{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,10,2]],"date-time":"2026-10-02T20:54:27Z","timestamp":1790974467166,"version":"4.1.0"},"reference-count":24,"publisher":"University of Michigan Library","issue":"0","license":[{"start":{"date-parts":[[2026,10,5]],"date-time":"2026-10-05T00:00:00Z","timestamp":1791158400000},"content-version":"unspecified","delay-in-days":0,"URL":"https:\/\/creativecommons.org\/licenses\/by-nc-nd\/4.0"}],"content-domain":{"domain":[],"crossmark-restriction":false},"short-container-title":[],"accepted":{"date-parts":[[2025,10,22]]},"abstract":"<jats:p>We often have a visceral negative reaction to the prospect of AI taking over our creative activities or being used to demonstrate care and concern. What justifies this reaction? In this paper, I argue that AI raises two existential threats to our valuing practices. The first existential threat is forward-looking\u2014when we offload our labor onto AI, we risk flattening our valuing landscape, turning activities and products that could have once been valued for the meaningful processes that resulted in their creation into things that can only be valued for their functionality. The second threat is backward-looking\u2014AI forces us to reckon with the valuing discord that already exists in our lives. When we see that other people don\u2019t care about whether the art or writing they\u2019re consuming is AI-produced, we must reckon with the fact that they never shared in our valuing practices.<\/jats:p>","DOI":"10.3998\/phimp.7153","type":"journal-article","created":{"date-parts":[[2025,10,22]],"date-time":"2025-10-22T13:58:15Z","timestamp":1761141495000},"source":"Crossref","is-referenced-by-count":0,"title":["Fear and Loathing in Silicon Valley: Does AI Threaten our Valuing Practices?"],"prefix":"10.3998","volume":"26","author":[{"given":"Jordan","family":"MacKenzie","sequence":"first","affiliation":[{"name":"Philosophy, University of Virginia"}],"role":[{"vocabulary":"crossref","role":"author"}]}],"member":"2393","published-online":{"date-parts":[[2026,10,5]]},"reference":[{"issue":"1","key":"keyref_B1","first-page":"13","article-title":"Creating art with AI","volume":"8","author":"Anscomb, Claire","year":"2022","journal-title":"Odradek"},{"issue":"3","key":"keyref_B2","doi-asserted-by":"publisher","first-page":"291","DOI":"10.2307\/428176","article-title":"On the creation of art","volume":"23","author":"Beardsley, Monroe C.","year":"1965","journal-title":"The Journal of Aesthetics and Art Criticism"},{"key":"keyref_B3","volume-title":"Creativity and Art: Three Roads to Surprise","author":"Boden, Margaret A.","year":"2010"},{"key":"keyref_B4","article-title":"Artificial intelligence and the threat of creative obsolescence","author":"Brainard, Lindsay","journal-title":"Ergo: An Open Access Journal of Philosophy"},{"key":"keyref_B5","doi-asserted-by":"crossref","unstructured":"Brainard, Lindsay\n\n (2025a). \n\nArtificial intelligence, creativity, and the precarity of human connection. 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