{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,10,11]],"date-time":"2025-10-11T02:01:22Z","timestamp":1760148082482,"version":"build-2065373602"},"reference-count":48,"publisher":"MDPI AG","issue":"4","license":[{"start":{"date-parts":[[2023,3,27]],"date-time":"2023-03-27T00:00:00Z","timestamp":1679875200000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/creativecommons.org\/licenses\/by\/4.0\/"}],"funder":[{"name":"the Brazilian National Council for the Development of Science and Technology","award":["CNPq 202559\/2020-3","308790\/2021-9"],"award-info":[{"award-number":["CNPq 202559\/2020-3","308790\/2021-9"]}]}],"content-domain":{"domain":[],"crossmark-restriction":false},"short-container-title":["Future Internet"],"abstract":"<jats:p>We introduce a new perspective for musical interaction tailored to a specific class of sonic resources: impact sounds. Our work is informed by the field of ubiquitous music (ubimus) and engages with the demands of artistic practices. Through a series of deployments of a low-cost and highly flexible network-based prototype, the Dynamic Drum Collective, we exemplify the limitations and specific contributions of banging interaction. Three components of this new design strategy\u2014adaptive interaction, mid-air techniques and timbre-led design\u2014target the development of creative-action metaphors that make use of resources available in everyday settings. The techniques involving the use of sonic gridworks yielded positive outcomes. The subjects tended to choose sonic materials that\u2014when combined with their actions on the prototype\u2014approached a full rendition of the proposed soundtrack. The results of the study highlighted the subjects\u2019 reliance on visual feedback as a non-exclusive strategy to handle both temporal organization and collaboration. The results show a methodological shift from device-centric and instrumental-centric methods to designs that target the dynamic relational properties of ubimus ecosystems.<\/jats:p>","DOI":"10.3390\/fi15040125","type":"journal-article","created":{"date-parts":[[2023,3,28]],"date-time":"2023-03-28T01:41:34Z","timestamp":1679967694000},"page":"125","update-policy":"https:\/\/doi.org\/10.3390\/mdpi_crossmark_policy","source":"Crossref","is-referenced-by-count":2,"title":["Banging Interaction: A Ubimus-Design Strategy for the Musical Internet"],"prefix":"10.3390","volume":"15","author":[{"ORCID":"https:\/\/orcid.org\/0000-0002-0866-3066","authenticated-orcid":false,"given":"Dami\u00e1n","family":"Keller","sequence":"first","affiliation":[{"name":"Center for Computer Research in Music and Acoustics, Stanford University, Stanford, CA 94305, USA"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"given":"Azeema","family":"Yaseen","sequence":"additional","affiliation":[{"name":"Department of Computer Science, Maynooth University, W23 F2H6 Maynooth, Co. Kildare, Ireland"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"ORCID":"https:\/\/orcid.org\/0000-0001-5822-4742","authenticated-orcid":false,"given":"Joseph","family":"Timoney","sequence":"additional","affiliation":[{"name":"Department of Computer Science, Maynooth University, W23 F2H6 Maynooth, Co. Kildare, Ireland"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"ORCID":"https:\/\/orcid.org\/0000-0001-8635-8860","authenticated-orcid":false,"given":"Sutirtha","family":"Chakraborty","sequence":"additional","affiliation":[{"name":"Department of Computer Science, Maynooth University, W23 F2H6 Maynooth, Co. Kildare, Ireland"},{"name":"Department of music, Maynooth University, W23 F2H6 Maynooth, Co. Kildare, Ireland"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"ORCID":"https:\/\/orcid.org\/0000-0003-2249-1325","authenticated-orcid":false,"given":"Victor","family":"Lazzarini","sequence":"additional","affiliation":[{"name":"Department of music, Maynooth University, W23 F2H6 Maynooth, Co. Kildare, Ireland"}],"role":[{"role":"author","vocabulary":"crossref"}]}],"member":"1968","published-online":{"date-parts":[[2023,3,27]]},"reference":[{"key":"ref_1","doi-asserted-by":"crossref","first-page":"57","DOI":"10.1080\/09298217708570233","article-title":"A composer\u2019s introduction to computer music","volume":"6","author":"Buxton","year":"1977","journal-title":"Interface"},{"key":"ref_2","first-page":"17","article-title":"An All-FORTRAN Music-Generating Computer Program","volume":"14","author":"Roberts","year":"1966","journal-title":"J. Audio Eng. Soc."},{"key":"ref_3","unstructured":"Mathews, M.V., Miller, J.E., Moore, F.R., Pierce, J.R., and Risset, J.C. (1969). The Technology of Computer Music, MIT Press."},{"key":"ref_4","doi-asserted-by":"crossref","first-page":"227","DOI":"10.2307\/843686","article-title":"For Otto Laske: A communicational approach to computer sound programs","volume":"20","author":"Truax","year":"1976","journal-title":"J. Music Theory"},{"key":"ref_5","first-page":"49","article-title":"The inverse relation between generality and strength in computer music programs","volume":"9","author":"Truax","year":"1980","journal-title":"J. New Music Res."},{"key":"ref_6","doi-asserted-by":"crossref","first-page":"623","DOI":"10.1007\/s00500-004-0388-1","article-title":"Syntactical and semantical aspects of Faust","volume":"8","author":"Orlarey","year":"2004","journal-title":"Soft Comput."},{"key":"ref_7","unstructured":"Bhagwati, S. (2013). Sound & Score: Essays on Sound, Score and Notation, Leuven University Press."},{"key":"ref_8","doi-asserted-by":"crossref","first-page":"188","DOI":"10.1017\/S1355771809000296","article-title":"Understanding interaction in contemporary digital music: From instruments to behavioural objects","volume":"14","author":"Bown","year":"2009","journal-title":"Organised Sound"},{"key":"ref_9","doi-asserted-by":"crossref","first-page":"55","DOI":"10.1162\/096112100570459","article-title":"Compositional processes from an ecological perspective","volume":"10","author":"Keller","year":"2000","journal-title":"Leonardo Music J."},{"key":"ref_10","doi-asserted-by":"crossref","first-page":"94","DOI":"10.1038\/scientificamerican0991-94","article-title":"The Computer for the 21 st Century","volume":"265","author":"Weiser","year":"1991","journal-title":"Sci. Am."},{"key":"ref_11","doi-asserted-by":"crossref","unstructured":"Lazzarini, V., Keller, D., Otero, N., and Turchet, L. (2020). Ubiquitous Music Ecologies, Routledge.","DOI":"10.4324\/9780429281440"},{"key":"ref_12","doi-asserted-by":"crossref","first-page":"22","DOI":"10.1162\/COMJ_a_00356","article-title":"The Hands: The making of a digital musical instrument","volume":"40","author":"Torre","year":"2016","journal-title":"Comput. Music J."},{"key":"ref_13","unstructured":"Bernardo, F., Pestana, P., and Martins, L. (2015, January 7\u20138). The Smart Stage: Designing 3D interaction metaphors for immersive and ubiquitous music systems. Proceedings of the International Conference on New Music Concepts (ICNMC 2015), Treviso, Italy."},{"key":"ref_14","doi-asserted-by":"crossref","first-page":"91","DOI":"10.3389\/frvir.2022.847284","article-title":"AR Drum Circle: Real-Time Collaborative Drumming in AR","volume":"3","author":"Hopkins","year":"2022","journal-title":"Front. Virtual Real."},{"key":"ref_15","first-page":"1","article-title":"Editorial\u2014Ubiquitous Music Section: Forces of attraction and challenges in ubimus research (Editorial\u2014Se\u00e7\u00e3o Tem\u00e1tica M\u00fasica Ub\u00edqua: For\u00e7as de atra\u00e7\u00e3o e desafios na pesquisa ubimus)","volume":"6","author":"Keller","year":"2018","journal-title":"Rev. V\u2019ortex"},{"key":"ref_16","doi-asserted-by":"crossref","first-page":"180","DOI":"10.1057\/s41599-021-00858-y","article-title":"Viral tunes: Changes in musical behaviours and interest in coronamusic predict socio-emotional coping during COVID-19 lockdown","volume":"8","author":"Fink","year":"2021","journal-title":"Humanit. Soc. Sci. Commun."},{"key":"ref_17","unstructured":"Keller, D. (2020). Ubiquitous Music Ecologies, Taylor & Francis, Howick Place. [1st ed.]."},{"key":"ref_18","unstructured":"Chakraborty, S., Yaseen, A., Timoney, J., Lazzarini, V., and Keller, D. (2022, January 3\u20139). Adaptive touchless whole-body interaction for casual ubiquitous musicalactivities. Proceedings of the International Computer Music Conference (ICMC2022), Limerick, Ireland."},{"key":"ref_19","unstructured":"Hiller, L., and Isaacson, L.M. (1959). Experimental Music: Composition with an Electronic Computer, McGraw-Hill."},{"key":"ref_20","doi-asserted-by":"crossref","first-page":"24","DOI":"10.2307\/3679453","article-title":"Music for an interactive network of microcomputers","volume":"2","author":"Bischoff","year":"1978","journal-title":"Comput. Music J."},{"key":"ref_21","doi-asserted-by":"crossref","first-page":"23","DOI":"10.1162\/0148926054094350","article-title":"Interconnected musical networks: Toward a theoretical framework","volume":"29","author":"Weinberg","year":"2005","journal-title":"Comput. Music J."},{"key":"ref_22","doi-asserted-by":"crossref","unstructured":"Lazzaro, J., and Wawrzynek, J. (2001, January 25\u201326). A Case for Network Musical Performance. Proceedings of the 11th International Workshop on Network and Operating Systems Support for Digital Audio and Video, Port Jefferson, NY, USA. NOSSDAV \u201901.","DOI":"10.1145\/378344.378367"},{"key":"ref_23","unstructured":"Pimenta, M.S., Keller, D., Flores, L.V., de Lima, M.H., and Lazzarini, V. (2014). Ubiquitous Music, Springer."},{"key":"ref_24","doi-asserted-by":"crossref","first-page":"11","DOI":"10.1162\/014892602320582945","article-title":"Problems and prospects for intimate musical control of computers","volume":"26","author":"Wessel","year":"2002","journal-title":"Comput. Music J."},{"key":"ref_25","first-page":"180","article-title":"Performance musical em rede (Network music performance)","volume":"Volume 2","author":"Barbosa","year":"2010","journal-title":"Musical Creation and Technologies: Interdisciplinary Theory and Practice"},{"key":"ref_26","doi-asserted-by":"crossref","first-page":"265","DOI":"10.1080\/09298215.2011.594514","article-title":"Convergent trends toward ubiquitous music","volume":"40","author":"Keller","year":"2011","journal-title":"J. New Music Res."},{"key":"ref_27","doi-asserted-by":"crossref","first-page":"205","DOI":"10.1080\/09298215.2011.603832","article-title":"Principles for music creation by novices in networked music environments","volume":"40","author":"Miletto","year":"2011","journal-title":"J. New Music Res."},{"key":"ref_28","doi-asserted-by":"crossref","unstructured":"Lazzarini, V., and Keller, D. (2021). Workshop on Ubiquitous Music (UbiMus 2021), Ubiquitous Music Group.","DOI":"10.4324\/9780429281440"},{"key":"ref_29","doi-asserted-by":"crossref","unstructured":"Dourish, P., and Bell, G. (2011). Divining a Digital Future: Mess and Mythology in Ubiquitous Computing, Mit Press.","DOI":"10.7551\/mitpress\/9780262015554.001.0001"},{"key":"ref_30","doi-asserted-by":"crossref","unstructured":"Keller, D., Lazzartini, V., and Pimenta, M.S. (2014). Ubiquitous Music, Springer.","DOI":"10.1007\/978-3-319-11152-0"},{"key":"ref_31","doi-asserted-by":"crossref","unstructured":"Frid, E. (2019). Accessible Digital Musical Instruments: A Review of Musical Interfaces in Inclusive Music Practice. Multimodal Technol. Interact., 3.","DOI":"10.3390\/mti3030057"},{"key":"ref_32","doi-asserted-by":"crossref","first-page":"8823","DOI":"10.1109\/ACCESS.2016.2628440","article-title":"An overview on networked music performance technologies","volume":"4","author":"Rottondi","year":"2016","journal-title":"IEEE Access"},{"key":"ref_33","unstructured":"Messina, M., Filho, M.C., Mej\u00eda, C.M.G., Keller, D., Aliel, L., Simurra, I., Aliel, L., and Simurra, I. (2022). Ubiquitous Music Symposium (UbiMus 2022), Ubiquitous Music Group."},{"key":"ref_34","doi-asserted-by":"crossref","unstructured":"Ng, K., Bowen, J.P., and McDaid, S. (2014, January 8\u201310). Relational properties in interaction aesthetics: The ubiquitous music turn. Proceedings of the Electronic Visualisation and the Arts Conference (EVA 2014), London, UK.","DOI":"10.14236\/ewic\/EVA2014.0"},{"key":"ref_35","doi-asserted-by":"crossref","first-page":"173","DOI":"10.1016\/j.compedu.2004.08.004","article-title":"Virtual collaborative learning environments for music: Networked drumsteps","volume":"44","author":"McCarthy","year":"2005","journal-title":"Comput. Educ."},{"key":"ref_36","unstructured":"Brown, A., and Dillon, S. (2007). Music Education with Digital Technology, Continuum International Publishing."},{"key":"ref_37","unstructured":"Brown, A.R., Stewart, D., Hansen, A., and Stewart, A. (2014). Ubiquitous Music, Springer."},{"key":"ref_38","unstructured":"Tome, B., Haddad, D.D., Machover, T., and Paradiso, J.A. (June, January 31). MMODM: Massively multiplayer online drum machine. Proceedings of the International Conference on New Interfaces for Musical Expression (NIME), Vancouver, BC, Canada."},{"key":"ref_39","unstructured":"Ramsay, D.B., and Paradiso, J.A. (June, January 31). Grouploop: A collaborative, network-enabled audio feedback instrument. Proceedings of the International Conference on New Interfaces for Musical Expression, Baton Rouge, LA, USA."},{"key":"ref_40","doi-asserted-by":"crossref","first-page":"385","DOI":"10.1080\/09298215.2019.1654525","article-title":"The Handy Metaphor: Bimanual, touchless interaction for the internet of musical things","volume":"48","author":"Keller","year":"2019","journal-title":"J. New Music. Res."},{"key":"ref_41","doi-asserted-by":"crossref","unstructured":"Tolentino, C.T., Uy, A., and Naval, P. (2019, January 19\u201321). Air Drums: Playing Drums Using Computer Vision. Proceedings of the 2019 International Symposium on Multimedia and Communication Technology (ISMAC), Quezon City, Philippines.","DOI":"10.1109\/ISMAC.2019.8836175"},{"key":"ref_42","doi-asserted-by":"crossref","unstructured":"Cocchiara, D., and Turchet, L. (2022, January 6\u20139). Democratizing access to collaborative music making over the network using air instruments. Proceedings of the 17th International Audio Mostly Conference, New York, NY, USA.","DOI":"10.1145\/3561212.3561227"},{"key":"ref_43","doi-asserted-by":"crossref","unstructured":"Chung, J.L., Ong, L.Y., and Leow, M.C. (2022). Comparative Analysis of Skeleton-Based Human Pose Estimation. Future Internet, 14.","DOI":"10.3390\/fi14120380"},{"key":"ref_44","unstructured":"Zhang, Y. (2022). Applications of Google MediaPipe Pose Estimation Using a Single Camera, California State Polytechnic University Pomona."},{"key":"ref_45","unstructured":"Josyula, R., and Ostadabbas, S. (2021). A Review on Human Pose Estimation. arXiv."},{"key":"ref_46","doi-asserted-by":"crossref","unstructured":"Keller, D., Simurra, I., Messina, M., Neiva, T.M., Tedesco, S., and Mesz, B. (2022). Domestic ubimus. EAI Endorsed Trans. Creat. Technol., 9.","DOI":"10.4108\/eai.22-2-2022.173493"},{"key":"ref_47","doi-asserted-by":"crossref","unstructured":"Subramanian, S., Seah, S.A., Shinoda, H., Hoggan, E., and Corenthy, L. (2016, January 7\u201312). Mid-air haptics and displays: Systems for un-instrumented mid-air interactions. Proceedings of the 2016 CHI Conference Extended Abstracts on Human Factors in Computing Systems, San Jose, CA, USA.","DOI":"10.1145\/2851581.2856464"},{"key":"ref_48","doi-asserted-by":"crossref","unstructured":"Graham-Knight, K., and Tzanetakis, G. (October, January 25). Adaptive Music Technology:History and Future Perspectives. Proceedings of the Internationc Computer Music Conference (ICMC2015), Denton, TX, USA.","DOI":"10.1145\/2769493.2769583"}],"container-title":["Future Internet"],"original-title":[],"language":"en","link":[{"URL":"https:\/\/www.mdpi.com\/1999-5903\/15\/4\/125\/pdf","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2025,10,10]],"date-time":"2025-10-10T19:04:16Z","timestamp":1760123056000},"score":1,"resource":{"primary":{"URL":"https:\/\/www.mdpi.com\/1999-5903\/15\/4\/125"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2023,3,27]]},"references-count":48,"journal-issue":{"issue":"4","published-online":{"date-parts":[[2023,4]]}},"alternative-id":["fi15040125"],"URL":"https:\/\/doi.org\/10.3390\/fi15040125","relation":{},"ISSN":["1999-5903"],"issn-type":[{"type":"electronic","value":"1999-5903"}],"subject":[],"published":{"date-parts":[[2023,3,27]]}}}