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It emerged from a cultural and social landscape that was despoiled by poor design standards and increasingly mechanized and industrialized systems of manufacture. At its heart, it was a movement that aimed to change how and why art was made. In varying ways, it espoused collaboration between designers and craftspeople, instating joy in labor, working within the limitations of a medium, respecting materials, embedding artmaking in everyday life, and producing useful and beautiful objects for the many, not the few. Those making and writing on art in the wake of this movement have tended, broadly, to reflect on the Arts and Crafts movement as a historical development defined by its noble ideals, even if these were often idealistic and unfeasible. For many, the value of these ideals lies in their persistent relevance. 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Style, Theme and Context: Some Major Arts and Crafts Glazing Schemes"],"prefix":"10.37862","member":"5164","container-title":["Arts and Crafts Stained Glass"],"language":"en","deposited":{"date-parts":[[2026,3,13]],"date-time":"2026-03-13T20:41:36Z","timestamp":1773434496000},"score":25.44094,"resource":{"primary":{"URL":"https:\/\/aaeportal.com\/?id=-100536"}},"issued":{"date-parts":[[2015]]},"ISBN":["9780300284362"],"references-count":0,"URL":"https:\/\/doi.org\/10.37862\/aaeportal.003715.11","published":{"date-parts":[[2015]]}},{"indexed":{"date-parts":[[2026,2,28]],"date-time":"2026-02-28T01:02:41Z","timestamp":1772240561617,"version":"3.50.1"},"reference-count":0,"publisher":"Amsterdam University Press","isbn-type":[{"value":"9789048537938","type":"electronic"},{"value":"9789462986657","type":"print"}],"content-domain":{"domain":[],"crossmark-restriction":false},"published-print":{"date-parts":[[2018,6,15]]},"DOI":"10.2307\/j.ctv6hp2q9.8","type":"book-chapter","created":{"date-parts":[[2018,10,10]],"date-time":"2018-10-10T16:44:20Z","timestamp":1539189860000},"page":"69-108","source":"Crossref","is-referenced-by-count":0,"title":["The Qing Central Government Institutions in Control of the Handicrafts"],"prefix":"10.2307","member":"1121","container-title":["State and Crafts in the Qing Dynasty (1644-1911)"],"deposited":{"date-parts":[[2025,9,26]],"date-time":"2025-09-26T19:53:32Z","timestamp":1758916412000},"score":25.312962,"resource":{"primary":{"URL":"http:\/\/www.jstor.org\/stable\/10.2307\/j.ctv6hp2q9.8"}},"issued":{"date-parts":[[2018,6,15]]},"ISBN":["9789048537938","9789462986657"],"references-count":0,"URL":"https:\/\/doi.org\/10.2307\/j.ctv6hp2q9.8","relation":{"is-identical-to":[{"id-type":"doi","id":"10.5117\/9789462986657_CH02","asserted-by":"object"}]},"published":{"date-parts":[[2018,6,15]]}},{"indexed":{"date-parts":[[2025,5,14]],"date-time":"2025-05-14T04:07:50Z","timestamp":1747195670373,"version":"3.40.5"},"reference-count":0,"publisher":"Motif Akademi","content-domain":{"domain":[],"crossmark-restriction":false},"short-container-title":["Motif Akademi"],"accepted":{"date-parts":[[2024,2,8]]},"abstract":"<jats:p xml:lang=\"tr\">Kayna\u011f\u0131n\u0131 insano\u011flunun binlerce y\u0131ll\u0131k birikiminden alan el sanatlar\u0131, zamanla modern \u00e7a\u011fa ayak uydurup bir de\u011fi\u015fim dinami\u011fi i\u00e7erisinde yerini alm\u0131\u015ft\u0131r. \u00d6nemli bir k\u00fclt\u00fcrel miras kayna\u011f\u0131 olan ve ait oldu\u011fu toplumda \u015fekillenerek g\u00fcn\u00fcm\u00fcze k\u00fclt\u00fcrel miras \u00fcr\u00fcn\u00fc olarak ula\u015fan el sanatlar\u0131, olduk\u00e7a \u00f6nemli bir gelir alan\u0131 olu\u015fturmaktad\u0131r. Anadolu topraklar\u0131 \u00fczerinde ge\u00e7mi\u015fte var olmu\u015f bir\u00e7ok uygarl\u0131\u011f\u0131n birikimlerinden elde edilen \u00fcr\u00fcnler, ekonomik i\u015flevinin d\u0131\u015f\u0131nda k\u00fclt\u00fcrel miras i\u015flevini de s\u00fcrd\u00fcrmektedir. Geleneksel k\u00fclt\u00fcr\u00fcn el sanatlar\u0131 alanlar\u0131ndan olan yapma bebek\u00e7ilik, geleneksel ba\u015fl\u0131k, Ke\u00e7ecilik, sepet\u00e7ilik, deri i\u015f\u00e7ili\u011fi, ah\u015fap i\u015f\u00e7ili\u011fi, tak\u0131, dantel, oyalar vb. gibi sanat alanlar\u0131 ait oldu\u011fu toplumun sanatsal ve k\u00fclt\u00fcrel \u00f6zelliklerini yans\u0131tmaktad\u0131rlar. El sanatlar\u0131 malzeme ve teknik y\u00f6n\u00fcnden geleneksel y\u00f6ntemlerin kullan\u0131larak \u00fcretildi\u011fi ve ait oldu\u011fu toplumun geleneksel k\u00fclt\u00fcr\u00fcn\u00fc yans\u0131tan \u00f6nemli \u00fcr\u00fcnlerdir. G\u00fcn\u00fcm\u00fczde bu \u00fcr\u00fcnler artistik ve geleneksel olarak ayr\u0131\u015fmaktad\u0131r.\r\n\u00c7al\u0131\u015fmada, modern \u00e7a\u011f\u0131n getirisi olan sanayile\u015fme ve pop\u00fcler k\u00fclt\u00fcr ile \u00fcretilen artistik el sanatlar\u0131 ve k\u00fclt\u00fcr tarihi a\u00e7\u0131s\u0131ndan g\u00fcn ge\u00e7tik\u00e7e yok olmaya maruz kalan geleneksel el sanatlar\u0131 aras\u0131nda ki ba\u011flam ele al\u0131nm\u0131\u015ft\u0131r. Bu ama\u00e7 do\u011frultusunda makaleler, kitaplar, tezler ve g\u00f6rsel veriler incelenmi\u015f ve artistik el sanatlar\u0131 ve geleneksel el sanatlar\u0131 aras\u0131nda ba\u011flam \u00f6rneklerle belirtilmi\u015ftir.Turkish handicrafts, which takes its source from the thousands of years of human experience, has taken its place in a dynamic of change by keeping up with the modern age over time. Handicrafts, which are an important source of cultural heritage and  have been shaped in the society it belongs to, have reached today as a traditional cultural product and as a touristic product, today it constitutes an important income area. The Anatolia\u2019n lands in the past continue their cultural heritage function apart from their economic function. Artifical dolls, traditional headdresses, felt making, basketry, leather work, wood and woodworking, jewelry, lace and needlework, which are among the handicrafts of the traditional culture, reflect the artisticand cultural characteristics of the society they belong to.\r\nIn the study, artsitic handicarfts produced with industrialization and popular culture, which are the returns of the modern age, and traditional handicrafts that are subject to extinction day by day in terms of cultural history are discussed. For this purpose, articles, boks, theses and visual data were examined and the context between artistic handicrafts and tarditional handicrafts, was indicated with examples.<\/jats:p>","DOI":"10.12981\/mahder.1335601","type":"journal-article","created":{"date-parts":[[2024,3,12]],"date-time":"2024-03-12T19:20:57Z","timestamp":1710271257000},"source":"Crossref","is-referenced-by-count":0,"title":["T\u00dcRK EL SANATLARINDA ART\u0130ST\u0130K EL SANATLARI VE GELENEKSEL EL SANATLARI ARASINDA K\u0130 BA\u011eLAM","THE CONTEXT  BETWEEN ARTISTIC CRAFTS AND TRADITIONAL CRAFTS IN TURKISH HANDICRAFTS"],"prefix":"10.12981","author":[{"ORCID":"https:\/\/orcid.org\/0000-0003-4107-683X","authenticated-orcid":true,"given":"Mihrinaz","family":"S\u00d6Y\u00dcK G\u00dcVEN","sequence":"first","affiliation":[{"name":"ANKARA HACI BAYRAM VEL\u0130 \u00dcN\u0130VERS\u0130TES\u0130"}]}],"member":"5249","published-online":{"date-parts":[[2024,2,8]]},"container-title":["Motif Akademi Halk Bilimi Dergisi"],"language":"tr","deposited":{"date-parts":[[2024,3,12]],"date-time":"2024-03-12T19:20:58Z","timestamp":1710271258000},"score":25.233566,"resource":{"primary":{"URL":"https:\/\/dergipark.org.tr\/tr\/doi\/10.12981\/mahder.1335601"}},"issued":{"date-parts":[[2024,2,8]]},"references-count":0,"URL":"https:\/\/doi.org\/10.12981\/mahder.1335601","ISSN":["1308-4445"],"issn-type":[{"type":"print","value":"1308-4445"}],"published":{"date-parts":[[2024,2,8]]}},{"indexed":{"date-parts":[[2024,5,11]],"date-time":"2024-05-11T09:37:03Z","timestamp":1715420223004},"reference-count":0,"publisher":"Oxford University Press","isbn-type":[{"value":"9780190922467","type":"electronic"}],"content-domain":{"domain":[],"crossmark-restriction":false},"abstract":"<p>The Arts and Crafts movement emerged in 19th-century England in response to the hardships imposed on workers under a growing factory system. Critics denounced the degrading conditions that labor endured as well as the shoddy quality of goods flooding the market. Calling for a revival of handicraft, the movement\u2019s leaders argued that handcrafted wares were morally superior because of the way they were created and also more beautiful. Inspired by the Middle Ages, Arts and Crafts architects embraced the Gothic revival, joining craftsmen, often in guilds, to ornament and furnish churches, houses, and other buildings. Over time, leaders in the movement encouraged revivals of national and regional traditions, the use of local materials, and simple designs. Preservation of historic buildings also was championed. The Arts and Crafts movement has spawned hundreds of books, some academic and many directed to the popular market. To confuse matters for the serious researcher, more than a few coffee table books have been written by experts and should be consulted. Another challenge is the fact that many publications on the Arts and Crafts movement integrate studies of architecture, interior design, and the decorative arts. These studies are worth exploring as many Arts and Crafts architects were engaged in many manifestations of design, ranging from tile and stained glass to pottery and printing. Yet another challenge is the lack of clarity about what is considered Arts and Crafts architecture. The views promulgated by England\u2019s William Morris and his circle form an accepted basis for the movement. Its flowering in Great Britain is central to the literature, while the transmission of Arts and Crafts ideas to the United States has long been recognized. The influence of Arts and Crafts concepts to movements on the Continent, such as the Viennese Secession and Art Nouveau, is examined in some studies; however, architectural historians usually treat these developments as distinctive and do not position them directly under the Arts and Crafts umbrella. Most authors on American Arts and Crafts architecture have examined particular regions and specific architects. Others have written about various Arts and Crafts styles that took hold at the turn of the 20th century. A few writers have documented the craftsmen who collaborated with the Arts and Crafts architects while others have explored Arts and Crafts themes in garden design.<\/p>","DOI":"10.1093\/obo\/9780190922467-0012","type":"reference-entry","created":{"date-parts":[[2020,2,26]],"date-time":"2020-02-26T11:57:56Z","timestamp":1582718276000},"source":"Crossref","is-referenced-by-count":0,"title":["Arts and Crafts Movement"],"prefix":"10.1093","author":[{"given":"Maureen","family":"Meister","sequence":"first","affiliation":[]}],"member":"286","published-online":{"date-parts":[[2020,2,26]]},"container-title":["Architecture, Planning, and Preservation"],"original-title":["Arts and Crafts Movement"],"language":"en","deposited":{"date-parts":[[2021,9,23]],"date-time":"2021-09-23T19:34:22Z","timestamp":1632425662000},"score":25.172314,"resource":{"primary":{"URL":"https:\/\/oxfordbibliographies.com\/view\/document\/obo-9780190922467\/obo-9780190922467-0012.xml"}},"issued":{"date-parts":[[2020,2,26]]},"ISBN":["9780190922467"],"references-count":0,"URL":"https:\/\/doi.org\/10.1093\/obo\/9780190922467-0012","published":{"date-parts":[[2020,2,26]]}},{"indexed":{"date-parts":[[2024,9,11]],"date-time":"2024-09-11T15:07:23Z","timestamp":1726067243378},"reference-count":0,"publisher":"Oxford University Press","isbn-type":[{"type":"print","value":"9780195301731"}],"content-domain":{"domain":[],"crossmark-restriction":false},"published-print":{"date-parts":[[2006,4,6]]},"DOI":"10.1093\/acref\/9780195301731.013.44545","type":"reference-entry","created":{"date-parts":[[2020,2,11]],"date-time":"2020-02-11T13:22:44Z","timestamp":1581427364000},"source":"Crossref","is-referenced-by-count":0,"title":["Arts and Crafts"],"prefix":"10.1093","author":[{"given":"Rebekah Presson","family":"Mosby","sequence":"first","affiliation":[]}],"member":"286","published-online":{"date-parts":[[2006,12,1]]},"container-title":["African American Studies Center"],"original-title":["Arts and Crafts"],"language":"en","deposited":{"date-parts":[[2020,2,11]],"date-time":"2020-02-11T13:50:21Z","timestamp":1581429021000},"score":25.146217,"resource":{"primary":{"URL":"https:\/\/oxfordaasc.com\/view\/10.1093\/acref\/9780195301731.001.0001\/acref-9780195301731-e-44545"}},"issued":{"date-parts":[[2006,4,6]]},"ISBN":["9780195301731"],"references-count":0,"URL":"https:\/\/doi.org\/10.1093\/acref\/9780195301731.013.44545","published":{"date-parts":[[2006,4,6]]}},{"indexed":{"date-parts":[[2024,9,5]],"date-time":"2024-09-05T10:13:45Z","timestamp":1725531225483},"reference-count":0,"publisher":"Bonfring","content-domain":{"domain":[],"crossmark-restriction":false},"published-print":{"date-parts":[[2020,2,15]]},"DOI":"10.9756\/bp2020.1002\/46","type":"proceedings-article","created":{"date-parts":[[2020,2,19]],"date-time":"2020-02-19T04:42:16Z","timestamp":1582087336000},"page":"46","source":"Crossref","is-referenced-by-count":0,"title":["Marketing of Indigenous Handicrafts"],"prefix":"10.9756","author":[{"given":"Ms. Varnika","family":"Sagi","sequence":"first","affiliation":[]}],"member":"4722","published-online":{"date-parts":[[2020,2,15]]},"event":{"name":"International Conference On Contemporary Researches in Engineering, Science, Management & Arts, 2020"},"container-title":["International Conference On Contemporary Researches in Engineering, Science, Management &amp; Arts, 2020"],"original-title":["Marketing of Indigenous Handicrafts"],"deposited":{"date-parts":[[2020,2,19]],"date-time":"2020-02-19T04:42:36Z","timestamp":1582087356000},"score":24.910835,"resource":{"primary":{"URL":"http:\/\/conference.bonfring.org\/conferenceproceedings.php?conferencename=International%20Conference%20On%20Contemporary%20Researches%20in%20Engineering,%20Science,%20Management%20&%20Arts&id=4315"}},"issued":{"date-parts":[[2020,2,15]]},"references-count":0,"URL":"https:\/\/doi.org\/10.9756\/bp2020.1002\/46","published":{"date-parts":[[2020,2,15]]}},{"indexed":{"date-parts":[[2026,3,13]],"date-time":"2026-03-13T21:33:02Z","timestamp":1773437582209,"version":"3.50.1"},"reference-count":0,"publisher":"Paul Mellon Centre","isbn-type":[{"value":"9780300284362","type":"electronic"}],"content-domain":{"domain":[],"crossmark-restriction":false},"published-print":{"date-parts":[[2015]]},"DOI":"10.37862\/aaeportal.003715.6","type":"book-chapter","created":{"date-parts":[[2025,2,14]],"date-time":"2025-02-14T09:21:02Z","timestamp":1739524862000},"source":"Crossref","is-referenced-by-count":0,"title":["3. Arts and Crafts Stained Glass in the 1890s: Artists, Architects and Glass-Makers"],"prefix":"10.37862","member":"5164","container-title":["Arts and Crafts Stained Glass"],"language":"en","deposited":{"date-parts":[[2026,3,13]],"date-time":"2026-03-13T20:41:36Z","timestamp":1773434496000},"score":24.8967,"resource":{"primary":{"URL":"https:\/\/aaeportal.com\/?id=-100531"}},"issued":{"date-parts":[[2015]]},"ISBN":["9780300284362"],"references-count":0,"URL":"https:\/\/doi.org\/10.37862\/aaeportal.003715.6","published":{"date-parts":[[2015]]}},{"indexed":{"date-parts":[[2025,12,1]],"date-time":"2025-12-01T13:54:49Z","timestamp":1764597289281,"version":"3.46.0"},"publisher-location":"London","edition-number":"1","reference-count":0,"publisher":"Routledge","isbn-type":[{"value":"9781003704300","type":"electronic"}],"license":[{"start":{"date-parts":[[2025,10,1]],"date-time":"2025-10-01T00:00:00Z","timestamp":1759276800000},"content-version":"vor","delay-in-days":0,"URL":"http:\/\/creativecommons.org\/licenses\/by-nc\/4.0"}],"content-domain":{"domain":[],"crossmark-restriction":false},"published-print":{"date-parts":[[2025,10,1]]},"DOI":"10.5117\/9789462986657_ch02","type":"book-chapter","created":{"date-parts":[[2025,12,1]],"date-time":"2025-12-01T13:34:10Z","timestamp":1764596050000},"page":"69-108","source":"Crossref","is-referenced-by-count":0,"title":["The Qing Central Government Institutions in Control of the Handicrafts"],"prefix":"10.4324","author":[{"given":"Christine","family":"Moll-Murata","sequence":"first","affiliation":[]}],"member":"301","container-title":["State and Crafts in the Qing Dynasty (1644-1911)"],"language":"en","deposited":{"date-parts":[[2025,12,1]],"date-time":"2025-12-01T13:34:12Z","timestamp":1764596052000},"score":24.854504,"resource":{"primary":{"URL":"https:\/\/www.taylorfrancis.com\/books\/9781003704300\/chapters\/10.5117\/9789462986657_CH02"}},"issued":{"date-parts":[[2025,10,1]]},"ISBN":["9781003704300"],"references-count":0,"URL":"https:\/\/doi.org\/10.5117\/9789462986657_ch02","relation":{"is-identical-to":[{"id-type":"doi","id":"10.2307\/j.ctv6hp2q9.8","asserted-by":"subject"}]},"published":{"date-parts":[[2025,10,1]]}},{"indexed":{"date-parts":[[2022,3,30]],"date-time":"2022-03-30T00:02:45Z","timestamp":1648598565784},"reference-count":0,"publisher":"University Press of New England","content-domain":{"domain":[],"crossmark-restriction":false},"published-print":{"date-parts":[[2014,11,4]]},"DOI":"10.2307\/j.ctv1xx9bg3.12","type":"book-chapter","created":{"date-parts":[[2021,9,17]],"date-time":"2021-09-17T20:44:42Z","timestamp":1631911482000},"page":"154-187","source":"Crossref","is-referenced-by-count":0,"title":["Looking Backward:"],"prefix":"10.2307","member":"1121","container-title":["Arts and Crafts Architecture"],"deposited":{"date-parts":[[2021,9,17]],"date-time":"2021-09-17T20:45:05Z","timestamp":1631911505000},"score":24.784733,"resource":{"primary":{"URL":"http:\/\/www.jstor.org\/stable\/10.2307\/j.ctv1xx9bg3.12"}},"subtitle":["Colonial Revival as Arts and Crafts"],"issued":{"date-parts":[[2014,11,4]]},"references-count":0,"URL":"https:\/\/doi.org\/10.2307\/j.ctv1xx9bg3.12","published":{"date-parts":[[2014,11,4]]}}],"items-per-page":20,"query":{"start-index":0,"search-terms":"Handicrafts.+Arts+and+crafts"}}}