{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,10,6]],"date-time":"2026-10-06T04:54:00Z","timestamp":1791262440464,"version":"4.1.0"},"reference-count":91,"publisher":"Frontiers Media SA","license":[{"start":{"date-parts":[[2026,10,6]],"date-time":"2026-10-06T00:00:00Z","timestamp":1791244800000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/creativecommons.org\/licenses\/by\/4.0\/"}],"content-domain":{"domain":["frontiersin.org"],"crossmark-restriction":true},"short-container-title":["Front. Psychol."],"abstract":"<jats:sec>\n                    <jats:title>Introduction<\/jats:title>\n                    <jats:p>Human-made collective disasters disrupt not only physical safety but also the systems of meaning, relationships, and shared narratives that sustain community life. This article presents a Trauma- and Resilience-Informed Photovoice Model (TRIPVM) as an arts-based community intervention and illustrates its implementation in the Israeli city of Ofakim following the October 7, 2023 terrorist attack.<\/jats:p>\n                  <\/jats:sec>\n                  <jats:sec>\n                    <jats:title>Methods<\/jats:title>\n                    <jats:p>Developed within a Community-Based Participatory Research (CBPR) framework, the model integrates principles of disaster management, trauma- and resilience-informed practice, and the visual arts to support community recovery. The intervention involved 11 community groups facilitated by 22 trained facilitators and combined photography, narrative writing, structured group dialogue, and a public exhibition.<\/jats:p>\n                  <\/jats:sec>\n                  <jats:sec>\n                    <jats:title>Results<\/jats:title>\n                    <jats:p>The article describes the model's theoretical foundations, implementation protocol, and practical application through representative examples from the intervention. The model is organized around four complementary principles: (1) constructing resilience narratives; (2) strengthening community recognition and ownership of collective narratives; (3) identifying and mobilizing individual and community coping resources; and (4) fostering agency, choice, and the reframing of traumatic experiences through artistic expression.<\/jats:p>\n                  <\/jats:sec>\n                  <jats:sec>\n                    <jats:title>Discussion<\/jats:title>\n                    <jats:p>The proposed model extends Photovoice beyond its traditional role in participatory research by offering a practical, arts-based framework for community recovery following war, terrorism, and other human-made collective disasters.<\/jats:p>\n                  <\/jats:sec>","DOI":"10.3389\/fpsyg.2026.1948831","type":"journal-article","created":{"date-parts":[[2026,10,6]],"date-time":"2026-10-06T04:25:49Z","timestamp":1791260749000},"update-policy":"https:\/\/doi.org\/10.3389\/crossmark-policy","source":"Crossref","is-referenced-by-count":0,"title":["\u201cBreaking the bars of my prison of fear\u201d a trauma- and resilience-informed photovoice model as a community intervention following a human-made collective disaster"],"prefix":"10.3389","volume":"17","author":[{"given":"Menny","family":"Malka","sequence":"first","affiliation":[{"name":"Ben-Gurion University of the Negev","place":["Be'er Sheva, Israel"]}],"role":[{"vocabulary":"crossref","role":"author"}]}],"member":"1965","published-online":{"date-parts":[[2026,10,6]]},"reference":[{"key":"B1","unstructured":"Chronicle of a Known Neglect: Ofakim as a Case Study\n          \n          Adva Center\n          \n          2024"},{"key":"B2","doi-asserted-by":"publisher","first-page":"121","DOI":"10.1080\/14780887.2022.2107967","article-title":"Toward a trauma-informed qualitative research approach: guidelines for ensuring the safety and promoting the resilience of research participants","volume":"20","author":"Alessi","year":"2023","journal-title":"Qual. 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