{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,5,14]],"date-time":"2025-05-14T13:24:50Z","timestamp":1747229090290,"version":"3.40.5"},"edition-number":"1","reference-count":0,"publisher":"Edi\u00e7\u00f5es IPCB","isbn-type":[{"type":"print","value":"9789895330065"}],"content-domain":{"domain":[],"crossmark-restriction":false},"short-container-title":[],"published-print":{"date-parts":[[2022,7,7]]},"abstract":"<jats:p>Even with constant movements, in an attempt to update themselves, the images sufer and will always undergo changes performing their multiple roles and functions and, although, despite being in constant mutation, they will remain, as a structure (with the most diverse non-verbal codes of communication), since they serve as a touchstone for the timeless construction of collective memory. Here are refections on how to put unknown code into perspective. This is not the aim, but the meaning of the creator in the social body. Concepts are \"connected\" around the image or even an idea that is shared with others. It is the attractive force, in most cases managed by empathy, by the recognition of the codes used, which will legitimize (and at the same time relativize) the producer's participation in the social dynamics. Thus, the reconnaissance journey becomes longer, although it continues unequivocally. What can happen is that the recognition of the codes used is becoming more subtle. The main method of analysis used is the deductive one. This study deals with a relativization of concepts in the search for the previously established concept, in a personal (and perhaps eternal) attempt to constantly reorganize concepts.<\/jats:p>","DOI":"10.53681\/2022.i02\/02\/04","type":"book-chapter","created":{"date-parts":[[2022,8,26]],"date-time":"2022-08-26T22:17:41Z","timestamp":1661552261000},"page":"37-41","source":"Crossref","is-referenced-by-count":0,"title":["O criador, a cria\u00e7\u00e3o e a identifica\u00e7\u00e3o da imagem"],"prefix":"10.53681","author":[{"name":"Universidade de S\u00e3o Paulo e Universidade de Lisboa \u2013 CIAUD, S\u00e3o Paulo, Brasil","sequence":"first","affiliation":[]},{"ORCID":"https:\/\/orcid.org\/0000-0003-4373-4955","authenticated-orcid":false,"given":"Maria","family":"S\u00edlvia Barros de Held","sequence":"first","affiliation":[]},{"ORCID":"https:\/\/orcid.org\/0000-0002-5148-2316","authenticated-orcid":false,"given":"Carlos","family":"Alberto de Assun\u00e7\u00e3o Alho","sequence":"additional","affiliation":[]},{"name":"Universidade de Lisboa - Lisboa, Portugal","sequence":"additional","affiliation":[]}],"member":"31610","published-online":{"date-parts":[[2022,7,7]]},"container-title":["Investiga\u00e7\u00e3o e Ensino em Design e M\u00fasica"],"original-title":[],"deposited":{"date-parts":[[2022,8,26]],"date-time":"2022-08-26T22:17:49Z","timestamp":1661552269000},"score":1,"resource":{"primary":{"URL":"https:\/\/repositorio.ipcb.pt\/handle\/10400.11\/8037"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2022,7,7]]},"ISBN":["9789895330065"],"references-count":0,"URL":"https:\/\/doi.org\/10.53681\/2022.i02\/02\/04","relation":{},"subject":[],"published":{"date-parts":[[2022,7,7]]}}}