Cambridge University Press, Cambridge.10.1017\/CCOL0521791243","DOI":"10.1017\/CCOL0521791243"},{"key":"2023010401590918407_j_kjps-2019-0014_ref_018_w2aab3b8c16b1b7b1ab1ac18Aa","unstructured":"Hoile, C., 1984, The Uncanny and the Fairy Tale in Kubrick\u2019s The Shining. Literature\/Film Quarterly 12, 1, pp. 5\u201312."},{"key":"2023010401590918407_j_kjps-2019-0014_ref_019_w2aab3b8c16b1b7b1ab1ac19Aa","unstructured":"Jameson, F., 1981, Historicism in The Shining. Available at: http:\/\/www.visual-memory.co.uk\/amk\/doc\/0098.html. Accessed 18 December 2019."},{"key":"2023010401590918407_j_kjps-2019-0014_ref_020_w2aab3b8c16b1b7b1ab1ac20Aa","doi-asserted-by":"crossref","unstructured":"Jentsch, E., 1906, On the psychology of the uncanny. Translated by Roy Sellars. In: Angelaki: Journal of the Theoretical Humanities 2.1 (1997). Available at: http:\/\/www.art3idea.psu.edu\/locus\/Jentsch_uncanny.pdf. Accessed 18 December 2019.","DOI":"10.1080\/09697259708571910"},{"key":"2023010401590918407_j_kjps-2019-0014_ref_021_w2aab3b8c16b1b7b1ab1ac21Aa","unstructured":"Hitchcock, A., 1943, Shadow of a Doubt, screenplay by Thornton Wilder, Alma Reville and Sally Benson, produced by Skirball Productions, Los Angeles."},{"key":"2023010401590918407_j_kjps-2019-0014_ref_022_w2aab3b8c16b1b7b1ab1ac22Aa","unstructured":"Kaleta, K.C., 1993, David Lynch. Twayne Publishers, New York."},{"key":"2023010401590918407_j_kjps-2019-0014_ref_023_w2aab3b8c16b1b7b1ab1ac23Aa","unstructured":"Kubrick, S., 1980, The Shining, screenplay by Stephen King and Diane Johnson, Warner Bros. Pictures, Los Angeles."},{"key":"2023010401590918407_j_kjps-2019-0014_ref_024_w2aab3b8c16b1b7b1ab1ac24Aa","doi-asserted-by":"crossref","unstructured":"Lambert, G., 2008, Schizoanalysis and the Cinema of the Brain. In: Deleuze and the schizoanalysis of cinema, (Ian Buchanan and Patricia MacCormack; eds.), Continuum International Publishing Group, London.10.5040\/9781472546296.ch-002","DOI":"10.5040\/9781472546296.ch-002"},{"key":"2023010401590918407_j_kjps-2019-0014_ref_025_w2aab3b8c16b1b7b1ab1ac25Aa","unstructured":"Lloyd-Smith, A.G., 1986, Uncanny American fiction: Medusa\u2019s face. St Martin\u2019s Press, New York."},{"key":"2023010401590918407_j_kjps-2019-0014_ref_026_w2aab3b8c16b1b7b1ab1ac26Aa","unstructured":"Lynch, D., 1989, Twin Peaks, produced by Lynch-Frost Productions\/Spelling Entertainment\/Propaganda Films, Los Angeles."},{"key":"2023010401590918407_j_kjps-2019-0014_ref_027_w2aab3b8c16b1b7b1ab1ac27Aa","unstructured":"McLaughlin, J.B., 2009, All in the Family: Alfred Hitchcock\u2019s Shadow of a Doubt. In: A Hitchcock Reader (Marshall Deutelbaum and Leland A. Poague, eds.), 2nd edition, Wiley-Blackwell, London."},{"key":"2023010401590918407_j_kjps-2019-0014_ref_028_w2aab3b8c16b1b7b1ab1ac28Aa","doi-asserted-by":"crossref","unstructured":"Nolan, A., 2011, Seeing is Digesting: Labyrinths of Historical Ruin in Stanley Kubrick\u2019s The Shining. Cultural Critique, 77, pp. 182\u2013204.10.1353\/cul.2011.0006","DOI":"10.1353\/cul.2011.0006"},{"key":"2023010401590918407_j_kjps-2019-0014_ref_029_w2aab3b8c16b1b7b1ab1ac29Aa","doi-asserted-by":"crossref","unstructured":"Perry, D.R, Sederholm, C.H., 2009, \u201cThe House of Usher\u201d and The American Gothic. Palgrave Macmillan, New York.10.1057\/9780230620827","DOI":"10.1057\/9780230620827"},{"key":"2023010401590918407_j_kjps-2019-0014_ref_030_w2aab3b8c16b1b7b1ab1ac30Aa","doi-asserted-by":"crossref","unstructured":"Pisters, P., 2008, Delirium Cinema or Machines of the Invisible? In: Deleuze and the schizoanalysis of cinema (Patricia MacCormack and Ian Buchanan, eds), Continuum International Publishing Group, London.10.5040\/9781472546296.ch-008","DOI":"10.5040\/9781472546296.ch-008"},{"key":"2023010401590918407_j_kjps-2019-0014_ref_031_w2aab3b8c16b1b7b1ab1ac31Aa","doi-asserted-by":"crossref","unstructured":"Powell, A., 2012, The Daemons of Unplumbed Space: Mixing the Planes in Hellboy. In: Deleuze and Film (David Martin-Jones and William Brown, eds), Edinburgh University Press, Edinburgh.10.1515\/9780748647460-012","DOI":"10.1515\/9780748647460-012"},{"key":"2023010401590918407_j_kjps-2019-0014_ref_032_w2aab3b8c16b1b7b1ab1ac32Aa","doi-asserted-by":"crossref","unstructured":"Powell, A, 2007, Deleuze, Altered States and Film. Edinburgh University Press, Edinburgh.10.3366\/edinburgh\/9780748632824.001.0001","DOI":"10.3366\/edinburgh\/9780748632824.001.0001"},{"key":"2023010401590918407_j_kjps-2019-0014_ref_033_w2aab3b8c16b1b7b1ab1ac33Aa","doi-asserted-by":"crossref","unstructured":"Powell, A., 2006, Teaching the Gothic. Palgrave Macmillan, New York.10.1057\/9780230625358","DOI":"10.1057\/9780230625358"},{"key":"2023010401590918407_j_kjps-2019-0014_ref_034_w2aab3b8c16b1b7b1ab1ac34Aa","unstructured":"Rodley, C. (ed), 2005, Lynch on Lynch. Farber & Farber, London."},{"key":"2023010401590918407_j_kjps-2019-0014_ref_035_w2aab3b8c16b1b7b1ab1ac35Aa","unstructured":"Royle, N., 2003, The uncanny. Manchester University Press, Manchester."},{"key":"2023010401590918407_j_kjps-2019-0014_ref_036_w2aab3b8c16b1b7b1ab1ac36Aa","doi-asserted-by":"crossref","unstructured":"Savoy, E., 2002, The Rise of American Gothic. In: The Cambridge Companion to Gothic Fiction (Jerrold E. Hogle, ed), Cambridge University Press, New York.10.1017\/CCOL0521791243.009","DOI":"10.1017\/CCOL0521791243.009"},{"key":"2023010401590918407_j_kjps-2019-0014_ref_037_w2aab3b8c16b1b7b1ab1ac37Aa","unstructured":"Spoto, D., 1999, The Dark Side of Genius: The Life of Alfred Hitchcock. Da Capo Press, Los Angeles."},{"key":"2023010401590918407_j_kjps-2019-0014_ref_038_w2aab3b8c16b1b7b1ab1ac38Aa","unstructured":"Tobe, R., 2003, Both Frightening and Familiar: David Lynch\u2019s Twin Peaks and The North American Suburb. In: Visual Culture and Tourism, (David Crouch, ed.), Berg Publications, Oxford."},{"key":"2023010401590918407_j_kjps-2019-0014_ref_039_w2aab3b8c16b1b7b1ab1ac39Aa","doi-asserted-by":"crossref","unstructured":"Williams, D., 1995, Art of Darkness: A Poetics of Gothic. University of Chicago Press, Chicago.10.7208\/chicago\/9780226899039.001.0001","DOI":"10.7208\/chicago\/9780226899039.001.0001"},{"key":"2023010401590918407_j_kjps-2019-0014_ref_040_w2aab3b8c16b1b7b1ab1ac40Aa","unstructured":"Wood, R., 1989 Hitchcock\u2019s Films Revisited, Columbia University Press, New York."}],"container-title":["Kairos. Journal of Philosophy &amp; Science"],"original-title":[],"language":"en","link":[{"URL":"https:\/\/content.sciendo.com\/view\/journals\/kjps\/22\/1\/article-p179.xml","content-type":"text\/html","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/www.sciendo.com\/pdf\/10.2478\/kjps-2019-0014","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2024,8,1]],"date-time":"2024-08-01T16:56:19Z","timestamp":1722531379000},"score":1,"resource":{"primary":{"URL":"https:\/\/kairos.campus.ciencias.ulisboa.pt\/the-gothic-uncanny-selected-mind-images-in-literature-and-film\/"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2019,12,1]]},"references-count":40,"journal-issue":{"issue":"1","published-online":{"date-parts":[[2020,3,3]]},"published-print":{"date-parts":[[2019,12,1]]}},"alternative-id":["10.2478\/kjps-2019-0014"],"URL":"https:\/\/doi.org\/10.2478\/kjps-2019-0014","relation":{},"ISSN":["1647-659X"],"issn-type":[{"type":"electronic","value":"1647-659X"}],"subject":[],"published":{"date-parts":[[2019,12,1]]}}}