{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,6,25]],"date-time":"2026-06-25T09:14:23Z","timestamp":1782378863396,"version":"3.54.5"},"reference-count":81,"publisher":"MDPI AG","issue":"10","license":[{"start":{"date-parts":[[2021,9,25]],"date-time":"2021-09-25T00:00:00Z","timestamp":1632528000000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/creativecommons.org\/licenses\/by\/4.0\/"}],"content-domain":{"domain":[],"crossmark-restriction":false},"short-container-title":["IJGI"],"abstract":"<jats:p>\u201cEntering\u201d a canvas to examine and learn about the work from unexplored points of view is an experiential \u201cjourney\u201d in an environment reconstructed through the use and integration of innovative technologies, such as descriptive geometry and digital photogrammetry, solid modeling and immersive photography. Generating a \u201csense of presence\u201d in the viewer means connecting it with immediacy to the artist\u2019s message and grasping even the most subtle elements of the painting that are difficult to understand, such as architectural inconsistencies or the play of perspectives that, very often, bring out the situations scripted, characterized by discoveries that prelude to the aesthetic pleasure as the multiplicity of meanings and the \u201cstylistic overcoding\u201d of the work is revealed. The research hypotheses were applied to a case study, or to the splendid \u201cLast Supper\u201d by the Flemish artist Gaspar Hovic, a canvas painted in oil (late 15th century AD) and kept in the Matrice SM Veterana Church di Triggiano (BA), where the representation of the suggestive moment of Jesus with the Apostles is carried out through numerous symbols, in an evocative architectural context rich in details. The pictorial subject provides a series of very interesting ideas suitable for research of the role of perspective. The inverse method of linear perspective was used to reveal the plants and sections corresponding to the perspective space of the painting, used as the basis for the reconstruction of the 3D model of the entire scenic composition. Although the painting represents the apparently rigorous application of the perspective technique, by \u201centering\u201d the canvas it is possible to observe some exceptions to the geometric rules deliberately introduced by the artist, thus making the perspective restitution process an effective interpretative act of the work.<\/jats:p>","DOI":"10.3390\/ijgi10100641","type":"journal-article","created":{"date-parts":[[2021,9,27]],"date-time":"2021-09-27T04:55:33Z","timestamp":1632718533000},"page":"641","update-policy":"https:\/\/doi.org\/10.3390\/mdpi_crossmark_policy","source":"Crossref","is-referenced-by-count":1,"title":["A Virtual Space Built on a Canvas Painting for an \u201cAugmented\u201d Experience to Catch the Artist\u2019s Message"],"prefix":"10.3390","volume":"10","author":[{"given":"Salvatore","family":"Capotorto","sequence":"first","affiliation":[{"name":"ITC-CNR, Construction Technologies Institute, National Research Council of Italy, 70124 Bari, Italy"}],"role":[{"vocabulary":"crossref","role":"author"}]},{"given":"Maria","family":"Lepore","sequence":"additional","affiliation":[{"name":"ITC-CNR, Construction Technologies Institute, National Research Council of Italy, 70124 Bari, Italy"}],"role":[{"vocabulary":"crossref","role":"author"}]},{"ORCID":"https:\/\/orcid.org\/0000-0003-4173-5241","authenticated-orcid":false,"given":"Antonietta","family":"Varasano","sequence":"additional","affiliation":[{"name":"ITC-CNR, Construction Technologies Institute, National Research Council of Italy, 70124 Bari, Italy"}],"role":[{"vocabulary":"crossref","role":"author"}]}],"member":"1968","published-online":{"date-parts":[[2021,9,25]]},"reference":[{"key":"ref_1","unstructured":"Pulvirenti, E. 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