{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2026,2,13]],"date-time":"2026-02-13T15:54:03Z","timestamp":1770998043051,"version":"3.50.1"},"reference-count":11,"publisher":"IGI Global","issue":"1","content-domain":{"domain":[],"crossmark-restriction":false},"short-container-title":[],"published-print":{"date-parts":[[2017,1]]},"abstract":"<jats:p>This article will describe the interactive sculpture Arbor in conceptual and operational terms, analyzing the relation developed with users, peering into the technology and the interfaces installed, checking the elapsed interventions and anticipating possible exploits. Arbor, due to its original concept, has had recreational and pedagogical approaches which have exceeded expectations, throughout little more than one year of public exposure. The versatility of Arbor presented the authors with several new dimensions for interaction, exceeding the applicability initially imagined by its authors. This text will begin with an introduction, followed by how, through code and art, the technology allowed the writing of words and exposure of knowledge.<\/jats:p>","DOI":"10.4018\/ijcicg.2017010103","type":"journal-article","created":{"date-parts":[[2017,12,26]],"date-time":"2017-12-26T15:28:26Z","timestamp":1514302106000},"page":"39-53","source":"Crossref","is-referenced-by-count":1,"title":["Arbor"],"prefix":"10.4018","volume":"8","author":[{"given":"Ana Cristina","family":"Marques","sequence":"first","affiliation":[{"name":"CIAC-Research Centre for Arts and Communication, Universidade Aberta, Lisbon, Portugal"}]},{"given":"Rui Manuel Agostinho","family":"Gaspar","sequence":"additional","affiliation":[{"name":"CIAC-Research Centre for Arts and Communication, Universidade Aberta, Lisbon, Portugal"}]},{"given":"Nelson","family":"Zagalo","sequence":"additional","affiliation":[{"name":"Universidade de Aveiro, Aveiro, Portugal"}]}],"member":"2432","reference":[{"key":"IJCICG.2017010103-0","unstructured":"Dissanayake, E. (1995), The Pleasure of Meaning and Making. Retrieved 27-08-2015 from https:\/\/www.academia.edu\/8051818\/THE_PLEASURE_AND_MEANING_OF_MAKING"},{"key":"IJCICG.2017010103-1","unstructured":"Edmonds, E. A. (2007), The Art of Interaction, Sidney, Retrieved January, 27, 2017, from http:\/\/www.bcs.org\/upload\/pdf\/ewic_create10_keynote3.pdf"},{"key":"IJCICG.2017010103-2","doi-asserted-by":"crossref","unstructured":"Lopes, D. McIver (2010), A Philosophy of Computer Art. NY: Routledge.","DOI":"10.4324\/9780203872345"},{"key":"IJCICG.2017010103-3","article-title":"Database as Symbolic Form","author":"L.Manovich","year":"2001","journal-title":"The Language of New Media"},{"key":"IJCICG.2017010103-4","doi-asserted-by":"crossref","unstructured":"Marcos, A. F. (2012), Instanciando mecanismos de a\/r\/tografia no processo de cria\u00e7\u00e3o em arte digital\/computacional. In INVISIBILIDADES: Revista Iberoamericana de Pesquisa em Educa\u00e7\u00e3o, Cultura e Artes\". ISSN 1647-0508. Vol. 3 (sept. 2012), p.138-145. http:\/\/hdl.handle.net\/10400.2\/2204","DOI":"10.24981\/16470508.3.13"},{"key":"IJCICG.2017010103-5","author":"M.McLuhan","year":"1962","journal-title":"A Gal\u00e1xia de Gutenberg: a Forma\u00e7\u00e3o do Homem Tipogr\u00e1fico"},{"key":"IJCICG.2017010103-6","author":"F. P.Miller","year":"2009","journal-title":"Ascii Art. Saatrucken"},{"key":"IJCICG.2017010103-7","unstructured":"Nielsen, J. (n.d.). Thinking Aloud: The #1 Usability Tool, jan 2012, Retrieved January, 05, 2017, from https:\/\/www.nngroup.com\/articles\/thinking-aloud-the-1-usability-tool\/"},{"key":"IJCICG.2017010103-8","author":"C.Paul","year":"2005","journal-title":"Digital Art"},{"key":"IJCICG.2017010103-9","unstructured":"Rieman, J. L. C. (1994). Task-Centered User Interface Design. Retrieved January, 15, 2017, from http:\/\/pages.cpsc.ucalgary.ca\/~tamj\/2001\/hci_topics\/papers\/LewisRiemanBook\/chap-1.html"},{"key":"IJCICG.2017010103-10","article-title":"New Media","author":"M.Rush","year":"2008","journal-title":"Art"}],"container-title":["International Journal of Creative Interfaces and Computer Graphics"],"original-title":[],"language":"en","link":[{"URL":"https:\/\/www.igi-global.com\/viewtitle.aspx?TitleId=196220","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2022,5,5]],"date-time":"2022-05-05T22:06:33Z","timestamp":1651788393000},"score":1,"resource":{"primary":{"URL":"http:\/\/services.igi-global.com\/resolvedoi\/resolve.aspx?doi=10.4018\/IJCICG.2017010103"}},"subtitle":["Interactive Sculpture - From the Tree of Letters to the Tree of Words"],"short-title":[],"issued":{"date-parts":[[2017,1]]},"references-count":11,"journal-issue":{"issue":"1"},"URL":"https:\/\/doi.org\/10.4018\/ijcicg.2017010103","relation":{},"ISSN":["1947-3117","1947-3125"],"issn-type":[{"value":"1947-3117","type":"print"},{"value":"1947-3125","type":"electronic"}],"subject":[],"published":{"date-parts":[[2017,1]]}}}