{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,10,10]],"date-time":"2025-10-10T01:01:48Z","timestamp":1760058108803,"version":"build-2065373602"},"reference-count":40,"publisher":"MDPI AG","issue":"1","license":[{"start":{"date-parts":[[2025,3,14]],"date-time":"2025-03-14T00:00:00Z","timestamp":1741910400000},"content-version":"vor","delay-in-days":0,"URL":"https:\/\/creativecommons.org\/licenses\/by\/4.0\/"}],"funder":[{"name":"Stanford Office of Religious and Spiritual Life"},{"name":"Ho Center for Buddhist Studies at Stanford"},{"name":"University of Colorado Denver\u2019s College of Arts and Media (CU Denver-CAM)"},{"name":"Center for Faculty Development and Advancement (CU Denver-CFDA)"},{"name":"Center for Excellence in Teaching and Learning (CU Denver-CETL)"},{"name":"Mahavajra Seon Sanctuary"},{"name":"Yuming Wang"},{"name":"Atman Partners"}],"content-domain":{"domain":[],"crossmark-restriction":false},"short-container-title":["Virtual Worlds"],"abstract":"<jats:p>This study investigates the application of network audio technology in performing arts and media art collaborations within virtual environments, analyzing its impact through four case studies. Employing a practice-based research methodology through using a variety of open-source software and communication protocols, it examines the cultural and social dynamics, creative workflows, and technical frameworks of ensembles leveraging network audio technology for remote recording and virtual production. These projects, recognized internationally within the electroacoustic music community, underscore the potential of network audio to transform virtual music performance, industry practices, and education. The research addresses challenges in internet-based production, particularly in real-time multichannel audio recording, mixing, and production with limited home setups. Insights into managing multiple audio networks effectively and capturing distinct tracks across virtual spaces are presented, offering both creative and technical strategies for virtual music performance and production in emerging digital environments.<\/jats:p>","DOI":"10.3390\/virtualworlds4010009","type":"journal-article","created":{"date-parts":[[2025,3,14]],"date-time":"2025-03-14T04:29:18Z","timestamp":1741926558000},"page":"9","update-policy":"https:\/\/doi.org\/10.3390\/mdpi_crossmark_policy","source":"Crossref","is-referenced-by-count":0,"title":["Empowering Musicians: Innovating Virtual Ensemble Concert Music with Networked Audio Technology"],"prefix":"10.3390","volume":"4","author":[{"given":"Jiayue","family":"Wu","sequence":"first","affiliation":[{"name":"College of Arts and Media, University of Colorado Denver, Denver, CO 80204, USA"}]}],"member":"1968","published-online":{"date-parts":[[2025,3,14]]},"reference":[{"key":"ref_1","doi-asserted-by":"crossref","first-page":"193","DOI":"10.1017\/S1355771805000932","article-title":"Open Sound Control: An enabling technology for musical networking","volume":"10","author":"Wright","year":"2005","journal-title":"Organised Sound"},{"key":"ref_2","doi-asserted-by":"crossref","first-page":"8","DOI":"10.2307\/3679619","article-title":"Musicians make a standard: The MIDI phenomenon","volume":"9","author":"Gareth","year":"1985","journal-title":"Comput. 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