{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,10,14]],"date-time":"2025-10-14T00:33:49Z","timestamp":1760402029104,"version":"build-2065373602"},"reference-count":71,"publisher":"MDPI AG","issue":"4","license":[{"start":{"date-parts":[[2021,3,29]],"date-time":"2021-03-29T00:00:00Z","timestamp":1616976000000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/creativecommons.org\/licenses\/by\/4.0\/"}],"content-domain":{"domain":[],"crossmark-restriction":false},"short-container-title":["Symmetry"],"abstract":"<jats:p>Industrial products have been highlighted in the agronomic field more for their technical and functional aspects than for their visual aesthetics. Currently, this concept has changed and has favoured the development of innovative products taking into account all the factors involved in the conception of a product. This article describes a real industrial product redesign case that was functionally innovative and a reference in the agronomic domain. Due to the large number of copies that emerged from its competitors, this design required a new image in its aesthetic appearance to differentiate it from the rest. The difficulty of this project lay in the technical limitations to develop it, so a conceptual design process based on analogies and inspired by nature was necessary to find the most appropriate shape. Based on this methodology, a symmetrical and static design was transformed into one with asymmetrical and dynamic shapes inspired by the helicoidal movement of water. This new design gave this product an innovative, symbolic, and differentiating image that allowed its industrial registration in a large number of countries.<\/jats:p>","DOI":"10.3390\/sym13040561","type":"journal-article","created":{"date-parts":[[2021,3,29]],"date-time":"2021-03-29T04:29:14Z","timestamp":1616992154000},"page":"561","update-policy":"https:\/\/doi.org\/10.3390\/mdpi_crossmark_policy","source":"Crossref","is-referenced-by-count":1,"title":["Optimization of the Aesthetic Design of an Agronomic Product Inspired by an Asymmetric Shape of Water"],"prefix":"10.3390","volume":"13","author":[{"ORCID":"https:\/\/orcid.org\/0000-0001-7259-5937","authenticated-orcid":false,"given":"Dolores","family":"Parras-Burgos","sequence":"first","affiliation":[{"name":"Department of Structures, Construction and Graphic Expression, Universidad Polit\u00e9cnica de Cartagena, 30202 Cartagena, Spain"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"ORCID":"https:\/\/orcid.org\/0000-0002-1504-8475","authenticated-orcid":false,"given":"Daniel G.","family":"Fern\u00e1ndez-Pacheco","sequence":"additional","affiliation":[{"name":"Department of Structures, Construction and Graphic Expression, Universidad Polit\u00e9cnica de Cartagena, 30202 Cartagena, Spain"}],"role":[{"role":"author","vocabulary":"crossref"}]},{"ORCID":"https:\/\/orcid.org\/0000-0001-7956-3997","authenticated-orcid":false,"given":"Francisco J. F.","family":"Ca\u00f1avate","sequence":"additional","affiliation":[{"name":"Department of Structures, Construction and Graphic Expression, Universidad Polit\u00e9cnica de Cartagena, 30202 Cartagena, Spain"}],"role":[{"role":"author","vocabulary":"crossref"}]}],"member":"1968","published-online":{"date-parts":[[2021,3,29]]},"reference":[{"key":"ref_1","unstructured":"Gay, A., and Samar, L. (2004). Industrial Design in History, Ediciones Tec. (In Spanish)."},{"key":"ref_2","doi-asserted-by":"crossref","first-page":"394","DOI":"10.1111\/j.1540-5885.2011.00809.x","article-title":"Design Is Everything?","volume":"28","author":"Ulrich","year":"2011","journal-title":"J. Prod. Innov. Manag."},{"key":"ref_3","unstructured":"Lecuona, M. (2007). Handbook on Design Management for Companies Opening New Markets, Centro de Dise\u00f1o. (In Spanish)."},{"key":"ref_4","unstructured":"Norman, D.A. (2004). Emotional Design. 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