{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2022,5,6]],"date-time":"2022-05-06T19:15:17Z","timestamp":1651864517606},"reference-count":17,"publisher":"IGI Global","issue":"2","content-domain":{"domain":[],"crossmark-restriction":false},"short-container-title":[],"published-print":{"date-parts":[[2017,7,1]]},"abstract":"<p>This article provides insights on an experimental artwork using a non-touch interaction interface. It details the use of a generative figurative approach and describes the audio-visual psychological and relational impact on the target-audience, through direct trial, observation and adaptation, in a first-person account, since authorship is shared between article and artwork. Alchimia is an interactive installation in which a single viewer\/interactor (i.e.: the one who interacts with the artefact) stands in front of a screen and a webcam, and by facial detection and simultaneous processing of pre-prepared images and sounds, a virtual mirror space of constant audio-visual stimuli is created. The artwork aims at questioning personal representation, focusing on the face, altering the expression and gender, assigning masks, making the facial traits diffuse, mixed, unexpected, in search of another self, while allowing for self-discovery and playfulness \u2013 or intimidation \u2013 by means of a simple, familiar and almost invisible interface: the webcam.<\/p>","DOI":"10.4018\/ijcicg.2017070102","type":"journal-article","created":{"date-parts":[[2018,1,11]],"date-time":"2018-01-11T21:15:45Z","timestamp":1515705345000},"page":"13-22","source":"Crossref","is-referenced-by-count":0,"title":["Alchimia"],"prefix":"10.4018","volume":"8","author":[{"given":"Pedro","family":"Alves da Veiga","sequence":"first","affiliation":[{"name":"CIAC - Centro de Investiga\u00e7\u00e3o em Artes e Comunica\u00e7\u00e3o; Universidade Aberta, Universidade do Algarve, Lisbon, Portugal"}]}],"member":"2432","reference":[{"key":"IJCICG.2017070102-0","article-title":"Analysis of Visitor Behaviour inside the Museum: An Empirical Study.","author":"A.Bollo","year":"2005","journal-title":"8th International Conference on Arts & Cultural Management"},{"key":"IJCICG.2017070102-1","author":"J.Brown","year":"1997","journal-title":"The self"},{"key":"IJCICG.2017070102-2","doi-asserted-by":"publisher","DOI":"10.1016\/j.bandc.2009.01.003"},{"key":"IJCICG.2017070102-3","author":"J.Dewey","year":"1980","journal-title":"Art as Experience"},{"key":"IJCICG.2017070102-4","doi-asserted-by":"publisher","DOI":"10.1145\/2466816.2466837"},{"key":"IJCICG.2017070102-5","doi-asserted-by":"publisher","DOI":"10.1177\/0146167208318601"},{"key":"IJCICG.2017070102-6","doi-asserted-by":"publisher","DOI":"10.1111\/j.1467-8624.1976.tb02226.x"},{"key":"IJCICG.2017070102-7","doi-asserted-by":"publisher","DOI":"10.1016\/0022-1031(78)90023-9"},{"key":"IJCICG.2017070102-8","first-page":"1607","article-title":"The Gestural Image: The Selfie, Photography Theory, and Kinesthetic Sociability.","volume":"9","author":"P.Frosh","year":"2015","journal-title":"International Journal of Communication"},{"key":"IJCICG.2017070102-9","doi-asserted-by":"publisher","DOI":"10.7238\/a.v0i11.1220"},{"key":"IJCICG.2017070102-10","doi-asserted-by":"crossref","unstructured":"Galanter, P. (2014). Complexism and the Role of Evolutionary Art. In J. Romero & P. Machado (Eds.), The Art of Artificial Evolution A Handbook on Evolutionary Art and Music (pp. 311-333). Berlin: Springer.","DOI":"10.1007\/978-3-540-72877-1_15"},{"key":"IJCICG.2017070102-11","doi-asserted-by":"publisher","DOI":"10.1016\/j.brainresbull.2007.04.009"},{"issue":"2","key":"IJCICG.2017070102-12","first-page":"149","article-title":"Computer artefact: The crucial element in artistic practice in digital art and culture.","volume":"3","author":"A.Marcos","year":"2017","journal-title":"Revista Lus\u00f3fona de Estudos Culturais"},{"key":"IJCICG.2017070102-13","doi-asserted-by":"publisher","DOI":"10.1162\/LEON_a_00533"},{"key":"IJCICG.2017070102-14","doi-asserted-by":"publisher","DOI":"10.1177\/1470412911402879"},{"key":"IJCICG.2017070102-15","doi-asserted-by":"publisher","DOI":"10.2190\/5MQM-59JH-X21R-JN5J"},{"key":"IJCICG.2017070102-16","doi-asserted-by":"publisher","DOI":"10.1037\/aca0000049"}],"container-title":["International Journal of Creative Interfaces and Computer Graphics"],"original-title":[],"language":"ng","link":[{"URL":"https:\/\/www.igi-global.com\/viewtitle.aspx?TitleId=197393","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2022,5,6]],"date-time":"2022-05-06T18:47:53Z","timestamp":1651862873000},"score":1,"resource":{"primary":{"URL":"https:\/\/services.igi-global.com\/resolvedoi\/resolve.aspx?doi=10.4018\/IJCICG.2017070102"}},"subtitle":["A Non-Touch Interactive Artwork"],"short-title":[],"issued":{"date-parts":[[2017,7,1]]},"references-count":17,"journal-issue":{"issue":"2","published-print":{"date-parts":[[2017,7]]}},"URL":"https:\/\/doi.org\/10.4018\/ijcicg.2017070102","relation":{},"ISSN":["1947-3117","1947-3125"],"issn-type":[{"value":"1947-3117","type":"print"},{"value":"1947-3125","type":"electronic"}],"subject":[],"published":{"date-parts":[[2017,7,1]]}}}