{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,1,30]],"date-time":"2025-01-30T08:10:34Z","timestamp":1738224634639,"version":"3.34.0"},"reference-count":10,"publisher":"SGEM WORLD SCIENCE","content-domain":{"domain":[],"crossmark-restriction":false},"short-container-title":[],"published-print":{"date-parts":[[2024,12,25]]},"abstract":"<jats:p> The increasing impact of science and technology in our daily lives calls for more science communication within the general public and science art offers an effective means.   \nScience Art is not new, but until about 20 years ago science topics in the general art world were still a rarity. This was treated as a niche form of graphic art.\nHowever, especially over the last 10 years there has true surge of interest in the artistic depiction of science subject matter in the digital networks. \nSo, what is Science Art?  Well, to date there is no clear description. So, in this presentation I will offer an answer this question by employing a variety of examples, including works exhibited at this conference. <\/jats:p>","DOI":"10.35603\/sws.iscah.2024\/sp01.01","type":"proceedings-article","created":{"date-parts":[[2025,1,30]],"date-time":"2025-01-30T07:37:36Z","timestamp":1738222656000},"page":"viii-xvi","source":"Crossref","is-referenced-by-count":0,"title":["DO YOU KNOW WHAT SCIENCE ART IS? A definition of and introduction to an art genre"],"prefix":"10.35603","volume":"11","author":[{"given":"Friedrich","family":"Bliem","sequence":"first","affiliation":[{"name":"Artist, Independent","place":["Austria"]}],"role":[{"role":"author","vocabulary":"crossref"}]}],"member":"21192","reference":[{"key":"ref=1","unstructured":"[1] Luca Signorelli, Circumcision of Christ with Simeon at the rear, ca1491"},{"key":"ref=2","unstructured":"[2] Circumcision of Christ, ca1340\/Artist unknown"},{"key":"ref=3","unstructured":"[3] Leonardo da Vinci, The skull sectioned, a pen and ink drawing, ca. 1490. Royal Collection Trust"},{"key":"ref=4","unstructured":"[4] Hans Arp, Sculpture to be Lost in the Forest, 1932, Tate Enterprises Ltd"},{"key":"ref=5","unstructured":"[5] Yves Tanguy, Deux fois noir (Twice black), 1941, recently on sale at Sotherby?s, London"},{"key":"ref=6","unstructured":"[6] Wassily Kandinsky, 1937, Capricious FormsR. Guggenheim Museum, Artist Rights Society (ARS), New York\/ADAGP, Paris"},{"key":"ref=7","unstructured":"[7] Marine animals in the book \"Kunstformen der Natur\", 1904"},{"key":"ref=8","unstructured":"[8] Salvador Dali, Galatea of the Spheres\", 1952, Dali Theatre and Museum, Figueres"},{"key":"ref=9","unstructured":"[9] Friedrich  Bliem, Biological Introspection (Biopsychology, implicated in such as Fibromylgia), 2024"},{"key":"ref=10","doi-asserted-by":"crossref","unstructured":"[10] David Goodsell, Molecular Landscapes, Kinetochore, 2024","DOI":"10.2210\/rcsb_pdb\/goodsell-gallery-050"}],"event":{"name":"11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024"},"container-title":["SWS International Scientific Conferences on ART and HUMANITIES - ISCAH","11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH Proceedings 2024, Volume 11"],"original-title":[],"deposited":{"date-parts":[[2025,1,30]],"date-time":"2025-01-30T07:37:40Z","timestamp":1738222660000},"score":1,"resource":{"primary":{"URL":"https:\/\/ssalibrary.at\/sgem_jresearch_publication_view.php?page=view&editid1=5545"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2024,12,25]]},"references-count":10,"URL":"https:\/\/doi.org\/10.35603\/sws.iscah.2024\/sp01.01","relation":{},"ISSN":["2682-9940"],"issn-type":[{"value":"2682-9940","type":"print"}],"subject":[],"published":{"date-parts":[[2024,12,25]]}}}