{"status":"ok","message-type":"work","message-version":"1.0.0","message":{"indexed":{"date-parts":[[2025,5,14]],"date-time":"2025-05-14T13:59:25Z","timestamp":1747231165640,"version":"3.40.5"},"reference-count":54,"publisher":"Sociedad de An\u00e1lisis y Teor\u00eda Musical","issue":"2","license":[{"start":{"date-parts":[[2023,12,7]],"date-time":"2023-12-07T00:00:00Z","timestamp":1701907200000},"content-version":"unspecified","delay-in-days":0,"URL":"https:\/\/creativecommons.org\/licenses\/by-nc-sa\/4.0"}],"content-domain":{"domain":[],"crossmark-restriction":false},"short-container-title":["S\u00famula"],"abstract":"<jats:p>En este art\u00edculo discuto algunas cuestiones conceptuales relacionadas con la teor\u00eda de los t\u00f3picos y, en particular, los problemas que plantea la distinci\u00f3n hecha por Raymond Monelle entre t\u00f3picos propiamente dichos e iconos musicales. Mi principal presupuesto es que, por regla general, el pictorialismo musical participa de la naturaleza ret\u00f3rica de la representaci\u00f3n musical y tiende a desarrollar sus propias continuidades y transformaciones t\u00f3picas a lo largo de la historia. Como estudio de caso, ofrezco un examen de la pieza de Wagner conocida como \u201cWaldweben\u201d \u2013de Siegfried, Acto II\u2013, centr\u00e1ndome en algunos de sus aspectos morfol\u00f3gicos \u2013mel\u00f3dico, arm\u00f3nico, r\u00edtmico, t\u00edmbrico, textural\u2013 y en las dimensiones intertextuales de su modo de representaci\u00f3n del paisaje natural. Llamo la atenci\u00f3n tanto sobre sus precedentes como sobre su posteridad, en ejemplos seleccionados de obras francesas, alemanas y rusas de finales del siglo XIX y principios del XX. Este enfoque intertextual permite la identificaci\u00f3n de un t\u00f3pico recurrente peculiar \u2013designado aqu\u00ed como t\u00f3pico de \u201cpaisaje sonoro\u201d\u2013 que puede considerarse como un elemento bien establecido del vocabulario ret\u00f3rico de gran parte de la \u201cm\u00fasica de la naturaleza\u201d de la \u00e9poca. Este jug\u00f3 un papel importante en la reconfiguraci\u00f3n de la temporalidad musical m\u00e1s all\u00e1 de sus implicaciones ret\u00f3ricas, al disolver la oposici\u00f3n de fondo y primer plano, y al neutralizar el potencial de una l\u00f3gica musical evolutiva\/narrativa seg\u00fan el modelo cl\u00e1sico-rom\u00e1ntico.\nPalabras clave: teor\u00eda de los t\u00f3picos, icono musical, intertextualidad, pictorialismo, temporalidad, paisaje\nAbstractIn this article, I discuss some conceptual questions relating to topic theory, and in particular the problems raised by Raymond Monelle\u2019s distinction between topics proper and musical icons. My main presupposition is that, as a rule, musical pictorialism partakes of the rhetorical nature of musical representation and tends to develop its own topical continuities and transformations throughout history. As a case study, I offer an examination of Wagner's piece known as \u201cWaldweben\u201d\u2014from Siegfried, Act II\u2014, focusing on some of its morphological aspects melodic, harmonic, rhythmic, timbral, textural\u2014and the intertextual dimensions of its mode of representation of the natural landscape. I draw attention both to its precedents and its posterity, in selected examples from works by French, German, and Russian composers of the late 19th and early 20th century. This intertextual approach allows the identification of a peculiar recurring topic\u2014designated here as a \u201csoundscape\u201d topic\u2014that can be regarded as a well-established element of the rhetorical vocabulary of a great deal of \u201cnature music\u201d of the period. The topic played an important role in the reconfiguration of musical temporality beyond its rhetorical implications, by dissolving the opposition of background and foreground, and neutralizing the potential of a developmental\/narrative musical logic after the Classic-Romantic model.\nKeywords: topic theory, musical icon, intertextuality, pictorialism, temporality, landscape<\/jats:p>","DOI":"10.59180\/29525993.a9859250","type":"journal-article","created":{"date-parts":[[2023,12,14]],"date-time":"2023-12-14T15:29:28Z","timestamp":1702567768000},"page":"120-140","source":"Crossref","is-referenced-by-count":0,"title":["\u201cWie ein Naturlaut\u201d: La representaci\u00f3n musical del paisaje como desaf\u00edo a la teor\u00eda de los t\u00f3picos"],"prefix":"10.59180","volume":"1","author":[{"ORCID":"https:\/\/orcid.org\/0000-0002-2737-1683","authenticated-orcid":false,"given":"Paulo F. de","family":"Castro","sequence":"first","affiliation":[]}],"member":"38292","published-online":{"date-parts":[[2023,12,7]]},"reference":[{"key":"1631","unstructured":"Adorno, Theodor W. [1949] 1975. Philosophie der neuen Musik. Fr\u00e1ncfort: Suhrkamp."},{"key":"1632","doi-asserted-by":"crossref","unstructured":"Agawu, V. Kofi. 1991. Playing with Signs: A Semiotic Interpretation of Classic Music. Princeton: Princeton University Press.","DOI":"10.1515\/9781400861835"},{"key":"1633","unstructured":"\u2013\u2013\u2013\u2013\u2013. 2008. \u201cTopic theory: Achievement, critique, prospects\u201d. En Passagen, IMS Kongress Z\u00fcrich 2007: F\u00fcnf Hauptvortr\u00e4ge, Five Key Note Speeches, editado por Laurenz L\u00fctteken y Hans-Joachim Hinrichsen, 38-69. Kassel: B\u00e4renreiter."},{"key":"1634","unstructured":"\u2013\u2013\u2013\u2013\u2013. 2009. Music as Discourse: Semiotic Adventures in Romantic Music. Nueva York: Oxford University Press."},{"key":"1635","doi-asserted-by":"crossref","unstructured":"Allanbrook, Wye Jamison. 1983. Rhythmic Gesture in Mozart: Le nozze di Figaro and Don Giovanni. Chicago: Chicago University Press.","DOI":"10.7208\/chicago\/9780226437712.001.0001"},{"key":"1636","unstructured":"Bohlman, Philip V. 2002. \u201cLandscape\u2013Region\u2013Nation\u2013Reich: German folk song in the nexus of national identity\u201d. En Music and German National Identity, editado por Celia Applegate y Pamela Potter, 105-127. Chicago: Chicago University Press."},{"key":"1637","doi-asserted-by":"crossref","unstructured":"Bukofzer, Manfred. 1939-1940. \u201cAllegory in Baroque music\u201d. Journal of the Warburg and Courtauld Institutes 3 (1-2): 1-21.","DOI":"10.2307\/750188"},{"key":"1638","doi-asserted-by":"crossref","unstructured":"Bullock, Philip Ross. 2017. \u201cLyric and landscape in Rimsky-Korsakov's songs\u201d. 19th-Century Music 40 (3): 223-238. https:\/\/doi.org\/10.1525\/ncm.2017.40.3.223","DOI":"10.1525\/ncm.2017.40.3.223"},{"key":"1639","doi-asserted-by":"crossref","unstructured":"Burnham, Scott. 2005. \u201cLandscape as music, landscape as truth: Schubert and the burden of repetition\u201d. 19th-Century Music 29 (1): 31-41. https:\/\/doi.org\/10.1525\/ncm.2005.29.1.31","DOI":"10.1525\/ncm.2005.29.1.31"},{"key":"1640","doi-asserted-by":"crossref","unstructured":"Burns, Lori y Serge Lacasse, editores. 2018. The Pop Palimpsest: Intertextuality in Recorded Popular Music. Ann Arbor: University of Michigan Press.","DOI":"10.3998\/mpub.9755813"},{"key":"1641","unstructured":"Burrow, Colin. 2013. Introducci\u00f3n a European Literature and the Latin Middle Ages, xi-xx. Princeton y Oxford: Princeton University Press [cf. Curtius [1948] (1993)]."},{"key":"1642","unstructured":"Castro, Paulo F. de. 2019. \u201cDionysian or tectological? On the cultural meaning of the \u2018machine music\u2019 topic in the early Soviet context\u201d. En Music and the Second Industrial Revolution, editado por Massimiliano Sala, 395-411. Turnhout: Brepols."},{"key":"1643","doi-asserted-by":"crossref","unstructured":"\u2013\u2013\u2013\u2013\u2013. 2021. \u201cTranstextuality according to G\u00e9rard Genette\u2013and Beyond\u201d. En Intertextuality in Music: Dialogic Composition, editado por Violetta Kostka, Paulo F. de Castro y William A. Everett, 131-144. Londres y Nueva York: Routledge.","DOI":"10.4324\/9781003092834-12"},{"key":"1644","unstructured":"Corrado, Omar. 2014. \u201cM\u00fasica argentina y producci\u00f3n del espacio: mapa, derivas\u201d. Revista Argentina de Musicolog\u00eda 14: 91-130. https:\/\/ojs.aamusicologia.ar\/index.php\/ram\/article\/view\/75"},{"key":"1645","unstructured":"Curtius, Ernst Robert. [1948] 1993. Europ\u00e4ische Literatur und lateinisches Mittelalter. Tubinga y Basilea: Francke."},{"key":"1646","unstructured":"Dahlhaus, Carl y Hans Heinrich Eggebrecht. 1987. Was ist Musik? Wilhelmshaven: Florian Noetzel."},{"key":"1647","doi-asserted-by":"crossref","unstructured":"Dickensheets, Janice. 2012. \u201cThe topical vocabulary of the nineteenth century\u201d. Journal of Musicological Research 31 (2-3): 97-137. https:\/\/doi.org\/10.1080\/01411896.2012.682887","DOI":"10.1080\/01411896.2012.682887"},{"key":"1648","unstructured":"Eco, Umberto. [1975] 1994. Trattato di semiotica generale. Mil\u00e1n: Bompiani."},{"key":"1649","unstructured":"Genette, G\u00e9rard. 1982. Palimpsestes: la litt\u00e9rature au second degr\u00e9. Par\u00eds: Seuil."},{"key":"1650","unstructured":"Grab\u00f3cz, M\u00e1rta. 2009. Musique, narrativit\u00e9, signification. Par\u00eds: L\u2019Harmattan."},{"key":"1651","doi-asserted-by":"crossref","unstructured":"Grey, Thomas S. 1997. \u201cTableaux vivants: Landscape, history painting, and the visual imagination in Mendelssohn\u2019s orchestral music\u201d. 19th-Century Music 21 (1): 38-76. https:\/\/doi.org\/10.2307\/746831","DOI":"10.2307\/746831"},{"key":"1652","doi-asserted-by":"crossref","unstructured":"Grimalt, Joan. 2020. Mapping Musical Signification. Cham: Springer.","DOI":"10.1007\/978-3-030-52496-8"},{"key":"1653","unstructured":"Grimley, Daniel M. 2006. Grieg: Music, Landscape and Norwegian Identity. Woodbridge: Boydell Press."},{"key":"1654","unstructured":"\u2013\u2013\u2013\u2013\u2013. 2018. Delius and the Sound of Place. Cambridge: Cambridge University Press."},{"key":"1655","doi-asserted-by":"crossref","unstructured":"Hatten, Robert. 1985. \u201cThe place of intertextuality in music studies\u201d. American Journal of Semiotics 3 (4): 69-82. https:\/\/doi.org\/10.5840\/ajs1985345","DOI":"10.5840\/ajs1985345"},{"key":"1656","unstructured":"\u2013\u2013\u2013\u2013\u2013. 2004. Interpreting Musical Gestures, Topics, and Tropes: Mozart, Beethoven, Schubert. Bloomington: Indiana University Press."},{"key":"1657","doi-asserted-by":"crossref","unstructured":"Hicks, Jonathan, Michael Uy y Carina Venter. 2016. \u201cIntroduction: Music and landscape\u201d. The Journal of Musicology 33 (1): 1-10. https:\/\/doi.org\/10.1525\/jm.2016.33.1.1","DOI":"10.1525\/jm.2016.33.1.1"},{"key":"1658","unstructured":"Jank\u00e9l\u00e9vitch, Vladimir. [1976] 1989. Debussy et le myst\u00e8re de l\u2019instant. Par\u00eds: Plon."},{"key":"1659","unstructured":"Johnson, Julian. 1999. Webern and the Transformation of Nature. Cambridge: Cambridge University Press."},{"key":"1660","unstructured":"\u2013\u2013\u2013\u2013\u2013. 2005. \u201cMahler and the idea of Nature\u201d. En Perspectives on Gustav Mahler, editado por Jeremy Barham, 23-36. Aldershot: Ashgate."},{"key":"1661","unstructured":"Klein, Michael L. 2005. Intertextuality in Western Art Music. Bloomington: Indiana University Press."},{"key":"1662","doi-asserted-by":"crossref","unstructured":"Korsyn, Kevin. 2001. \u201cBeyond privileged contexts: Intertextuality, influence, and dialogue\u201d. En Rethinking Music, editado por Nicholas Cook y Mark Everist, 55-72. Oxford: Oxford University Press.","DOI":"10.1093\/oso\/9780198790037.003.0004"},{"key":"1663","unstructured":"Laforgue, Jules. 1903. M\u00e9langes posthumes. Par\u00eds: Mercure de France."},{"key":"1664","unstructured":"Lichtenfeld, Monika. 1970. \u201cZur Technik der Klangfl\u00e4chenkomposition bei Wagner\u201d. En Das Drama Richard Wagners als musikalisches Kunstwerk, editado por Carl Dahlhaus, 161-167. Regensburg: G. Bosse."},{"key":"1665","unstructured":"McClelland, Clive. 2012. Ombra: Supernatural Music in the Eighteenth Century. Lanham: Lexington Books."},{"key":"1666","unstructured":"\u2013\u2013\u2013\u2013\u2013. 2017. Tempesta: Stormy Music in the Eighteenth Century. Lanham: Lexington Books."},{"key":"1667","doi-asserted-by":"crossref","unstructured":"McKay, Nicholas. 2007. \u201cOn topics today\u201d. Zeitschrift der Gesellschaft f\u00fcr Musiktheorie 4 (1-2): 159-183. https:\/\/doi.org\/10.31751\/251","DOI":"10.31751\/251"},{"key":"1668","unstructured":"Millington, Barry. 1992. \u201cSiegfried\u201d. En The New Grove Dictionary of Opera, editado por Stanley Sadie, 367-370. Londres: MacMillan."},{"key":"1669","doi-asserted-by":"crossref","unstructured":"Mirka, Danuta, editora. 2014. The Oxford Handbook of Topic Theory. Oxford: Oxford University Press.","DOI":"10.1093\/oxfordhb\/9780199841578.001.0001"},{"key":"1670","unstructured":"Monelle, Raymond. 2000. The Sense of Music: Semiotic Essays. Princeton: Princeton University Press."},{"key":"1671","unstructured":"\u2013\u2013\u2013\u2013\u2013. 2006. The Musical Topic: Hunt, Military and Pastoral. Bloomington: Indiana University Press."},{"key":"1672","unstructured":"Panos, Nearchos, Vangelis Lympouridis, George Athanasopoulos y Peter Nelson, editores. 2013. Proceedings of the International Conference on Music Semiotics: In Memory of Raymond Monelle. Edimburgo: University of Edinburgh."},{"key":"1673","doi-asserted-by":"crossref","unstructured":"Peattie, Thomas. 2015. Gustav Mahler\u2019s Symphonic Landscapes. Cambridge: Cambridge University Press.","DOI":"10.1017\/CBO9781139225243"},{"key":"1674","doi-asserted-by":"crossref","unstructured":"\u2013\u2013\u2013\u2013\u2013. 2021. \u201cMusic, Romantic landscape, and the visual\u201d. En The Cambridge Companion to Music and Romanticism, editado por Benedict Taylor, 56-73. Cambridge: Cambridge University Press.","DOI":"10.1017\/9781108647342.006"},{"key":"1675","doi-asserted-by":"crossref","unstructured":"Plesch, Melanie. 2018. \u201cFrom \u2018abandoned huts\u2019 to \u2018maps of the pampas\u2019: The topos of the Huella and the representation of landscape in Argentine art music\u201d. En Studies on a Global History of Music: A Balzan Musicology Project, editado por Reinhard Strohm, 345-379. Abingdon y Nueva York: Routledge.","DOI":"10.4324\/9781315163970-17"},{"key":"1676","unstructured":"Plesch, Melanie et al. 2017. \u201cDossier tem\u00e1tico\u201d. Revista portuguesa de musicologia 4 (1): 27-140. http:\/\/rpm-ns.pt\/index.php\/rpm\/issue\/view\/29"},{"key":"1677","unstructured":"Ratner, Leonard G. 1980. Classic Music: Expression, Form, and Style. Nueva York: Schirmer."},{"key":"1678","unstructured":"Rosen, Charles. 1995. The Romantic Generation. Cambridge, MA: Harvard University Press."},{"key":"1679","unstructured":"Schering, Arnold. 1941. Das Symbol in der Musik. Leipzig: Koehler & Amelang."},{"key":"1680","doi-asserted-by":"crossref","unstructured":"Sheinberg, Esti y William P. Dougherty, editores. 2020. The Routledge Handbook of Music Signification. Londres: Routledge.","DOI":"10.4324\/9781351237536"},{"key":"1681","doi-asserted-by":"crossref","unstructured":"Sisman, Elaine R. 1993. Mozart: The \u201cJupiter\u201d Symphony, no. 41 in C major, K. 551, Cambridge: Cambridge University Press.","DOI":"10.1017\/CBO9780511613418"},{"key":"1682","doi-asserted-by":"crossref","unstructured":"Taylor, Benedict. 2016. \u201cSeascape in the mist: Lost in Mendelssohn\u2019s Hebrides\u201d. 19th-Century Music 39 (3): 187-222. https:\/\/doi.org\/10.1525\/ncm.2016.39.3.187","DOI":"10.1525\/ncm.2016.39.3.187"},{"key":"1683","unstructured":"Volpe, Maria Alice. 2001. \u201cIndianismo and landscape in the Brazilian age of progress: Art music from Carlos Gomes to Villa-Lobos, 1870s-1930s\u201d. Tesis doctoral, University of Texas at Austin."},{"key":"1684","unstructured":"Wagner, Richard. 1861. Quatre po\u00e8mes d\u2019op\u00e9ras traduits en prose fran\u00e7aise pr\u00e9c\u00e9d\u00e9s d\u2019une lettre sur la musique. Par\u00eds: Librairie Nouvelle."}],"container-title":["S\u00famula: Revista de Teor\u00eda y An\u00e1lisis Musical"],"original-title":[],"link":[{"URL":"https:\/\/revistasumula.org\/index.php\/revista\/article\/download\/26\/39","content-type":"application\/pdf","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/revistasumula.org\/index.php\/revista\/article\/download\/26\/39","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2023,12,14]],"date-time":"2023-12-14T15:50:35Z","timestamp":1702569035000},"score":1,"resource":{"primary":{"URL":"https:\/\/revistasumula.org\/index.php\/revista\/article\/view\/26"}},"subtitle":[],"short-title":[],"issued":{"date-parts":[[2023,12,7]]},"references-count":54,"journal-issue":{"issue":"2","published-online":{"date-parts":[[2023,12,7]]}},"URL":"https:\/\/doi.org\/10.59180\/29525993.a9859250","relation":{},"ISSN":["2952-5993","2952-5993"],"issn-type":[{"type":"electronic","value":"2952-5993"},{"type":"print","value":"2952-5993"}],"subject":[],"published":{"date-parts":[[2023,12,7]]}}}