{"status":"ok","message-type":"work-list","message-version":"1.0.0","message":{"facets":{},"total-results":2625153,"items":[{"indexed":{"date-parts":[[2026,2,27]],"date-time":"2026-02-27T23:07:12Z","timestamp":1772233632716,"version":"3.50.1"},"description":"Architectural Design and Drawing","reference-count":0,"publisher":"Paul Mellon Centre for Studies in British Art","content-domain":{"domain":[],"crossmark-restriction":false},"DOI":"10.17658\/issn.2058-5462\/issue-06\/abuchanan\/002","type":"component","created":{"date-parts":[[2017,6,29]],"date-time":"2017-06-29T11:00:49Z","timestamp":1498734049000},"source":"Crossref","is-referenced-by-count":0,"prefix":"10.17658","member":"7105","deposited":{"date-parts":[[2017,6,29]],"date-time":"2017-06-29T11:01:51Z","timestamp":1498734111000},"score":31.18998,"resource":{"primary":{"URL":"http:\/\/britishartstudies.ac.uk\/issues\/issue-index\/issue-6\/wells-cathedral#002"}},"issued":{"date-parts":[[null]]},"references-count":0,"URL":"https:\/\/doi.org\/10.17658\/issn.2058-5462\/issue-06\/abuchanan\/002","relation":{"is-component-of":[{"id-type":"doi","id":"10.17658\/issn.2058-5462\/issue-06\/abuchanan","asserted-by":"object"}]}},{"indexed":{"date-parts":[[2024,5,8]],"date-time":"2024-05-08T04:13:58Z","timestamp":1715141638285},"edition-number":"0","reference-count":0,"publisher":"Routledge","isbn-type":[{"value":"9781315239415","type":"electronic"}],"content-domain":{"domain":[],"crossmark-restriction":false},"published-print":{"date-parts":[[2016,12,5]]},"DOI":"10.4324\/9781315239415-8","type":"book-chapter","created":{"date-parts":[[2020,12,2]],"date-time":"2020-12-02T01:00:56Z","timestamp":1606870856000},"page":"51-76","source":"Crossref","is-referenced-by-count":0,"title":["The Origins of Gothic Architectural Drawing"],"prefix":"10.4324","member":"301","container-title":["The Geometry of Creation"],"language":"en","deposited":{"date-parts":[[2020,12,24]],"date-time":"2020-12-24T21:03:31Z","timestamp":1608843811000},"score":29.26729,"resource":{"primary":{"URL":"https:\/\/www.taylorfrancis.com\/books\/9781351888981\/chapters\/10.4324\/9781315239415-8"}},"issued":{"date-parts":[[2016,12,5]]},"ISBN":["9781315239415"],"references-count":0,"URL":"https:\/\/doi.org\/10.4324\/9781315239415-8","published":{"date-parts":[[2016,12,5]]}},{"indexed":{"date-parts":[[2022,6,8]],"date-time":"2022-06-08T16:40:26Z","timestamp":1654706426957},"reference-count":0,"publisher":"De Gruyter","content-domain":{"domain":[],"crossmark-restriction":false},"published-print":{"date-parts":[[2017,12,31]]},"DOI":"10.1515\/9783035612714-004","type":"book-chapter","created":{"date-parts":[[2017,5,19]],"date-time":"2017-05-19T10:06:02Z","timestamp":1495188362000},"page":"45-66","source":"Crossref","is-referenced-by-count":0,"title":["Freehand drawing in architectural design"],"prefix":"10.1515","member":"374","container-title":["Basics Freehand Drawing"],"link":[{"URL":"https:\/\/www.degruyter.com\/view\/book\/9783035612714\/10.1515\/9783035612714-004.xml","content-type":"text\/html","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/www.degruyter.com\/document\/doi\/10.1515\/9783035612714-004\/xml","content-type":"application\/xml","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/www.degruyter.com\/document\/doi\/10.1515\/9783035612714-004\/pdf","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2022,6,8]],"date-time":"2022-06-08T16:12:52Z","timestamp":1654704772000},"score":28.535645,"resource":{"primary":{"URL":"https:\/\/www.degruyter.com\/document\/doi\/10.1515\/9783035612714-004\/html"}},"issued":{"date-parts":[[2017,12,31]]},"references-count":0,"alternative-id":["10.1515\/9783035612714-004","10.1515\/9783035612714"],"URL":"https:\/\/doi.org\/10.1515\/9783035612714-004","published":{"date-parts":[[2017,12,31]]}},{"indexed":{"date-parts":[[2023,9,12]],"date-time":"2023-09-12T05:40:05Z","timestamp":1694497205671},"reference-count":0,"publisher":"Wiley","issue":"4","license":[{"start":{"date-parts":[[2006,8,10]],"date-time":"2006-08-10T00:00:00Z","timestamp":1155168000000},"content-version":"vor","delay-in-days":40,"URL":"http:\/\/onlinelibrary.wiley.com\/termsAndConditions#vor"}],"content-domain":{"domain":["onlinelibrary.wiley.com"],"crossmark-restriction":true},"short-container-title":["Architectural Design"],"published-print":{"date-parts":[[2006,7]]},"abstract":"<jats:title>Abstract<\/jats:title><jats:p>Writing software is at the core of CEB Reas's artistic practice. The digital is his medium of choice rather than a means of manipulation. He reflects on the evolution of his work in software and why the history of using computers to produce visual images is largely an unrecorded one in the history of art, but why this might all be set to change as scripting takes on a new primacy in contemporary art. Copyright \u00a9 2006 John Wiley &amp; Sons, Ltd.<\/jats:p>","DOI":"10.1002\/ad.290","type":"journal-article","created":{"date-parts":[[2006,8,10]],"date-time":"2006-08-10T16:46:21Z","timestamp":1155228381000},"page":"26-33","update-policy":"http:\/\/dx.doi.org\/10.1002\/crossmark_policy","source":"Crossref","is-referenced-by-count":0,"title":["Process\/drawing"],"prefix":"10.1002","volume":"76","author":[{"given":"CEB","family":"Rea","sequence":"first","affiliation":[]}],"member":"311","published-online":{"date-parts":[[2006,8,10]]},"container-title":["Architectural Design"],"language":"en","link":[{"URL":"https:\/\/api.wiley.com\/onlinelibrary\/tdm\/v1\/articles\/10.1002%2Fad.290","content-type":"unspecified","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/onlinelibrary.wiley.com\/doi\/pdf\/10.1002\/ad.290","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2023,9,11]],"date-time":"2023-09-11T02:59:27Z","timestamp":1694401167000},"score":28.224442,"resource":{"primary":{"URL":"https:\/\/onlinelibrary.wiley.com\/doi\/10.1002\/ad.290"}},"issued":{"date-parts":[[2006,7]]},"references-count":0,"journal-issue":{"issue":"4","published-print":{"date-parts":[[2006,7]]}},"alternative-id":["10.1002\/ad.290"],"URL":"https:\/\/doi.org\/10.1002\/ad.290","archive":["Portico"],"ISSN":["0003-8504","1554-2769"],"issn-type":[{"value":"0003-8504","type":"print"},{"value":"1554-2769","type":"electronic"}],"published":{"date-parts":[[2006,7]]},"assertion":[{"value":"2006-08-10","order":2,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]},{"indexed":{"date-parts":[[2025,11,27]],"date-time":"2025-11-27T10:54:57Z","timestamp":1764240897201},"reference-count":0,"publisher":"Wiley","issue":"1","license":[{"start":{"date-parts":[[2016,1,4]],"date-time":"2016-01-04T00:00:00Z","timestamp":1451865600000},"content-version":"vor","delay-in-days":3,"URL":"http:\/\/onlinelibrary.wiley.com\/termsAndConditions#vor"}],"content-domain":{"domain":["onlinelibrary.wiley.com"],"crossmark-restriction":true},"short-container-title":["Architectural Design"],"published-print":{"date-parts":[[2016,1]]},"abstract":"<jats:p>Taking place in time, drawing is \u2018the fundamental act of design\u2019. It is instrumental in formulating duration in terms of process and also the ways in which architectural environments might be experienced. In this article, <jats:bold>Brian McGrath<\/jats:bold>, Dean of the School of Constructed Environments and Professor of Urban Design at Parsons School of Design in New York, reflects on three decades of experimental graphic work, which take a layered, multidimensional and augmented approach to representation.<\/jats:p>","DOI":"10.1002\/ad.2006","type":"journal-article","created":{"date-parts":[[2016,1,5]],"date-time":"2016-01-05T02:22:08Z","timestamp":1451960528000},"page":"88-97","update-policy":"http:\/\/dx.doi.org\/10.1002\/crossmark_policy","source":"Crossref","is-referenced-by-count":0,"title":["Drawing Time"],"prefix":"10.1002","volume":"86","author":[{"given":"Brian","family":"McGrath","sequence":"first","affiliation":[]}],"member":"311","published-online":{"date-parts":[[2016,1,4]]},"container-title":["Architectural Design"],"language":"en","link":[{"URL":"https:\/\/api.wiley.com\/onlinelibrary\/tdm\/v1\/articles\/10.1002%2Fad.2006","content-type":"unspecified","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/onlinelibrary.wiley.com\/doi\/pdf\/10.1002\/ad.2006","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2023,9,11]],"date-time":"2023-09-11T12:37:58Z","timestamp":1694435878000},"score":28.220406,"resource":{"primary":{"URL":"https:\/\/onlinelibrary.wiley.com\/doi\/10.1002\/ad.2006"}},"issued":{"date-parts":[[2016,1]]},"references-count":0,"journal-issue":{"issue":"1","published-print":{"date-parts":[[2016,1]]}},"alternative-id":["10.1002\/ad.2006"],"URL":"https:\/\/doi.org\/10.1002\/ad.2006","archive":["Portico"],"ISSN":["0003-8504","1554-2769"],"issn-type":[{"value":"0003-8504","type":"print"},{"value":"1554-2769","type":"electronic"}],"published":{"date-parts":[[2016,1]]},"assertion":[{"value":"2016-01-04","order":2,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]},{"indexed":{"date-parts":[[2025,9,17]],"date-time":"2025-09-17T16:04:17Z","timestamp":1758125057476},"reference-count":0,"publisher":"Wiley","issue":"4","license":[{"start":{"date-parts":[[2006,1,9]],"date-time":"2006-01-09T00:00:00Z","timestamp":1136764800000},"content-version":"vor","delay-in-days":192,"URL":"http:\/\/onlinelibrary.wiley.com\/termsAndConditions#vor"}],"content-domain":{"domain":["onlinelibrary.wiley.com"],"crossmark-restriction":true},"short-container-title":["Architectural Design"],"published-print":{"date-parts":[[2005,7]]},"abstract":"<jats:title>Abstract<\/jats:title><jats:p>Despite the obvious diversity in the ideology, materiality and character of architectural production, here it is argued that the way we (architects) draw is surprisingly uniform. One reason for this might be the limited range of materials and tools we draw with, and their generic qualities. Architect, researcher and maker <jats:bold>Nat Chard<\/jats:bold> reveals relationships between acts of drawing, making images and making ideas, by taking us through the design and manufacture of a series of analytical drawing instruments and contingent works. Copyright \u00a9 2005 John Wiley &amp; Sons, Ltd.<\/jats:p>","DOI":"10.1002\/ad.99","type":"journal-article","created":{"date-parts":[[2006,1,9]],"date-time":"2006-01-09T21:20:54Z","timestamp":1136841654000},"page":"22-29","update-policy":"http:\/\/dx.doi.org\/10.1002\/crossmark_policy","source":"Crossref","is-referenced-by-count":3,"title":["Drawing Instruments"],"prefix":"10.1002","volume":"75","author":[{"given":"Nat","family":"Chard","sequence":"first","affiliation":[]}],"member":"311","published-online":{"date-parts":[[2006,1,9]]},"container-title":["Architectural Design"],"language":"en","link":[{"URL":"https:\/\/api.wiley.com\/onlinelibrary\/tdm\/v1\/articles\/10.1002%2Fad.99","content-type":"unspecified","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/onlinelibrary.wiley.com\/doi\/pdf\/10.1002\/ad.99","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2023,9,11]],"date-time":"2023-09-11T16:49:40Z","timestamp":1694450980000},"score":28.121037,"resource":{"primary":{"URL":"https:\/\/onlinelibrary.wiley.com\/doi\/10.1002\/ad.99"}},"issued":{"date-parts":[[2005,7]]},"references-count":0,"journal-issue":{"issue":"4","published-print":{"date-parts":[[2005,7]]}},"alternative-id":["10.1002\/ad.99"],"URL":"https:\/\/doi.org\/10.1002\/ad.99","archive":["Portico"],"ISSN":["0003-8504","1554-2769"],"issn-type":[{"value":"0003-8504","type":"print"},{"value":"1554-2769","type":"electronic"}],"published":{"date-parts":[[2005,7]]},"assertion":[{"value":"2006-01-09","order":2,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]},{"indexed":{"date-parts":[[2023,9,14]],"date-time":"2023-09-14T07:14:54Z","timestamp":1694675694147},"reference-count":0,"publisher":"Wiley","issue":"5","license":[{"start":{"date-parts":[[2013,9,5]],"date-time":"2013-09-05T00:00:00Z","timestamp":1378339200000},"content-version":"vor","delay-in-days":4,"URL":"http:\/\/onlinelibrary.wiley.com\/termsAndConditions#vor"}],"content-domain":{"domain":["onlinelibrary.wiley.com"],"crossmark-restriction":true},"short-container-title":["Architectural Design"],"published-print":{"date-parts":[[2013,9]]},"DOI":"10.1002\/ad.1657","type":"journal-article","created":{"date-parts":[[2014,10,13]],"date-time":"2014-10-13T12:06:52Z","timestamp":1413202012000},"page":"14-19","update-policy":"http:\/\/dx.doi.org\/10.1002\/crossmark_policy","source":"Crossref","is-referenced-by-count":1,"title":["Architectural Drawing: Grasping for the Fifth Dimension"],"prefix":"10.1002","volume":"83","author":[{"given":"Neil","family":"Spiller","sequence":"first","affiliation":[]}],"member":"311","published-online":{"date-parts":[[2013,9,5]]},"container-title":["Architectural Design"],"language":"en","link":[{"URL":"https:\/\/api.wiley.com\/onlinelibrary\/tdm\/v1\/articles\/10.1002%2Fad.1657","content-type":"unspecified","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/onlinelibrary.wiley.com\/doi\/pdf\/10.1002\/ad.1657","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2023,9,13]],"date-time":"2023-09-13T07:23:13Z","timestamp":1694589793000},"score":28.119816,"resource":{"primary":{"URL":"https:\/\/onlinelibrary.wiley.com\/doi\/10.1002\/ad.1657"}},"issued":{"date-parts":[[2013,9]]},"references-count":0,"journal-issue":{"issue":"5","published-print":{"date-parts":[[2013,9]]}},"alternative-id":["10.1002\/ad.1657"],"URL":"https:\/\/doi.org\/10.1002\/ad.1657","archive":["Portico"],"ISSN":["0003-8504","1554-2769"],"issn-type":[{"value":"0003-8504","type":"print"},{"value":"1554-2769","type":"electronic"}],"published":{"date-parts":[[2013,9]]},"assertion":[{"value":"2013-09-05","order":2,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]},{"indexed":{"date-parts":[[2026,1,6]],"date-time":"2026-01-06T02:15:41Z","timestamp":1767665741081},"reference-count":0,"publisher":"Wiley","issue":"5","license":[{"start":{"date-parts":[[2013,9,5]],"date-time":"2013-09-05T00:00:00Z","timestamp":1378339200000},"content-version":"vor","delay-in-days":4,"URL":"http:\/\/onlinelibrary.wiley.com\/termsAndConditions#vor"}],"content-domain":{"domain":["onlinelibrary.wiley.com"],"crossmark-restriction":true},"short-container-title":["Architectural Design"],"published-print":{"date-parts":[[2013,9]]},"abstract":"<jats:title>Abstract<\/jats:title><jats:p>Head of the Department of Architecture and Landscape Architecture at the University of Greenwich, <jats:bold>Nic Clear<\/jats:bold> is renowned for his role in championing film and animation techniques in architectural education. Here he challenges architects to put aside their assigned roles as mere imagers or practice technicians and embrace \u2018the spatial possibilities offered by a whole range of emerging design activities \u2010 actual, augmented and virtual\u2019.<\/jats:p>","DOI":"10.1002\/ad.1637","type":"journal-article","created":{"date-parts":[[2015,10,13]],"date-time":"2015-10-13T20:10:21Z","timestamp":1444767021000},"page":"70-79","update-policy":"http:\/\/dx.doi.org\/10.1002\/crossmark_policy","source":"Crossref","is-referenced-by-count":5,"title":["Drawing Time"],"prefix":"10.1002","volume":"83","author":[{"given":"Nic","family":"Clear","sequence":"first","affiliation":[]}],"member":"311","published-online":{"date-parts":[[2013,9,5]]},"container-title":["Architectural Design"],"language":"en","link":[{"URL":"https:\/\/api.wiley.com\/onlinelibrary\/tdm\/v1\/articles\/10.1002%2Fad.1637","content-type":"unspecified","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/onlinelibrary.wiley.com\/doi\/pdf\/10.1002\/ad.1637","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2023,9,13]],"date-time":"2023-09-13T07:23:04Z","timestamp":1694589784000},"score":28.073376,"resource":{"primary":{"URL":"https:\/\/onlinelibrary.wiley.com\/doi\/10.1002\/ad.1637"}},"issued":{"date-parts":[[2013,9]]},"references-count":0,"journal-issue":{"issue":"5","published-print":{"date-parts":[[2013,9]]}},"alternative-id":["10.1002\/ad.1637"],"URL":"https:\/\/doi.org\/10.1002\/ad.1637","archive":["Portico"],"ISSN":["0003-8504","1554-2769"],"issn-type":[{"value":"0003-8504","type":"print"},{"value":"1554-2769","type":"electronic"}],"published":{"date-parts":[[2013,9]]},"assertion":[{"value":"2013-09-05","order":2,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]},{"indexed":{"date-parts":[[2023,9,12]],"date-time":"2023-09-12T05:10:03Z","timestamp":1694495403731},"reference-count":0,"publisher":"Wiley","issue":"4","license":[{"start":{"date-parts":[[2006,1,9]],"date-time":"2006-01-09T00:00:00Z","timestamp":1136764800000},"content-version":"vor","delay-in-days":192,"URL":"http:\/\/onlinelibrary.wiley.com\/termsAndConditions#vor"}],"content-domain":{"domain":["onlinelibrary.wiley.com"],"crossmark-restriction":true},"short-container-title":["Architectural Design"],"published-print":{"date-parts":[[2005,7]]},"abstract":"<jats:title>Abstract<\/jats:title><jats:p>The understanding and, consequently, the status of the terms architect, drawing and building, alter through context and time. Less recognised are the interdependencies that lie beneath their constituent parts; the drawing and the building, the designer and maker, the material and the immaterial. By reversing typical patterns of exchange, <jats:bold>Jonathan Hill<\/jats:bold> disrupts the security of the familiar and the certainty of the stable, and considers how drawing and building are both similar and different. Copyright \u00a9 2005 John Wiley &amp; Sons, Ltd.<\/jats:p>","DOI":"10.1002\/ad.98","type":"journal-article","created":{"date-parts":[[2006,1,9]],"date-time":"2006-01-09T21:20:50Z","timestamp":1136841650000},"page":"13-21","update-policy":"http:\/\/dx.doi.org\/10.1002\/crossmark_policy","source":"Crossref","is-referenced-by-count":5,"title":["Building the Drawing"],"prefix":"10.1002","volume":"75","author":[{"given":"Jonathan","family":"Hill","sequence":"first","affiliation":[]}],"member":"311","published-online":{"date-parts":[[2006,1,9]]},"container-title":["Architectural Design"],"language":"en","link":[{"URL":"https:\/\/api.wiley.com\/onlinelibrary\/tdm\/v1\/articles\/10.1002%2Fad.98","content-type":"unspecified","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/onlinelibrary.wiley.com\/doi\/pdf\/10.1002\/ad.98","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2023,9,11]],"date-time":"2023-09-11T16:49:38Z","timestamp":1694450978000},"score":27.84385,"resource":{"primary":{"URL":"https:\/\/onlinelibrary.wiley.com\/doi\/10.1002\/ad.98"}},"issued":{"date-parts":[[2005,7]]},"references-count":0,"journal-issue":{"issue":"4","published-print":{"date-parts":[[2005,7]]}},"alternative-id":["10.1002\/ad.98"],"URL":"https:\/\/doi.org\/10.1002\/ad.98","archive":["Portico"],"ISSN":["0003-8504","1554-2769"],"issn-type":[{"value":"0003-8504","type":"print"},{"value":"1554-2769","type":"electronic"}],"published":{"date-parts":[[2005,7]]},"assertion":[{"value":"2006-01-09","order":2,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]},{"indexed":{"date-parts":[[2025,11,26]],"date-time":"2025-11-26T16:23:27Z","timestamp":1764174207558},"reference-count":0,"publisher":"Wiley","issue":"5","license":[{"start":{"date-parts":[[2013,9,5]],"date-time":"2013-09-05T00:00:00Z","timestamp":1378339200000},"content-version":"vor","delay-in-days":4,"URL":"http:\/\/onlinelibrary.wiley.com\/termsAndConditions#vor"}],"content-domain":{"domain":["onlinelibrary.wiley.com"],"crossmark-restriction":true},"short-container-title":["Architectural Design"],"published-print":{"date-parts":[[2013,9]]},"abstract":"<jats:title>Abstract<\/jats:title><jats:p><jats:bold>Peter Cook<\/jats:bold> is the doyen of the architectural drawing world. He enthuses and champions the graphic in architectural schools across the globe, while producing extraordinary images within his own London\u2010based practice. Here he offers us the rare chance to look over his shoulder at CRAB studio, proffering some rare tips and insights; he shares his graphic predilections and recounts the evolution of some of his most recent drawings.<\/jats:p>","DOI":"10.1002\/ad.1638","type":"journal-article","created":{"date-parts":[[2015,10,13]],"date-time":"2015-10-13T05:26:19Z","timestamp":1444713979000},"page":"80-87","update-policy":"http:\/\/dx.doi.org\/10.1002\/crossmark_policy","source":"Crossref","is-referenced-by-count":4,"title":["Looking and Drawing"],"prefix":"10.1002","volume":"83","author":[{"given":"Peter","family":"Cook","sequence":"first","affiliation":[]}],"member":"311","published-online":{"date-parts":[[2013,9,5]]},"container-title":["Architectural Design"],"language":"en","link":[{"URL":"https:\/\/api.wiley.com\/onlinelibrary\/tdm\/v1\/articles\/10.1002%2Fad.1638","content-type":"unspecified","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/onlinelibrary.wiley.com\/doi\/pdf\/10.1002\/ad.1638","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2023,9,13]],"date-time":"2023-09-13T07:23:10Z","timestamp":1694589790000},"score":27.785301,"resource":{"primary":{"URL":"https:\/\/onlinelibrary.wiley.com\/doi\/10.1002\/ad.1638"}},"issued":{"date-parts":[[2013,9]]},"references-count":0,"journal-issue":{"issue":"5","published-print":{"date-parts":[[2013,9]]}},"alternative-id":["10.1002\/ad.1638"],"URL":"https:\/\/doi.org\/10.1002\/ad.1638","archive":["Portico"],"ISSN":["0003-8504","1554-2769"],"issn-type":[{"value":"0003-8504","type":"print"},{"value":"1554-2769","type":"electronic"}],"published":{"date-parts":[[2013,9]]},"assertion":[{"value":"2013-09-05","order":2,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]},{"indexed":{"date-parts":[[2024,9,7]],"date-time":"2024-09-07T20:08:03Z","timestamp":1725739683426},"publisher-location":"S\u00e3o Paulo","reference-count":1,"publisher":"Editora Blucher","content-domain":{"domain":[],"crossmark-restriction":false},"DOI":"10.5151\/proceedings-ecaadesigradi2019_171","type":"proceedings-article","created":{"date-parts":[[2020,5,5]],"date-time":"2020-05-05T16:44:41Z","timestamp":1588697081000},"page":"29-34","source":"Crossref","is-referenced-by-count":2,"title":["Architectural Drawing Recognition A case study for training the learning algorithm with architectural plan and section drawing images"],"prefix":"10.5151","author":[{"given":"Can","family":"Uzun","sequence":"additional","affiliation":[]},{"given":"Meryem Birg\u00fcl","family":"\u00c7olako\u011flu","sequence":"additional","affiliation":[]}],"member":"3104","published-online":{"date-parts":[[2019,12]]},"reference":[{"key":"ecaadesigradi2019_171-1","unstructured":"."}],"event":{"name":"37 Education and Research in Computer Aided Architectural Design in Europe and XXIII Iberoamerican Society of Digital Graphics, Joint Conference (N. 1)","start":{"date-parts":[[2019,9,11]]},"number":"23","location":"Porto, Portugal","end":{"date-parts":[[2019,9,13]]},"acronym":"37th eCAADe & 23rd SIGraDi"},"container-title":["Blucher Design Proceedings"],"deposited":{"date-parts":[[2020,5,11]],"date-time":"2020-05-11T18:03:24Z","timestamp":1589220204000},"score":27.557226,"resource":{"primary":{"URL":"http:\/\/www.proceedings.blucher.com.br\/article-details\/34243"}},"issued":{"date-parts":[[2019,12]]},"references-count":1,"URL":"https:\/\/doi.org\/10.5151\/proceedings-ecaadesigradi2019_171","published":{"date-parts":[[2019,12]]}},{"indexed":{"date-parts":[[2026,3,17]],"date-time":"2026-03-17T20:33:29Z","timestamp":1773779609539,"version":"3.50.1"},"reference-count":0,"publisher":"Wiley","issue":"5","license":[{"start":{"date-parts":[[2013,9,5]],"date-time":"2013-09-05T00:00:00Z","timestamp":1378339200000},"content-version":"vor","delay-in-days":4,"URL":"http:\/\/onlinelibrary.wiley.com\/termsAndConditions#vor"}],"content-domain":{"domain":["onlinelibrary.wiley.com"],"crossmark-restriction":true},"short-container-title":["Architectural Design"],"published-print":{"date-parts":[[2013,9]]},"abstract":"<jats:title>Abstract<\/jats:title><jats:p>Today, architecture is inextricably linked with drawing. Drawing and representation are generally regarded as the core skills of the professional architect. Architectural theorist and historian <jats:bold>Mario Carpo<\/jats:bold> challenges the notion that architecture has to necessarily be an art of drawing. He reminds us that the architect, as a maker of drawings, is in fact a fairly recent cultural and technical phenomenon \u2010 only emerging in early 15th\u2010century Italy. Could, then, the digital revolution of the last 20 years be starting to challenge the drawing's hegemony?<\/jats:p>","DOI":"10.1002\/ad.1646","type":"journal-article","created":{"date-parts":[[2015,10,13]],"date-time":"2015-10-13T04:08:58Z","timestamp":1444709338000},"page":"128-133","update-policy":"https:\/\/doi.org\/10.1002\/crossmark_policy","source":"Crossref","is-referenced-by-count":8,"title":["The Art of Drawing"],"prefix":"10.1002","volume":"83","author":[{"given":"Mario","family":"Carpo","sequence":"first","affiliation":[]}],"member":"311","published-online":{"date-parts":[[2013,9,5]]},"container-title":["Architectural Design"],"language":"en","link":[{"URL":"https:\/\/api.wiley.com\/onlinelibrary\/tdm\/v1\/articles\/10.1002%2Fad.1646","content-type":"unspecified","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/onlinelibrary.wiley.com\/doi\/pdf\/10.1002\/ad.1646","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2023,9,13]],"date-time":"2023-09-13T07:23:01Z","timestamp":1694589781000},"score":27.555193,"resource":{"primary":{"URL":"https:\/\/onlinelibrary.wiley.com\/doi\/10.1002\/ad.1646"}},"issued":{"date-parts":[[2013,9]]},"references-count":0,"journal-issue":{"issue":"5","published-print":{"date-parts":[[2013,9]]}},"alternative-id":["10.1002\/ad.1646"],"URL":"https:\/\/doi.org\/10.1002\/ad.1646","archive":["Portico"],"ISSN":["0003-8504","1554-2769"],"issn-type":[{"value":"0003-8504","type":"print"},{"value":"1554-2769","type":"electronic"}],"published":{"date-parts":[[2013,9]]},"assertion":[{"value":"2013-09-05","order":2,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]},{"indexed":{"date-parts":[[2023,8,31]],"date-time":"2023-08-31T04:47:50Z","timestamp":1693457270726},"reference-count":0,"publisher":"Wiley","issue":"4","license":[{"start":{"date-parts":[[2021,6,28]],"date-time":"2021-06-28T00:00:00Z","timestamp":1624838400000},"content-version":"vor","delay-in-days":0,"URL":"http:\/\/onlinelibrary.wiley.com\/termsAndConditions#vor"}],"content-domain":{"domain":["onlinelibrary.wiley.com"],"crossmark-restriction":true},"short-container-title":["Architectural Design"],"published-print":{"date-parts":[[2021,7]]},"abstract":"<jats:title>Abstract<\/jats:title><jats:p>Sometimes certain architectural education studios shine out, beacon\u2010like. <jats:bold>Riet Eeckhout<\/jats:bold>\u2019s studio at the Faculty of Architecture at KU Leuven, Belgium is one such. The students relish the freedom to variously explore the potential of relational architectural space and its representation. This freedom results in them devising their own working methods, and raises questions over many of the standard modes of architectural operation.<\/jats:p>","DOI":"10.1002\/ad.2716","type":"journal-article","created":{"date-parts":[[2021,6,29]],"date-time":"2021-06-29T00:33:23Z","timestamp":1624926803000},"page":"86-95","update-policy":"http:\/\/dx.doi.org\/10.1002\/crossmark_policy","source":"Crossref","is-referenced-by-count":0,"title":["Drawing on Situational Sites"],"prefix":"10.1002","volume":"91","author":[{"given":"Riet","family":"Eeckhout","sequence":"first","affiliation":[]}],"member":"311","published-online":{"date-parts":[[2021,6,28]]},"container-title":["Architectural Design"],"language":"en","link":[{"URL":"https:\/\/onlinelibrary.wiley.com\/doi\/pdf\/10.1002\/ad.2716","content-type":"application\/pdf","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/onlinelibrary.wiley.com\/doi\/pdf\/10.1002\/ad.2716","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2023,8,30]],"date-time":"2023-08-30T14:08:34Z","timestamp":1693404514000},"score":27.440561,"resource":{"primary":{"URL":"https:\/\/onlinelibrary.wiley.com\/doi\/10.1002\/ad.2716"}},"issued":{"date-parts":[[2021,6,28]]},"references-count":0,"journal-issue":{"issue":"4","published-print":{"date-parts":[[2021,7]]}},"alternative-id":["10.1002\/ad.2716"],"URL":"https:\/\/doi.org\/10.1002\/ad.2716","archive":["Portico"],"ISSN":["0003-8504","1554-2769"],"issn-type":[{"value":"0003-8504","type":"print"},{"value":"1554-2769","type":"electronic"}],"published":{"date-parts":[[2021,6,28]]},"assertion":[{"value":"2021-06-28","order":2,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]},{"indexed":{"date-parts":[[2023,9,12]],"date-time":"2023-09-12T06:10:14Z","timestamp":1694499014917},"reference-count":0,"publisher":"Wiley","issue":"5","license":[{"start":{"date-parts":[[2008,9,11]],"date-time":"2008-09-11T00:00:00Z","timestamp":1221091200000},"content-version":"vor","delay-in-days":10,"URL":"http:\/\/onlinelibrary.wiley.com\/termsAndConditions#vor"}],"content-domain":{"domain":["onlinelibrary.wiley.com"],"crossmark-restriction":true},"short-container-title":["Architectural Design"],"published-print":{"date-parts":[[2008,9]]},"abstract":"<jats:title>Abstract<\/jats:title><jats:p>In a paean to the mechanistic, <jats:bold>Neil Spiller<\/jats:bold> draws our attention to how Bryan Cantley of FORM:uLA in Los Angeles is a creating a little\u2010known \u2018laboratory of form casting four\u2010dimensional cartographies for possible new architectures\u2019. Copyright \u00a9 2008 John Wiley &amp; Sons, Ltd.<\/jats:p>","DOI":"10.1002\/ad.753","type":"journal-article","created":{"date-parts":[[2008,9,11]],"date-time":"2008-09-11T19:25:25Z","timestamp":1221161125000},"page":"132-133","update-policy":"http:\/\/dx.doi.org\/10.1002\/crossmark_policy","source":"Crossref","is-referenced-by-count":1,"title":["Drawing Strength From Machinery"],"prefix":"10.1002","volume":"78","author":[{"given":"Neil","family":"Spiller","sequence":"first","affiliation":[]}],"member":"311","published-online":{"date-parts":[[2008,9,11]]},"container-title":["Architectural Design"],"language":"en","link":[{"URL":"https:\/\/api.wiley.com\/onlinelibrary\/tdm\/v1\/articles\/10.1002%2Fad.753","content-type":"unspecified","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/onlinelibrary.wiley.com\/doi\/pdf\/10.1002\/ad.753","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2023,9,11]],"date-time":"2023-09-11T23:05:47Z","timestamp":1694473547000},"score":27.434553,"resource":{"primary":{"URL":"https:\/\/onlinelibrary.wiley.com\/doi\/10.1002\/ad.753"}},"issued":{"date-parts":[[2008,9]]},"references-count":0,"journal-issue":{"issue":"5","published-print":{"date-parts":[[2008,9]]}},"alternative-id":["10.1002\/ad.753"],"URL":"https:\/\/doi.org\/10.1002\/ad.753","archive":["Portico"],"ISSN":["0003-8504","1554-2769"],"issn-type":[{"value":"0003-8504","type":"print"},{"value":"1554-2769","type":"electronic"}],"published":{"date-parts":[[2008,9]]},"assertion":[{"value":"2008-09-11","order":2,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]},{"indexed":{"date-parts":[[2023,9,12]],"date-time":"2023-09-12T07:40:25Z","timestamp":1694504425978},"reference-count":0,"publisher":"Wiley","issue":"1","license":[{"start":{"date-parts":[[2014,1,16]],"date-time":"2014-01-16T00:00:00Z","timestamp":1389830400000},"content-version":"vor","delay-in-days":15,"URL":"http:\/\/onlinelibrary.wiley.com\/termsAndConditions#vor"}],"content-domain":{"domain":["onlinelibrary.wiley.com"],"crossmark-restriction":true},"short-container-title":["Architectural Design"],"published-print":{"date-parts":[[2014,1]]},"abstract":"<jats:title>Abstract<\/jats:title><jats:p>Architectural designer, maker and researcher <jats:bold>Birgir \u00d6rn J\u00f3nsson<\/jats:bold> describes Islands of Vision, a speculative design project that he developed while in Unit 23 at the Bartlett School of Architecture, University College London (UCL). Acknowledging the predominance of the image and the underutilisation of the full range of visual experience in contemporary life, J\u00f3nsson set out to explore the entire field of vision, reasserting the periphery \u2018as a rich and dynamic mode of sensation\u2019. With the aid of ScanLAB Projects and their 3D point cloud scanner, J\u00f3nsson scanned the project's site at Lee Valley Park, East London.<\/jats:p>","DOI":"10.1002\/ad.1702","type":"journal-article","created":{"date-parts":[[2014,1,16]],"date-time":"2014-01-16T18:57:55Z","timestamp":1389898675000},"page":"54-59","update-policy":"http:\/\/dx.doi.org\/10.1002\/crossmark_policy","source":"Crossref","is-referenced-by-count":0,"title":["Drawing into the Cloud"],"prefix":"10.1002","volume":"84","author":[{"given":"Birgir \u00d6rn","family":"J\u00f3nsson","sequence":"first","affiliation":[]}],"member":"311","published-online":{"date-parts":[[2014,1,16]]},"container-title":["Architectural Design"],"language":"en","link":[{"URL":"https:\/\/api.wiley.com\/onlinelibrary\/tdm\/v1\/articles\/10.1002%2Fad.1702","content-type":"unspecified","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/onlinelibrary.wiley.com\/doi\/pdf\/10.1002\/ad.1702","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2023,9,12]],"date-time":"2023-09-12T00:28:33Z","timestamp":1694478513000},"score":27.377342,"resource":{"primary":{"URL":"https:\/\/onlinelibrary.wiley.com\/doi\/10.1002\/ad.1702"}},"issued":{"date-parts":[[2014,1]]},"references-count":0,"journal-issue":{"issue":"1","published-print":{"date-parts":[[2014,1]]}},"alternative-id":["10.1002\/ad.1702"],"URL":"https:\/\/doi.org\/10.1002\/ad.1702","archive":["Portico"],"ISSN":["0003-8504","1554-2769"],"issn-type":[{"value":"0003-8504","type":"print"},{"value":"1554-2769","type":"electronic"}],"published":{"date-parts":[[2014,1]]},"assertion":[{"value":"2014-01-16","order":2,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]},{"indexed":{"date-parts":[[2026,3,3]],"date-time":"2026-03-03T22:06:45Z","timestamp":1772575605891,"version":"3.50.1"},"publisher-location":"New York: Routledge, 2019.","edition-number":"1","reference-count":0,"publisher":"Routledge","isbn-type":[{"value":"9781315567600","type":"electronic"}],"content-domain":{"domain":[],"crossmark-restriction":false},"DOI":"10.4324\/9781315567600","type":"monograph","created":{"date-parts":[[2019,4,4]],"date-time":"2019-04-04T08:53:01Z","timestamp":1554367981000},"source":"Crossref","is-referenced-by-count":11,"title":["Drawing Imagining Building"],"prefix":"10.4324","author":[{"given":"Paul","family":"Emmons","sequence":"first","affiliation":[]}],"member":"301","published-online":{"date-parts":[[2019,4,1]]},"language":"en","deposited":{"date-parts":[[2021,4,3]],"date-time":"2021-04-03T23:10:03Z","timestamp":1617491403000},"score":27.28624,"resource":{"primary":{"URL":"https:\/\/www.taylorfrancis.com\/books\/9781317179535"}},"subtitle":["Embodiment in Architectural Design Practices"],"issued":{"date-parts":[[2019,4,1]]},"ISBN":["9781315567600"],"references-count":0,"URL":"https:\/\/doi.org\/10.4324\/9781315567600","published":{"date-parts":[[2019,4,1]]}},{"indexed":{"date-parts":[[2025,5,20]],"date-time":"2025-05-20T04:12:23Z","timestamp":1747714343840,"version":"3.40.5"},"reference-count":0,"publisher":"DE GRUYTER","isbn-type":[{"type":"print","value":"9783764375775"},{"type":"electronic","value":"9783034609241"}],"content-domain":{"domain":[],"crossmark-restriction":false},"published-print":{"date-parts":[[2007,12,31]]},"DOI":"10.1515\/9783034609241.134","type":"book-chapter","created":{"date-parts":[[2012,10,11]],"date-time":"2012-10-11T14:42:42Z","timestamp":1349966562000},"page":"134-148","source":"Crossref","is-referenced-by-count":0,"title":["Design drawing"],"prefix":"10.1515","member":"374","container-title":["Tools for Ideas"],"link":[{"URL":"https:\/\/www.degruyter.com\/view\/book\/9783034609241\/10.1515\/9783034609241.134.xml","content-type":"text\/html","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/www.degruyterbrill.com\/document\/doi\/10.1515\/9783034609241.134\/xml","content-type":"application\/xml","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/www.degruyterbrill.com\/document\/doi\/10.1515\/9783034609241.134\/pdf","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2025,5,19]],"date-time":"2025-05-19T21:40:50Z","timestamp":1747690850000},"score":27.28114,"resource":{"primary":{"URL":"https:\/\/www.degruyterbrill.com\/document\/doi\/10.1515\/9783034609241.134\/html"}},"issued":{"date-parts":[[2007,12,31]]},"ISBN":["9783764375775","9783034609241"],"references-count":0,"alternative-id":["10.1515\/9783034609241.134","10.1515\/9783034609241"],"URL":"https:\/\/doi.org\/10.1515\/9783034609241.134","published":{"date-parts":[[2007,12,31]]}},{"indexed":{"date-parts":[[2023,8,25]],"date-time":"2023-08-25T04:58:26Z","timestamp":1692939506733},"reference-count":0,"publisher":"Wiley","issue":"4","license":[{"start":{"date-parts":[[2022,7,6]],"date-time":"2022-07-06T00:00:00Z","timestamp":1657065600000},"content-version":"vor","delay-in-days":5,"URL":"http:\/\/onlinelibrary.wiley.com\/termsAndConditions#vor"}],"content-domain":{"domain":["onlinelibrary.wiley.com"],"crossmark-restriction":true},"short-container-title":["Architectural Design"],"published-print":{"date-parts":[[2022,7]]},"abstract":"<jats:title>Abstract<\/jats:title><jats:p>Natalija Subotincic drinks from the well of Surrealism, in her case suffused with in\u2010depth drawing research into Sigmund Freud's consulting room and study and the precise placement of objects within them. This has led her to draw with objects in space as she constructs her own \u2018museum\u2019 cabinet of curiosities. Emeritus Professor of Architectural History and Theory <jats:bold>Alberto P\u00e9rez\u2010G\u00f3mez<\/jats:bold> takes us on a fascinating journey of discovery through her world.<\/jats:p>","DOI":"10.1002\/ad.2840","type":"journal-article","created":{"date-parts":[[2022,7,6]],"date-time":"2022-07-06T14:05:49Z","timestamp":1657116349000},"page":"94-101","update-policy":"http:\/\/dx.doi.org\/10.1002\/crossmark_policy","source":"Crossref","is-referenced-by-count":0,"title":["Hermeneutic Imagination: Drawing Out Freud"],"prefix":"10.1002","volume":"92","author":[{"given":"Alberto","family":"P\u00e9rez\u2010G\u00f3mez","sequence":"first","affiliation":[]}],"member":"311","published-online":{"date-parts":[[2022,7,6]]},"container-title":["Architectural Design"],"language":"en","link":[{"URL":"https:\/\/onlinelibrary.wiley.com\/doi\/pdf\/10.1002\/ad.2840","content-type":"application\/pdf","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/onlinelibrary.wiley.com\/doi\/pdf\/10.1002\/ad.2840","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2023,8,24]],"date-time":"2023-08-24T11:30:39Z","timestamp":1692876639000},"score":27.208416,"resource":{"primary":{"URL":"https:\/\/onlinelibrary.wiley.com\/doi\/10.1002\/ad.2840"}},"issued":{"date-parts":[[2022,7]]},"references-count":0,"journal-issue":{"issue":"4","published-print":{"date-parts":[[2022,7]]}},"alternative-id":["10.1002\/ad.2840"],"URL":"https:\/\/doi.org\/10.1002\/ad.2840","archive":["Portico"],"ISSN":["0003-8504","1554-2769"],"issn-type":[{"value":"0003-8504","type":"print"},{"value":"1554-2769","type":"electronic"}],"published":{"date-parts":[[2022,7]]},"assertion":[{"value":"2022-07-06","order":2,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]},{"indexed":{"date-parts":[[2025,2,15]],"date-time":"2025-02-15T05:14:29Z","timestamp":1739596469630,"version":"3.37.1"},"reference-count":0,"publisher":"University of Edinburgh","license":[{"start":{"date-parts":[[2018,3,12]],"date-time":"2018-03-12T00:00:00Z","timestamp":1520812800000},"content-version":"unspecified","delay-in-days":0,"URL":"https:\/\/creativecommons.org\/licenses\/by-nc-nd\/4.0"}],"content-domain":{"domain":[],"crossmark-restriction":false},"short-container-title":["DO"],"abstract":"<jats:p>\r\n\r\n\r\n\r\nDrawing, as both an object and an action, involves an entanglement of an author, the surface of their work and the space that the work occupies (both the space of production and the space of presentation). However, this entanglement between the drawer and the drawing is problematised by the mechanisation of the drawing process. If drawings are produced by machines, how does this relationship change? What new drawings emerge? What part does an author play in the drawing and how much are they implicated in the drawing that is produced? This article explores this question through the design-led research project Exquisite Drawing Machines, which involves making machines that make drawings.\r\nThis research is conducted by playing the surrealist game of the exquisite corpse with fifteen spring-wound drawing machines. One of the difficulties that arises from this research is how to mediate the role of the drawn surfaces of the exquisite corpses, the installation of the Exquisite Drawing Machines as objects-in-themselves, and the temporal-spatial event of play. I will explicate the relationship of these three modes and examine how these drawing machines and other strategies of automatism might surface qualities of the unexpected in the production of drawings.\r\nRead the full article online at: https:\/\/drawingon.org\/Issue-02-01-Exhibitionist-Drawing-Machines\r\n\r\n\r\n\r\n<\/jats:p>","DOI":"10.2218\/wpqsew96","type":"journal-article","created":{"date-parts":[[2025,2,14]],"date-time":"2025-02-14T11:42:36Z","timestamp":1739533356000},"page":"1-16","source":"Crossref","is-referenced-by-count":0,"title":["Exhibitionist Drawing Machines"],"prefix":"10.2218","volume":"2","author":[{"given":"Timothy","family":"Burke","sequence":"first","affiliation":[]}],"member":"5235","published-online":{"date-parts":[[2018,3,12]]},"container-title":["Drawing On: Journal of Architectural Research by Design"],"link":[{"URL":"https:\/\/open.journals.ed.ac.uk\/index.php\/drawing-on\/article\/download\/124\/134","content-type":"application\/pdf","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/open.journals.ed.ac.uk\/index.php\/drawing-on\/article\/download\/124\/135","content-type":"unspecified","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/open.journals.ed.ac.uk\/index.php\/drawing-on\/article\/download\/124\/134","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2025,2,14]],"date-time":"2025-02-14T11:43:05Z","timestamp":1739533385000},"score":27.161587,"resource":{"primary":{"URL":"https:\/\/open.journals.ed.ac.uk\/index.php\/drawing-on\/article\/view\/124"}},"issued":{"date-parts":[[2018,3,12]]},"references-count":0,"URL":"https:\/\/doi.org\/10.2218\/wpqsew96","ISSN":["2059-9978"],"issn-type":[{"value":"2059-9978","type":"electronic"}],"published":{"date-parts":[[2018,3,12]]}},{"indexed":{"date-parts":[[2024,7,12]],"date-time":"2024-07-12T05:12:39Z","timestamp":1720761159254},"reference-count":0,"publisher":"Wiley","issue":"5","license":[{"start":{"date-parts":[[2013,9,5]],"date-time":"2013-09-05T00:00:00Z","timestamp":1378339200000},"content-version":"vor","delay-in-days":4,"URL":"http:\/\/onlinelibrary.wiley.com\/termsAndConditions#vor"}],"content-domain":{"domain":["onlinelibrary.wiley.com"],"crossmark-restriction":true},"short-container-title":["Architectural Design"],"published-print":{"date-parts":[[2013,9]]},"abstract":"<jats:title>Abstract<\/jats:title><jats:p>Professor at the Bartlett School of Architecture (UCL) and a successful practitioner, <jats:bold>CJ Lim<\/jats:bold> has won international awards for his exquisite drawings, including the esteemed Royal Academy of Arts Grand Architecture Prize. Here CJ extols the virtue of narrative and signified meaning in buildings and describes his project London Short Stories that employs \u2018real and imaginary sites as springboards for the imagination\u2019. Often \u2018immoral, licentious, anarchical and unscientific\u2019, the short stories, which are three\u2010dimensional creations constructed out of paper, are from \u2018an aesthetic point of view, glorious, ravishing and a pleasure to behold\u2019.<\/jats:p>","DOI":"10.1002\/ad.1641","type":"journal-article","created":{"date-parts":[[2015,10,13]],"date-time":"2015-10-13T22:13:53Z","timestamp":1444774433000},"page":"102-107","update-policy":"http:\/\/dx.doi.org\/10.1002\/crossmark_policy","source":"Crossref","is-referenced-by-count":1,"title":["London Short Stories: Drawing Narratives"],"prefix":"10.1002","volume":"83","author":[{"given":"CJ","family":"Lim","sequence":"first","affiliation":[]}],"member":"311","published-online":{"date-parts":[[2013,9,5]]},"container-title":["Architectural Design"],"language":"en","link":[{"URL":"https:\/\/api.wiley.com\/onlinelibrary\/tdm\/v1\/articles\/10.1002%2Fad.1641","content-type":"unspecified","content-version":"vor","intended-application":"text-mining"},{"URL":"https:\/\/onlinelibrary.wiley.com\/doi\/pdf\/10.1002\/ad.1641","content-type":"unspecified","content-version":"vor","intended-application":"similarity-checking"}],"deposited":{"date-parts":[[2023,9,13]],"date-time":"2023-09-13T07:22:54Z","timestamp":1694589774000},"score":27.154303,"resource":{"primary":{"URL":"https:\/\/onlinelibrary.wiley.com\/doi\/10.1002\/ad.1641"}},"issued":{"date-parts":[[2013,9]]},"references-count":0,"journal-issue":{"issue":"5","published-print":{"date-parts":[[2013,9]]}},"alternative-id":["10.1002\/ad.1641"],"URL":"https:\/\/doi.org\/10.1002\/ad.1641","archive":["Portico"],"ISSN":["0003-8504","1554-2769"],"issn-type":[{"value":"0003-8504","type":"print"},{"value":"1554-2769","type":"electronic"}],"published":{"date-parts":[[2013,9]]},"assertion":[{"value":"2013-09-05","order":2,"name":"published","label":"Published","group":{"name":"publication_history","label":"Publication History"}}]}],"items-per-page":20,"query":{"start-index":0,"search-terms":"Architectural+drawing+and+design"}}}