{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,9,14]],"date-time":"2026-09-14T10:03:33Z","timestamp":1789380213566,"version":"build-2803163510"},"reference-count":34,"publisher":"Frontiers Media SA","license":[{"start":{"date-parts":[[2026,9,14]],"date-time":"2026-09-14T00:00:00Z","timestamp":1789344000000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/creativecommons.org\/licenses\/by\/4.0\/"}],"funder":[{"DOI":"10.13039\/501100002428","name":"Austrian Science Fund","doi-asserted-by":"publisher","award":["10.55776\/AR743"],"award-info":[{"award-number":["10.55776\/AR743"]}],"id":[{"id":"10.13039\/501100002428","id-type":"DOI","asserted-by":"publisher"}]}],"content-domain":{"domain":["frontiersin.org"],"crossmark-restriction":true},"short-container-title":["Front. Psychol."],"abstract":"<jats:p>Gaze tracking in music performance research often pertains to acoustic instrument performance. The differences between live-electronic music performance and acoustic instrument performance warrant an investigation of how performers use gaze in live-electronic music performance. We examine the combined use of gaze tracking recordings of 18 live-electronic performances with post-performance stimulated recall interviews with the goal of gathering qualitative information about gaze and the live-electronics setup. We identify two primary functional categories of gaze: visual information and looking\u2013listening interplay. Visual information entails gathering visual feedback about the state of the setup and locating targets for hand-eye coordination. Beyond visual information gathering, gaze appears to actively shape auditory perception: participants reported that looking at an interface element facilitates retrieval of memory representations of a live-electronics setup, such as mappings or signal paths. Through visuospatial attention, gaze may support auditory information processing within the complex soundscapes of live-electronic music performance.<\/jats:p>","DOI":"10.3389\/fpsyg.2026.1855923","type":"journal-article","created":{"date-parts":[[2026,9,14]],"date-time":"2026-09-14T09:15:41Z","timestamp":1789377341000},"update-policy":"https:\/\/doi.org\/10.3389\/crossmark-policy","source":"Crossref","is-referenced-by-count":0,"title":["Eye gaze in live-electronic music performance: visual information and looking\u2013listening interplay"],"prefix":"10.3389","volume":"17","author":[{"given":"Tim-Tarek","family":"Grund","sequence":"first","affiliation":[{"name":"Department of Music Acoustics\u2013Wiener Klangstil, mdw\u2013University of Music and Performing Arts Vienna","place":["Vienna, Austria"]}],"role":[{"vocabulary":"crossref","role":"author"}]},{"given":"Alex","family":"Hofmann","sequence":"additional","affiliation":[{"name":"Department of Music Acoustics\u2013Wiener Klangstil, mdw\u2013University of Music and Performing Arts Vienna","place":["Vienna, Austria"]}],"role":[{"vocabulary":"crossref","role":"author"}]}],"member":"1965","published-online":{"date-parts":[[2026,9,14]]},"reference":[{"key":"B1","doi-asserted-by":"publisher","first-page":"100198","DOI":"10.1016\/j.glmedi.2025.100198","article-title":"Using thematic analysis in qualitative research","volume":"6","author":"Ahmed","year":"2025","journal-title":"J. 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