{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,3,14]],"date-time":"2026-03-14T15:22:58Z","timestamp":1773501778271,"version":"3.50.1"},"reference-count":21,"publisher":"OpenEdition","license":[{"start":{"date-parts":[[2020,1,1]],"date-time":"2020-01-01T00:00:00Z","timestamp":1577836800000},"content-version":"unspecified","delay-in-days":0,"URL":"https:\/\/creativecommons.org\/licenses\/by-nc\/4.0\/"}],"content-domain":{"domain":[],"crossmark-restriction":false},"short-container-title":["carnets"],"published-print":{"date-parts":[[2020]]},"abstract":"Hector Berlioz a publi\u00e9 en 1844 un petit r\u00e9cit o\u00f9 il imagine une ville de l\u2019avenir r\u00e9git par des principes musicaux, L\u2019Euphonia. Republi\u00e9e en 1852, dans un autre contexte critique, faisant partie des Soir\u00e9es de L\u2019Orchestre, il occupera la derni\u00e8re soir\u00e9e, apr\u00e8s l\u2019annonce de la fermeture du th\u00e9\u00e2tre (\u00ab\u00a0pour\u00a0cause de r\u00e9parations\u00a0\u00bb) et avant l\u2019\u00e9pilogue de l\u2019\u0153uvre. Les \u00ab\u00a0r\u00e9parations\u00a0\u00bb gagnent ainsi un symbolisme collectif, puisque l\u2019ordre sociale est aussi une harmonie musicale. L\u2019euphonie et l\u2019eutopie s\u2019imposent, \u00e0 la vie, \u00e0 la litt\u00e9rature et \u00e0 la musique mais elles semblent indissociables de la dystopie, l'utopie \u00e9tant la repr\u00e9sentation de l'absence de lieu, peut-\u00eatre le seul lieu o\u00f9 l'on peut recr\u00e9er le monde ?\u00a0<\/jats:p>","DOI":"10.4000\/carnets.11229","type":"journal-article","created":{"date-parts":[[2020,5,30]],"date-time":"2020-05-30T02:54:09Z","timestamp":1590807249000},"source":"Crossref","is-referenced-by-count":0,"title":["EUPHONIE, d'Hector Berlioz"],"prefix":"10.4000","volume":"Deuxi\u00e8me s\u00e9rie - 19","author":[{"ORCID":"https:\/\/orcid.org\/0000-0002-5836-8532","authenticated-orcid":false,"given":"Maria Lu\u00edsa Malato","family":"Borralho","sequence":"first","affiliation":[]}],"member":"2399","reference":[{"key":"ref0","unstructured":"BACHELARD, Gaston (1963). La Dialectique de la Dur\u00e9e. Paris\u00a0: Presses Universitaires de France."},{"key":"ref1","unstructured":"BAPTISTA, Pedro (2010). O Fil\u00f3sofo Fantasma. Sintra\u00a0: Editora Z\u00e9firo."},{"key":"ref2","unstructured":"BARRAUD, Henry (1989). Hector Berlioz. Paris: Fayard."},{"key":"ref3","unstructured":"BERLIOZ, Hector (1844). \u00ab\u00a0Euphonia ou La Ville Musicale\u00a0\u00bb, in Revue et Gazette Musicale de Paris. Paris\u00a0: Au Bureau d'Abonnement, 97, rue Richelieu. [Disponible le 2\/4\/2020] <URL\u00a0: https:\/\/archive.org\/details\/revueetgazettemu1844pari\/ page\/n5\/ mode\/2up>"},{"key":"ref4","unstructured":"BERLIOZ, Hector (1852). Les Soir\u00e9es de l'Orchestre. XXVe Soir\u00e9e\u00a0: \u00ab\u00a0Euphonia ou La Ville Musicale\u00a0\u00bb. [Disponible le 2\/4\/2020] <URL\u00a0: http:\/\/www.hberlioz.com\/Writings\/ SOindex.htm>"},{"key":"ref5","unstructured":"BERLIOZ, Hector (1868). Testament. Site Hector Berlioz. [Disponible le 22\/4\/2020] <URL\u00a0: http:\/\/www.hberlioz.com\/Works\/testament-f.htm>"},{"key":"ref6","unstructured":"BERLIOZ, Hector (2004). Eufonia ou A Cidade Musical. Lisboa\u00a0: Editora Etc."},{"key":"ref7","unstructured":"CARVALHO, Amorim de (1987). Teoria Geral da Versifica\u00e7\u00e3o, 2 vols. : Lisboa\u00a0: Imp\u00e9rio."},{"key":"ref8","unstructured":"ELLIOT, J. H., Berlioz (1959). Berlioz, London\/ New York: J. M. Dent and Sons\/ Farrar, Strauss and Cudaby."},{"key":"ref9","unstructured":"FERREIRA, A. Gomes (s.d.). Dicion\u00e1rio de Latim-Portugu\u00eas. Porto\u00a0: Porto Editora."},{"key":"ref10","unstructured":"FULLER, R. Buckminister (1975). Explorations in the Geometry of Thinking. Synergetics, New York\/ London\u00a0: MacMillan\/ Collier MacMillan."},{"key":"ref11","unstructured":"GRENIER, Jean (1941). Inspirations M\u00e9diterran\u00e9ennes. Paris\u00a0: Gallimard."},{"key":"ref12","unstructured":"LEITE, Isabel Pereira (2020). \u00ab\u00a0Lugares da m\u00fasica numa distopia\u00a0: a pandemia de 2020\u00a0\u00bb, Convenit Internacional, S\u00e3o Paulo, n.\u00ba 34. Set-Dez., 1-12. ISSN 1517-6975. [Disponible le 22\/4\/2020] < URL\u00a0: http:\/\/www.hottopos.com\/convenit34\/index.htm>"},{"key":"ref13","unstructured":"LONGIN (1995). Trait\u00e9 du sublime ou du merveilleux dans le discours (trad. Boileau). Paris\u00a0: Le Livre de Poche, Librairie G\u00e9n\u00e9rale Fran\u00e7aise, 1995. Reproduction de l'\u00e9dition de 1701. [Disponible le 2\/4\/2020] <URL\u00a0: http:\/\/sublime.nancyholt.com\/Longinus\/ index.html>"},{"key":"ref14","unstructured":"MESCHONNIC, Henri (1982). Critique du rythme. Anthropologie Historique du Langage. Lagrasse\u00a0: Verdier."},{"key":"ref15","unstructured":"MORRIS, William (2007). A beleza da vida. Lisboa\u00a0: Etc."},{"key":"ref16","unstructured":"MORRIS, William (1880). The beauty of life. [Disponible en ligne le 2\/4\/2020]. <URL\u00a0: https:\/\/edu.glogster.com\/glog\/pdf-download-the-beauty-of-life-william-morris-and-the-art-of-de\/362kki8f4us>"},{"key":"ref17","unstructured":"PEREIRA, Isidro (1969). Dicion\u00e1rio Grego-Portugu\u00eas e Portugu\u00eas-Grego. Porto\u00a0: Apostolado da Imprensa."},{"key":"ref18","unstructured":"GEVAERT, V.-A.\u00a0; VOLGRAFF, J.-C.\/ eds. (1988). Les probl\u00e8mes musicaux d'Aristote, Gant\u00a0: Biblio Verlag."},{"key":"ref19","unstructured":"SCHILLER, Friedrich (1997). Textos sobre o , Belo, o Sublime e o Tr\u00e1gico. Lisboa\u00a0: Imprensa Nacional-Casa da Moeda."},{"key":"ref20","unstructured":"TRYON-MONTALEMBERT, R. e HRUBY, K. (1999). A Cabala e a Tradi\u00e7\u00e3o Judaica. Lisboa\u00a0: Edi\u00e7\u00f5es 70."}],"container-title":["Carnets"],"original-title":[],"deposited":{"date-parts":[[2026,3,14]],"date-time":"2026-03-14T12:39:53Z","timestamp":1773491993000},"score":1,"resource":{"primary":{"URL":"https:\/\/journals.openedition.org\/carnets\/11229"}},"subtitle":["De l\u2019Uphonie \u00e0 l\u2019Utopie"],"short-title":[],"issued":{"date-parts":[[2020]]},"references-count":21,"issue-title":["Petite fabrique d'interpr\u00e8tes"],"URL":"https:\/\/doi.org\/10.4000\/carnets.11229","relation":{},"ISSN":["1646-7698"],"issn-type":[{"value":"1646-7698","type":"electronic"}],"subject":[],"published":{"date-parts":[[2020]]}}}